[ THEME SONG PLAYS ]
* I BET WE'VE BEEN TOGETHER FOR A MILLION YEARS *
* AND I'LL BET WE'LL BE TOGETHER FOR A MILLION MORE *
* OH, IT'S LIKE I STARTED BREATHING *
* ON THE NIGHT WE KISSED
* AND I CAN'T REMEMBER WHAT I EVER DID BEFORE *
* WHAT WOULD WE DO, BABY
* WITHOUT US?
* WHAT WOULD WE DO, BABY
* WITHOUT US?
* AND THERE AIN'T NO NOTHIN' *
* WE CAN'T LOVE EACH OTHER THROUGH *
* OOH-HOO
* WHAT WOULD WE DO, BABY
* WITHOUT US?
* SHA-LA-LA-LA
NOW, JENNIFER, THIS IS THE MOST DELICATE PART
OF THE PREPARATION OF MANICOTTI --
THE INSERTION OF THE CHEESE INTO THE SHELLS.
IT REQUIRES EXPERIENCE, GRACE,
AND DEFT HAND-EYE COORDINATION.
WATCH ME CAREFULLY. I'M ALL EYES, DAD.
YOU SEE, JENNIFER, THAT'S WHAT NOT TO DO.
DON'T DESTROY SHELLS. GOT IT.
AHH. I JUST WANT TO MAKE SURE YOU FULLY UNDERSTOOD.
YOUR MOTHER WILL BE DOWN SOON
TO SHOW YOU THE CORRECT METHOD.
WHERE IS SHE?
SHE'S IN THE LIVING ROOM WORKING WITH TERRY.
OH, REALLY? I DIDN'T THINK SHE WORKED WITH HIM ANYMORE.
WELL, SHE HASN'T SINCE SHE QUIT THE FIRM
TO HAVE ANDREW, BUT A COUPLE OF WEEKS AGO,
HE BROUGHT HER IN TO CONSULT ON A BIG PROJECT.
IT'S GREAT. SHE GETS TO WORK PART TIME.
AND SHE STILL HAS TIME TO DO THINGS AT HOME --
LIKE MAKE MANICOTTI.
ELYSE!
HEY, DAD, YOU WANT TO CALL THE COPS?
I FOUND THIS GUY IN THE DRIVEWAY GOING THROUGH THE GARBAGE.
ALEX, HE WAS LOOKING FOR THINGS TO USE IN HIS SCULPTURES.
Nick: HEY, NOW, LOOK,
I DON'T MEAN TO INSULT YOU OR NOTHING, MR. K.,
BUT I CAME UP EMPTY OUT THERE.
YOU KNOW, I MEAN, YOUR GARBAGE IS COMPLETELY USELESS.
AND AFTER ALL THE WORK I PUT INTO IT.
WELL, IS THERE ANYTHING YOU CAN USE HERE?
WHOA.
HEY. YOU BEEN HOLDING OUT ON ME, MR. K.?
OH, ALEX, ANDREW'S BEEN INVITED TO A BIRTHDAY PARTY
FOR A GIRL FROM HIS PLAY GROUP -- CINDY BECKER.
SHE'S GONNA BE 1 YEAR OLD ON SUNDAY.
IS SHE 1 ALREADY?
IT SEEMS LIKE JUST YESTERDAY SHE WAS ZERO.
ANYWAY, THE PARTY'S THIS SUNDAY,
AND EVERYONE ELSE IS BUSY.
CAN YOU TAKE HIM TO THE PARTY?
OH, COME ON, DAD.
ANDREW'S NOT A BABY ANYMORE.
IT'S TIME WE STOPPED CODDLING HIM.
HE'S GOT TO START GOING TO THESE PLACES BY HIMSELF.
ALEX, HE CAN'T WALK YET.
CINDY BECKER'S HOUSE IS ONLY A COUPLE OF MILES AWAY.
THAT'S CRAWLING DISTANCE.
