[ THEME SONG PLAYS ] * I BET WE'VE BEEN TOGETHERFOR A MILLION YEARS * * AND I'LL BET WE'LL BE TOGETHERFOR A MILLION MORE * * OH, IT'S LIKEI STARTED BREATHING * * ON THE NIGHT WE KISSED * AND I CAN'T REMEMBERWHAT I EVER DID BEFORE * * WHAT WOULD WE DO, BABY * WITHOUT US? * WHAT WOULD WE DO, BABY * WITHOUT US? * AND THEREAIN'T NO NOTHIN' * * WE CAN'T LOVEEACH OTHER THROUGH * * OOH-HOO * WHAT WOULD WE DO, BABY * WITHOUT US? * SHA-LA-LA-LA WHAT COLOR SHOULD I MAKETHE HAIR, UNCLE NICK? ANY COLOR, ANDY. LET'S SEE,GREEN AND PURPLE ARE GOOD COLORSFOR HAIR. YEAH,THEY'RE FABULOUS. PURPLE. NO, NO, NO.ANDY, ANDY. ANDY, YOU DON'T WANT TO DRAWSOMEONE WITH PURPLE HAIR. WHY NOT? BECAUSE NORMAL PEOPLEDO NOT HAVE PURPLE HAIR. ASIDE FROM YOUR FAMILY, EVERYBODY I KNOWHAS GOT PURPLE HAIR. I REPEAT -- NORMAL PEOPLEDO NOT HAVE PURPLE HAIR. WHAT DOES THAT GOT TO DOWITH ANYTHING, ANYWAY? YOU KNOW, AN ARTIST SEES COLORSTHAT NOBODY ELSE CAN SEE. THAT'S RIGHT. EVERYBODY GIVES OFFA DIFFERENT COLOR. THEY'RE CALLED AURAS, AND THEY REPRESENTTHE SPIRIT OF THAT PERSON. IS THAT SO? I MEAN NICK, FOR INSTANCE,IS A FIERY RED. AND ANDY IS A BRIGHT,BRILLIANT BLUE. AND YOU'RE --YOU'RE SORT OF... YOU DON'T HAVE A COLOR,ALEX. LOOK, THIS IS A SIMPLEREPUBLICAN HEROES COLORING BOOK. NOW, THE ONLY COLORS THAT SHOULDBE USED FOR HAIR IN THIS BOOK IS BROWN, BLACK, RED, BLOND,AND BALD. ALL RIGHT, ANDY,HUMOR HIM. MAKE THE HAIR BLOND,BUT PUT IT IN A MOHAWK. NO, NO, NO, NO.WAIT A MINUTE, WAIT A MINUTE. YOU'RE NOT GIVING RONALD REAGANA MOHAWK. YOU'RE RIGHT.HE'S IN ENOUGH TROUBLE. OKAY, TIME FOR BED. ALL RIGHT, HEY, COME ON.I'LL TAKE YOU UP, HUH? ALL RIGHT, I'LL BE UP INA COUPLE MINUTES TO MAKE SUREYOUR PAJAMAS MATCH. KISS.THANK YOU. [ IMITATES ROCKETBLASTING OFF ] BYE. GOOD NIGHT, MALLORY. GOOD NIGHT, ANDY. UGH. THESE NIGHTS MOM AND DADGO OUT ARE TOUGH. I THINK IT'S SWEET. AND IT'S NICE FOR THEMTO GET OUT. YOU KNOW, ONCE A WEEKMEETING DOWNTOWN FOR DINNER OR A MOVIE,JUST THE TWO OF THEM. IT'S THE KIND OF THINGTHAT KEEPS THEM SO CLOSE. I'M NOT SAYING YOU'RE NOTENTITLED TO AN OPINION. I'M JUST SAYINGTHAT I HAVE TO QUESTION THE DEPTH OF ANYONEWHO DOESN'T LIKE THAT MOVIE. THAT'S ALL. I SEE. WHAT MOVIEDID YOU GO TO? "OUT OF AFRICA." AND YOU LIKED IT, MOM? OH, OH,IT WAS BEAUTIFUL. I LAUGHED. I CRIED. I WAS TRANSPORTEDTO ANOTHER TIME AND PLACE. DAD? REMEMBERUNCLE EDDIE'S SLIDES OF HIS TRIP TO AFRICA? SURE. SAME THING. EXCEPT INSTEAD OFUNCLE EDDIE AND AUNT RHODA, THIS HAD ROBERT REDFORDAND MERYL STREEP. I'M SO SICK OF YOU PUTTING DOWNMERYL STREEP. I'M SICK OF YOU