CRAWL THERE MYSELF FROM TIME TO TIME.
I APPRECIATE YOU DOING THIS, ALEX.
OH, AND DON'T FORGET TO PICK UP A PRESENT
FOR ANDY TO GIVE TO CINDY.
WHAT HAPPENED TO THAT JAR OF FANCY MUSTARD
YOU GUYS GOT FOR CHRISTMAS?
YOU GAVE IT TO MALLORY FOR HER BIRTHDAY.
RIGHT, RIGHT.
HAVE YOU OPENED THAT YET, MAL?
ALEX! ALL RIGHT, ALL RIGHT!
I'LL GET HER SOMETHING -- I DON'T KNOW.
SNOW TIRES, DEODORANT...
DAD, WE'RE OUT OF PASTA SHELLS.
OH, RIGHT.
WOULD YOU KIDS MIND MAKING A RUN TO THE MARKET
TO GET SOME MORE PASTA SHELLS?
THANK YOU. SURE, DAD.
YEAH. THANK YOU.
HEY! HEY! OH.
SEE IF THEY HAVE ANY MADE OUT OF STEEL!
WELL, THE PRESENTATION'S DONE.
SHOULD BE ABLE TO COME IN WITH A GOOD, LOW BID, TOO. OH, GREAT.
YOU KNOW, I DON'T THINK I'D HAVE BEEN ABLE TO GET THIS THING TOGETHER
WITHOUT YOUR HELP, ELYSE.
OH, I DON'T KNOW IF THAT'S TRUE,
BUT I REALLY APPRECIATE YOUR BRINGING ME IN ON THIS, TERRY.
IT'S GREAT TO BE WORKING TOGETHER AGAIN.
IT'S THE LEAST I CAN DO.
I MEAN, AFTER ALL, YOU GOT ME MY FIRST JOB.
I WAS JUST A LONE, HELPLESS KID
FRESH OUT OF ARCHITECTURE SCHOOL, STEVE.
SHE FOUND ME WANDERING IN THE STREETS,
TOOK ME IN, CLOTHED ME, FED ME.
SAME HERE.
COME ON, TERRY.
SO, WHAT ELSE IS GOING ON IN YOUR LIFE, TER?
OH, HOW'S THAT WONDERFUL GIRL
YOU'VE BEEN DATING -- SUZANNE?
SHE LEFT ME.
OH, GEE, I'M SORRY TO HEAR THAT.
NOT AS SORRY AS I WAS.
BUT IT WASN'T HARD TO SPOT THE WARNING SIGNS,
LIKE WHEN SHE SAID,
"TERRY, I NEVER WANT TO SEE YOU AGAIN."
STEVEN, DON'T WE KNOW
SOME SINGLE GIRLS FOR TERRY?
WELL, TO BE HONEST WITH YOU,
I AM KIND OF GUN-SHY THESE DAYS.
IT'S GONNA TAKE ME A WHILE
BEFORE I'M READY TO START DATING.
I SUPPOSE I'M JUST AFRAID OF GETTING REJECTED AGAIN.
I DON'T THINK I COULD HANDLE THAT RIGHT NOW.
IT WOULD PROBABLY KILL ME.
WELL, GLAD I COULD CHEER YOU BOTH UP.
LOOK, I GOT A LOT OF WORK TO DO.
I BETTER GO.
I'LL CALL YOU TOMORROW, ELYSE.
OKAY, BYE-BYE, TERRY. BYE-BYE.
STEVEN...
NO, ELYSE.
NOW, WHAT WOULD BE SO WRONG
WITH FIXING TERRY UP WITH SOMEONE?
ELYSE, I'VE SEEN YOU IN THIS MODE BEFORE.
YOU GET OBSESSED WITH TRYING TO ORCHESTRATE
ANOTHER PERSON'S LOVE LIFE.
OH, I DO NOT.
OH, NO? REMEMBER WHEN YOU KEPT TRYING
TO FIND A DATE FOR NELSON ROSS?
I THOUGHT HE SHOULD HAVE A GIRLFRIEND.
HE'S A PRIEST.
NOT ANYMORE.
I DON'T THINK IT'S A GOOD IDEA
TO INTERFERE IN A MAN'S PERSONAL LIFE.
I DO.
STEVEN, I HATE TO SEE TERRY SO LONELY.
AND I WOULD LOVE TO INTRODUCE HIM TO SOMEONE NICE.
I THINK YOU SHOULD STAY OUT OF IT.
HOW ABOUT MRS. OBECK'S DAUGHTER, LIZ?
DON'T DO IT.
THEY'D BE PERFECT FOR EACH OTHER.
I THINK IT'S A MISTAKE.
I'LL INVITE THEM BOTH TO DINNER FRIDAY NIGHT.
IT'S A BAD IDEA.
I'M CALLING LIZ OBECK RIGHT NOW.
I'M SORRY I HAD TO PUT MY FOOT DOWN.
OKAY, STEVEN. DINNER'S IN THE OVEN.
TERRY AND LIZ SHOULD BE HERE ANY MINUTE.
I CAN FEEL IT, HONEY. ROMANCE IS IN THE AIR.
ELYSE, PLEASE.
LET THINGS HAPPEN NATURALLY. DON'T PUSH.
OH, COME ON, STEVEN.
WE WANT THESE PEOPLE TO LIKE EACH OTHER,
TO FALL IN LOVE, TO BE AS HAPPY AS WE ARE.
NOW SIT UP STRAIGHT.
ELYSE, PLEASE.
LET'S JUST HAVE A CASUAL DINNER.
IF LIZ AND TERRY HIT IT OFF, FINE.
IF NOT, THEY'LL GO THEIR SEPARATE WAYS.
STEVEN, IF THEY DON'T WALK OUT OF HERE HAND IN HAND,
THEY DON'T WALK OUT.
THE DATE TO THE DEATH. GOT IT.
[ DOORBELL RINGS ]
NOW THAT'S ONE OF THEM. YOU GET THE DOOR.
I'LL GET THE HORS D'OEUVERS. OKAY.
LIZ. NICE TO SEE YOU.
COME IN. COME IN.
HI, MR. KEATON. IT'S GOOD TO SEE YOU.
THANKS FOR THE INVITATION.
IT WAS A WONDERFUL SURPRISE.
MY WIFE'S IN THE KITCHEN. SHE'LL BE RIGHT OUT.
OH, AND TERRY SHOULD BE ALONG ANY MINUTE.
OH, WHO'S TERRY?
TERRY BRIDGEMAN, MY WIFE'S COLLEAGUE.
DIDN'T SHE MENTION HE WAS GONNA BE HERE?
NO.
WELL, UM, HE'S A YOUNG MAN SHE WANTED YOU TO MEET.
SORT OF FIXING YOU UP WITH HIM. [ CHUCKLES ]
OH.
IS SOMETHING WRONG?
WELL, IT'S JUST THAT I'VE BEEN SEEING SOMEONE
VERY SERIOUSLY FOR ABOUT TWO YEARS.
OH, BOY. LIZ, ARE YOU SURE?
WELL...
WELL, LOOK, I'M SORRY ABOUT THE MISUNDERSTANDING,
BUT THERE'S NO HARM DONE.
WE CAN STILL HAVE A NICE DINNER.
WELL, MR. KEATON, I'M A LITTLE WORRIED.
WELL, THIS MAY SOUND A LITTLE CONCEITED,
BUT I SORT OF HAVE A PROBLEM
WITH MEN BEING ATTRACTED TO ME.
NO!
NO, I MEAN, UM...
I MEAN, YOU SHOULDN'T WORRY ABOUT IT.
WELL, THE THING IS, THEY SEEM TO BE,
YOU KNOW, VERY INTERESTED IN ME.