PUTTING DOWNAUNT RHODA. OKAY, LOOK, BEFORE THIS GETSENTIRELY OUT OF HAND, LET'S NOT FORGET THE FILMSTHAT WE HAVE BOTH LOVED OVER THE YEARS. GOOD IDEA. "GONE WITH THE WIND." "ANNIE HALL." "IT'S A WONDERFUL LIFE.""ADAM'S RIB." "IT HAPPENED ONE NIGHT.""CASABLANCA." "E.T." PHONE HOME.PHONE HOME. PHONE HOME.PHONE HOME. WELL, THEY SEEM HAPPY. OH, KIDS, KIDS, KIDS,I ALMOST FORGOT. I'VE GOT BIG NEWSFOR YOU. WHAT?WHAT IS IT, DAD? THE STATION HAS DECIDEDTO AWARD A SCHOLARSHIP IN INDEPENDENT STUDYIN ANY FIELD. NOW, THE COMPETITION IS OPEN ONLY TO CHILDRENOF WKS EMPLOYEES. HOW MUCH MONEYWILL I WIN? THE ACTUAL AWARDIS $2,500, BUT THERE'S NO GUARANTEEINGYOU'LL WIN. NOW, WE EXPECT TO HAVEOVER 100 APPLICANTS. UH, COULD I GET THATIN ONE LUMP SUM? OR CAN I HAVESOME OF IT DEFERRED TO THE ENDOF THE FISCAL YEAR? WHY DON'T YOU JUST HAVE YOURBUSINESS MANAGER GIVE US A CALL. I HAVE ONE HEREFOR YOU, TOO, MAL. HUH? YOU'RE ELIGIBLE -- YOU'RE 19.YOU'RE IN COLLEGE. YEAH, MAL.GO AHEAD, APPLY. THANKS, ALEX. NO, I'M SERIOUS, MAL.APPLY. APPLY. THERE'S NOTHING IN HERE THAT SAYS YOU HAVE TO BEGOING TO A REAL COLLEGE. ALEX, DON'T WORRY. I HAVE NO INTENTIONOF APPLYING FOR THIS SILLY LITTLESCHOLARSHIP. OH, WHY NOT, MAL? IT'S OPEN TO EVERYONE. NOW, IT'S NOT JUSTFOR ACADEMIC ACHIEVEMENT. ARTISTS, MUSICIANS, ANYONE. NO.THANKS ANYWAY, DAD. WELL... I WONDER IF I COULDHAVE THIS DEPOSITED DIRECTLY INTOMY SWISS ACCOUNT. ALEX, I AM NOT WRITING A LETTER OF RECOMMENDATIONFOR YOU. COME ON.JEN, LOOK, I NEED A RECOMMENDATION FROMSOMEONE OTHER THAN MY PARENTS WHO KNOWS MEAND LIKES ME. I SEE YOUR PROBLEM. WHAT'S IT FOR, ANYWAY? SOMETHING WHERE IF YOU WIN,YOU LEAVE HOME, I HOPE. IT'S A SCHOLARSHIPFROM YOUR FATHER'S STATION. NOW WILL YOU WRITE IT,PLEASE? WHAT DO YOU WANT METO SAY? OH, I DON'T KNOW. JUST, UH --JUST THE USUAL STUFF. YOU KNOW, BRIGHT, ELEGANT,BRILLIANT, CHARMING. I GOT A FORM LETTER UPSTAIRS.YOU CAN FOLLOW THAT. THIS IS INTERESTING. LOOK WHAT HE HAS DOWNFOR CAREER GOAL -- WORLD DOMINATION. THAT'S OUR BOY. IT SAYS IT'S OPENTO ALL WKS EMPLOYEES' CHILDREN. IS MALLORY APPLYING? NO, AND SHE JUST DOESN'TSEEM INTERESTED, EITHER. HI. MALLORY, I CAN'T BELIEVEYOU'RE NOT GOING TO APPLY FOR THIS SCHOLARSHIP. IT'S SEEMSRIGHT UP YOUR ALLEY. JEN, WHAT WOULD BETHE POINT? I CAN'T COMPETEWITH ALEX. WHY NOT? YOU'RE JUST AS GOODIN FASHION AS HE ISIN MONEY-HOARDING OR -- OR WHATEVERIT IS HE DOES. I SAVEDTHE OTHER APPLICATION. IT'S UPSTAIRSON MY BUREAU. I'LL GET IT. JEN... MOM, I DON'T THINK IT'S SUCHA GOOD IDEA IF I ENTER. I DON'T WANT TO PRESSURE YOUINTO ANYTHING, BUT