IT'S JUST THAT -- WELL, I CAN'T BRING MYSELF TO TELL THEM
THAT I'M INVOLVED.
HI, LIZ.
I'M GLAD YOU COULD MAKE IT TONIGHT.
YOU LOOK WONDERFUL.
THANK YOU. MRS. KEATON --
[ DOORBELL RINGS ]
OH, THAT MUST BE TERRY.
WE INVITED ANOTHER FRIEND OVER.
I KNOW. LISTEN, UM -- EXCUSE ME.
ELYSE...
HI, TERRY. COME ON IN.
TERRY, I'D LIKE YOU TO MEET OUR NEIGHBOR LIZ OBECK.
LIZ, THIS IS OUR FRIEND TERRY BRIDGEMAN.
IT'S VERY NICE TO MEET YOU.
THANK YOU.
ELYSE HAS TOLD ME A LOT ABOUT YOU.
HOW NICE.
UH, ELYSE, MAY I --
MAY I SPEAK TO YOU FOR JUST A --
WHY DON'T WE COME ON IN AND SIT DOWN,
GET BETTER ACQUAINTED, HUH?
OKAY, UH, LIZ AND TERRY,
WHY DON'T YOU, UH -- SIT ON THE COUCH.
THERE.
ISN'T THIS NICE?
ELYSE, COULD I PLEASE SPEAK TO YOU IN PRIVATE, PLEASE,
ABOUT THE VEGETABLES WE'RE SERVING TONIGHT?
LIZ, DID I TELL YOU THAT TERRY IS AN ARCHITECT,
AND A VERY SUCCESSFUL ONE, TOO?
WELL, TELL HER, TERRY.
I'M...AN ARCHITECT.
WHAT'D I TELL YOU?
AND, TERRY, LIZ JUST GRADUATED FROM JOHNS HOPKINS.
SHE PLANS TO GO TO MEDICAL SCHOOL NEXT YEAR.
REALLY? THAT'S WONDERFUL, LIZ.
HE THINKS IT'S WONDERFUL.
ELYSE, CAN I PLEASE SPEAK TO YOU IN THE KITCHEN
ABOUT THOSE VEGETABLES?
LATER, STEVEN.
EXCUSE ME. MAY I USE YOUR RESTROOM?
OH, SURE. IT'S TOP OF THE STAIRS, FIRST DOOR ON YOUR LEFT.
SHOW HER WHERE IT IS, TERRY.
NO, NO, NO, IT'S ALL RIGHT. I'LL FIND IT.
WELL?
SHE'S INCREDIBLE, ELYSE.
SHE'S EVERYTHING YOU TOLD ME SHE WAS.
I MEAN, I KNOW I JUST MET HER,
BUT I GET THE FEELING
THAT THIS COULD BE THE GIRL FOR ME.
OHH!
ELYSE, I REALLY NEED TO SPEAK TO YOU
ABOUT THOSE VEGETABLES.
YOU REALLY LIKE HER?
OH, YEAH. SHE'S BEAUTIFUL.
ELYSE, EITHER WE TALK NOW ABOUT THE VEGETABLES,
OR I'M DIVORCING YOU.
EXCUSE US. EXCUSE ME.
UH, WELL...
IT'S LATE.
WE'RE ALL TIRED.
WE'VE HAD A GREAT TIME.
WHAT DO YOU SAY WE JUST CALL IT A NIGHT?
HI, HONEY.
HI, STEVEN.
ELYSE, ARE YOU STILL UPSET ABOUT LAST NIGHT?
WELL, WHY SHOULDN'T I BE?
STEVEN, I PROBABLY RUINED TERRY'S LIFE.
I SERIOUSLY DOUBT THAT, ELYSE.
STEVEN, IF THIS GIRL REJECTS TERRY,
IF HE GETS HURT AGAIN, THEN IT'S MY FAULT.
I SHOULD'VE DONE MORE TO KEEP THEM APART.
WHAT MORE COULD YOU HAVE DONE, ELYSE?
YOU INTERRUPTED EVERY TIME THEY TRIED TO SPEAK.
YOU RUSHED US ALL THROUGH DINNER.
WE PLAYED CHARADES, AND YOU SPELLED OUT,
"YOU'RE NO GOOD FOR EACH OTHER."
WELL, STEVEN,
LIZ ADMITTED TO YOU THAT SHE HAS A HISTORY OF DESTROYING MEN,
OF CRUSHING THEIR SPIRITS,
OF LEAVING THEM TO PICK UP THE PIECES
OF THEIR BROKEN, SHATTERED LIVES.
THOSE WEREN'T HER EXACT WORDS.
COME ON, ELYSE. LIZ IS A SENSITIVE GIRL.
SHE'S NOT GONNA STRING TERRY ALONG.
I'M SURE SHE TOLD HIM THE TRUTH LAST NIGHT.
AND I'M SURE HE TOOK IT IN STRIDE.
HE MAY BE DISAPPOINTED,
BUT HE'LL GET OVER IT.
[ KNOCK ON DOOR ]
HEY, GUYS. SORRY TO BOTHER YOU.
I JUST CAME BY TO PICK UP THOSE PLANS.
OH, SURE.
HOW YOU FEELING, TERRY?
GREAT.
REALLY? YOU MEAN, YOU'RE NOT DISAPPOINTED ABOUT LAST NIGHT?
WHY SHOULD I BE DISAPPOINTED?
I MET THE GREATEST GIRL OF MY LIFE LAST NIGHT.
ELYSE, AFTER WE LEFT HERE,
I INVITED HER OUT FOR A DRINK.
WE STAYED OUT TILL 3:00 IN THE MORNING.
OH, BOY, I'M TELLING YOU,
I'M ON CLOUD NINE, YOU GUYS.
I'M FLYING.
I'M IN LOVE, AND THE WHOLE WORLD IS GREAT!
WHOO!
THERE! ARE YOU HAPPY?
[ KNOCK ON DOOR ]
HEY, AL-EX! HOW MY LITTLE FRIEND?
FINE, N-ICK.
HOW'S MY NEANDERTHAL FRIEND?
I'M FINE.
HEY, LISTEN, YOU KNOW,
I KNOW YOU GOT TO GET A PRESENT
FOR THAT BIRTHDAY PARTY TOMORROW,
AND I WAS DROPPING SOME TOYS OFF BY THE ORPHANAGE,
AND THERE'S SOME STUFF THEY DIDN'T WANT.
SO I FIGURED YOU MIGHT BE ABLE TO USE IT
FOR CINDY BECKER. OH.
HEY, THIS, UH, DOLL OUGHT TO SHUT HER UP.
UH... MAKE HER HAPPY.
ALL RIGHT, SAY, YOU KNOW,
I GOT SOME OUTFITS AND STUFF OUT IN MY TRUCK.
I'LL BE RIGHT BACK.
HEY, MOM. YOU LOOK GREAT. WHERE YOU OFF TO?
YOUR FATHER AND I ARE GOING TO A COCKTAIL PARTY --
JUST SOME PEOPLE FROM MY OFFICE.
YOU SEEM EXCITED.
WELL, I GUESS I'M A LITTLE NERVOUS ABOUT THIS.
TERRY BRIDGEMAN AND THE GIRL I FIXED HIM UP WITH
ARE GONNA BE THERE.
WHAT'S WRONG WITH THAT?
WELL, TERRY REALLY LIKES THIS GIRL.
BUT IT TURNS OUT SHE HAS A BOYFRIEND
THAT SHE HASN'T TOLD HIM ABOUT.
I'M JUST AFRAID HE'S GONNA GET HIS HEART BROKEN,
THAT'S ALL.
AW, COME ON, MOM. IT'S NOT THAT BIG A DEAL.
I MEAN, TERRY IS A MATURE GUY.
BEEN AROUND THE BLOCK A FEW TIMES.
WHO'S THE GIRL?
LIZ OBECK.
WHOA.
LIZ OBECK? L--
FROM NEXT DOOR, LIZ OBECK?
WELL, MOM, THIS CHANGES EVERYTHING.
WHY?
LIZ OBECK IS NOT YOUR ORDINARY WOMAN.
GROWING UP WITH LIZ OBECK NEXT DOOR
CERTAINLY KEPT ME AWAKE MANY A WINTER NIGHT.
NOT TO MENTION SUMMER, SPRING, FALL,
WINTER AGAIN, SPRING...
ALL SET TO GO, DEAR?
YEAH.
DAD, DAD, DAD, DID YOU HEAR WHAT MOM DID? YEAH.
TERRY AND LIZ OBECK.
I KNOW, ALEX. I KNOW.
TERRY'S A DEAD MAN.
DROP IT!
SURE, SURE, SURE.
LET'S GO, HONEY.
LIZ OBECK.
LIZ. LIZ OBECK.
LIZ OBECK!
[ INDISTINCT CONVERSATIONS ]
THERE THEY ARE, STEVEN.
I CAN'T BELIEVE THE WAY SHE'S LEADING HIM ON.
ELYSE, SHE'S EATING A CRACKER.
LOOK, DON'T DO ANYTHING FOOLISH.
STEVEN, IT IS MY FAULT THAT TERRY'S IN THIS SITUATION.
I'M NOT GONNA STAND IDLY BY
WHILE HE GETS HIS HEART BROKEN AGAIN.
STEVEN. ELYSE.
SO GLAD YOU COULD MAKE IT.
NICE TO SEE YOU AGAIN, TED.
THANKS FOR INVITING US.
SAY, ELYSE,
I SAW THAT PROPOSAL YOU AND TERRY WORKED UP.
IT'S FANTASTIC.
ANY CHANCE OF YOUR COMING BACK TO WORK FOR US FULL TIME?
YEAH, THAT'S FINE.
I'LL START MONDAY. EXCUSE ME.
HI, ELYSE. YOU JUST GET HERE?
YEAH, YEAH.
I'M HAVING A GREAT TIME.
LIZ IS FANTASTIC.
YEAH.
HEY, TERRY,
I WAS THINKING,
DON'T YOU THINK YOU'RE REALLY TOO YOUNG
TO BE INVOLVED WITH JUST ONE PERSON?
I MEAN, THERE ARE SO MANY NICE, ATTRACTIVE WOMEN
YOU COULD BE DATING.
WHAT ABOUT HER?
THAT'S TED WATERMAN'S MOTHER. I KNOW.
LUCKILY, SHE'S A RECENT WIDOW.
ELYSE.
STEVEN, WOULD YOU PLEASE JUST GET SOMETHING TO EAT?
OKAY. OKAY. OKAY.
OH, HI, LIZ. HI, MR. KEATON.
OH, I WANT TO THANK YOU
FOR INVITING ME OVER THE OTHER NIGHT. OHH.
NO, I REALLY ENJOYED MEETING TERRY.
IN FACT, I FEEL A LITTLE SILLY
ABOUT RESISTING THE IDEA AT FIRST.
I MEAN, I REALLY LIKE HIM A LOT.
REALLY?
WHAT ABOUT WHAT YOU TOLD ME
ABOUT YOUR BEING INVOLVED WITH ANOTHER MAN?
WELL, UM,
I GUESS I'M NOT AS SERIOUS ABOUT THIS MAN
AS I THOUGHT I WAS.
AND I HAVEN'T TOLD TERRY
BECAUSE I KNOW HE JUST CAME OUT OF A BAD RELATIONSHIP
AND I'M AFRAID HE MIGHT REACT BADLY.
YOU HAVEN'T TOLD HIM, HAVE YOU?
NO. DON'T BE SILLY.
BECAUSE THAT WOULD BE TERRIBLE, MR. KEATON.
I MEAN, THAT WOULD RUIN EVERYTHING. COME HERE.
TERRY IS AN ARCHITECT.
AND YOUR SON RUNS AN ARCHITECTURE FIRM.
YOU'RE PERFECT FOR EACH OTHER.
HI, MRS. KEATON.
HI, LIZ.
ELYSE, MAY I PLEASE SPEAK WITH YOU, PLEASE?
SO, WHAT BRINGS YOU HERE?
WELL, TERRY INVITED ME. OH, I KNOW THAT.
I GUESS I'M JUST SURPRISED
THAT YOU'RE FREE, YOU KNOW?
THAT YOU AREN'T OUT WITH, YOU KNOW, MR. TWO YEARS.
WHO?
ELYSE, I REALLY NEED TO SPEAK WITH YOU.
LIZ, I THINK YOU SHOULD KNOW
THAT TERRY JUST CAME OUT OF A VERY BAD EXPERIENCE
IN A RELATIONSHIP.
HE'S FEELING VERY VULNERABLE.
SO DON'T YOU THINK
YOU OUGHT TO TELL HIM ABOUT...YOU KNOW? EXCUSE ME.
WHAT WAS SHE TALKING ABOUT?
IS THERE SOMEONE ELSE IN YOUR LIFE?
W-WELL, YES, BUT JUST FOR TWO YEARS.
I WAS GONNA TELL YOU.
NO. UH...
ACTUALLY, THIS WAS A NICE WAY TO FIND OUT.
EXCUSE ME.
NO, TERRY. WAIT.
TERRY. WAIT! OH, COME BACK!
TED'S PARTIES ALWAYS START OUT SLOWLY!
COME ON, NICK, WILL YOU HOLD HER STEADY?
I'M ALMOST DONE, NICK. HANG ON.
ALL RIGHT.
THAT'S IT.
HEY, SO I GUESS WE'RE DONE, HUH?
NO, NICK. OH.
WE'VE GOT HER WEARING PLAID
WITH A FLORAL PRINT.
SHE LOOKS LIKE A TRAMP.
COME ON, ALEX.
YOU KNOW, WE'VE BEEN AT THIS FOR TWO HOURS.
FIRST YOU TELL ME SHE CAN'T WEAR WHITE SHOES WITH A WOOL COAT.
THAT'S RIGHT, NICK.
YOU DON'T WEAR WHITE AFTER LABOR DAY.
ALL RIGHT.
THEN I PUT HER IN A PAIR OF JEANS,
AND YOU TELL ME YOU DON'T LIKE THAT.
IT IS A PARTY, NICK.
ALEX, I THINK SHE LOOKS OKAY.
SHE'S NOT GOING OUT OF THIS HOUSE WITH THOSE SHOES ON.
I'M SORRY. COME ON.
I THINK THIS, UH, PARTY DRESS WILL BE FINE.
COME ON. TAKE IT EASY ON HER, WILL YOU?
I AM, ALL RIGHT?
HOLD HER STEADY. OKAY. JUST A MINUTE.
ALL RIGHT. COME ON. DON'T WOBBLE HER!
WHAT ARE YOU TWO DOING?
MALLORY...
WE WERE JUST...
THIS IS THE SICKEST THING I'VE EVER SEEN.
IT'S A PRESENT FOR CINDY BECKER.
I THOUGHT YOU SAID YOU HADN'T BOUGHT A PRESENT YET.
HEY, NOW, LOOK, MALLORY, I CAN EXPLAIN.
I'M SURE YOU CAN. I'M SURE YOU CAN.
MALLORY, IT'S NOT WHAT YOU THINK.
TELL THAT TO THE POLICE, OKAY?
I'M SO ASHAMED.
IT'S NOT MINE, MOM.
IT'S NICK'S.
ALEX, PLAY IN ANOTHER ROOM.
SO, WHAT HAPPENED?
YOUR MOTHER DESTROYED ANY POSSIBILITY OF A RELATIONSHIP
BETWEEN TERRY AND LIZ.
OH.
SORRY TO HEAR THAT.
SO...
WHERE'S LIZ NOW?
ALEX, CONTROL YOURSELF.
LIZ IS TOO OLD FOR YOU.
STEVEN, I FEEL SO TERRIBLE ABOUT WHAT I DID.
WOULD I BE OVERREACTING
IF I ASKED YOU TO NEVER LET ME SPEAK TO ANYONE
OR LEAVE THE HOUSE EVER AGAIN?
NO.
[ DOORBELL RINGS ]
I'LL GET IT.
ALEX, NICE TO SEE YOU.
LIZ.
LIZ OBECK.
MR. AND MRS. KEATON, I'M SORRY TO BOTHER YOU.
BUT I NEEDED TO COME OVER AND SPEAK WITH YOU.
COME ON IN, LIZ.
UH...ALEX.
CAN'T I STAY, DAD?
I'M AFRAID NOT.
I'LL BE GOOD, DAD. PLEASE. PLEASE. PLEASE.
ALEX!
OHH. OKAY.
JUST TELL HER -- TELL HER I'LL BE IN THE KITCHEN
MAKING HER FAVORITE MEAL, OKAY?
WHATEVER THAT MIGHT BE.
I JUST CAME OVER TO APOLOGIZE. FOR WHAT?
FOR ALL THE TROUBLE I CREATED.
OH, LIZ, LIZ, LIZ.
YOU'VE GOT IT ALL WRONG.
IT'S ALL MY FAULT.
SHE'S RIGHT. IT IS.
HI. I CAME IN FROM THE KITCHEN,
AND ALEX TOLD ME YOU GUYS WOULD PROBABLY...BE --
OH, EXCUSE ME, I DIDN'T KNOW THAT --
[ SIGHS ]
I BETTER GO.
WELL... I'D BETTER GO, TOO.
STOP!
DON'T MOVE!
CAN I HAVE ONE MORE SHOT AT THIS?
GO AHEAD.
OKAY. COME ON IN A LITTLE FURTHER.
UH...
OKAY. NOW, SOMETHING NEEDS TO BE CLEARED UP HERE.
YOU TWO LIKE EACH OTHER A LOT.
BUT IT SEEMS TO ME, TERRY, THAT YOU'RE AFRAID
THAT SINCE LIZ WAS INVOLVED WITH SOMEONE WHEN YOU MET
THAT SHE'S JUST LEADING YOU ON.
BUT IS THAT THE CASE, LIZ?
NO. DEFINITELY NOT.
AND, LIZ, IT SEEMS THAT YOU'RE AFRAID
THAT TERRY DOESN'T WANT TO SEE YOU ANYMORE
BECAUSE YOU WEREN'T HONEST WITH HIM FROM THE START.
IS THAT THE CASE, TERRY?
NO.
GO OUT AND HAVE A GOOD TIME.
IN FACT, GO TO GUIDO'S.
WE HAVE AN ACCOUNT THERE.
YOU CAN CHARGE EVERYTHING TO US.
UH, HONEY.
I AM KIND OF HUNGRY.
ME TOO.
GOOD! GO!
AND IF YOU EVENTUALLY GET MARRIED,
DON'T INVITE ME!
NOT BAD. MM.
[ BOTH SIGH ]
THANK YOU.
[ CHUCKLES ]
STEVEN?
YES?
YOU REMEMBER THAT AGREEMENT WE MADE
ABOUT ME NOT SPEAKING TO ANYONE AGAIN
OR EVER GOING OUT OF THE HOUSE AGAIN?
YES.
WELL, SINCE I JUST SET EVERYTHING RIGHT,
WON'T YOU LET ME OUT OF THAT?
ABSOLUTELY NOT.
LIZ! LIZ, WAIT!
HE'S NO GOOD FOR YOU!