I'VE JUST SEEN YOU COMESO FAR THIS YEAR. YOU KNOW,YOU'VE JUST GROWN SO MUCH. WHY DON'T YOUTAKE A CHANCE? YOU KNOW,JUST TAKE A RISK. THIS IS CRAZY.I'M NOT GONNA WIN, MOM. I'M NOT GOOD AT THESEKINDS OF COMPETITIONS. IT'S EASY TO SITON THE SIDELINES AND NOT TAKE A CHANCE. YOU KNOW, YOU'RE SAFE THERE.YOU WON'T GET HURT. BUT IF YOU DO THAT, YOU'LL NEVER KNOWHOW GOOD YOU CAN BE. YOU KNOW, I DO HAVE THIS IDEAFOR A LINE OF CLOTHING FOR WOMENIN THE BUSINESS WORLD. IT SOUNDS INTERESTING. OH, I DON'T KNOW, MOM. ALEX WILL LAUGH AT ME. HE'S NOT GONNALAUGH AT YOU. HE WILL RESPECT YOUFOR TAKING A CHANCE. ALEX, UM, GUESS WHAT. I'M THINKING OF APPLYINGFOR THE WKS SCHOLARSHIP. [ CHUCKLES ] [ LAUGHS ] I'M SORRY. HEY, MOM, WHERE'S MAL? SHE'S UPSTAIRS WORKING ONHER FASHION PROJECT. [ CHUCKLES ] SHE'S REALLY GOINGTHROUGH WITH THIS THING, HUH? YES, SHE IS. AND IT TOOK A LOT OFCOURAGE FOR HER TO ENTERTHIS COMPETITION, TOO. YOU KNOW, I THINKSHE DESERVES OUR SUPPORT. SHE IS YOUR SISTER. YEAH, WELL,THAT MAY BE TRUE FROM A STRAIGHT,GENETIC VIEWPOINT, BUT I'VE HAD TO PUT A LID ON ALL THE WARM,BROTHERLY FEELINGS THAT WOULD OTHERWISESHOW THROUGH. THAT MUST BEA STRUGGLE FOR YOU. MALLORY AND IARE IN COMPETITION. THE MOMENTSHE ENTERED THIS, SHE CEASED TO BE MY SISTERAND BECAME MY RIVAL. WE ARE TECHNICALLYAT WAR. SO, REALLY,NOTHING'S CHANGED. HI, ALEX. HEY -- HEY, MAL. EXCUSE ME, MAL. I'M WORKING ONMY PROJECT HERE. WE ARE IN COMPETITION. DON'T THINK IT'S RIGHT FOR YOUTO BE SNOOPING AROUND. JEN, COME OVER HEREAND LOOK AT THESE THINGS. I CAN'T BELIEVE HOW GREATMY DESIGNS ARE COMING OUT. OH, LET ME SEE. I MEAN,LOOK AT THIS SLEEVE. OOH. WHICH DO YOU LIKE BETTER --THIS OR THIS? OH, DEFINITELY THIS ONE. OKAY. GREAT. STEP UP HERE. AND I'LL SHOW YOU WHATIT'S GONNA LOOK LIKE. YOU KNOW, MALLORY,AS WE SPEAK, THE OTHER APPLICANTSARE WORKING ON THEIR PROJECTS. THERE ARE COMPUTER-SCIENCESTUDENTS CREATING SOFTWARE, BIOLOGY STUDENTSDISCOVERING ENZYMES, BRILLIANTECONOMICS WIZARDS COMPLETELY RESTRUCTURINGTHIS COUNTRY'S MONETARY SYSTEM. DO YOU REALLYEXPECT TO TRIUMPH OVER THAT KINDOF COMPETITION SIMPLY BY DRAPING A BLANKETOVER JENNIFER? NOBODY ASKED YOU, ALEX. ALL RIGHT. OKAY.HEY, MAL, SORRY. JUST TRYING TO BRACE YOU FOR THE HUGEAND INEVITABLE DISAPPOINTMENT THAT'S COMING YOUR WAY. LET ME TELL YOU SOMETHING,ALEX. FOR 19 YEARS,I'VE WATCHED YOU WIN EVERYTHING WITH NO HOPEOF EVEN COMPETING WITH YOU. IT'D BE VERY EASY FOR ME TO SAY,"FORGET IT, MALLORY. YOU'LL ALWAYS BESECOND-RATE." BUT I REFUSE TO DO THAT. I'VE DECIDEDTHAT NO MATTER WHAT YOU SAY, I'M GONNA KEEP TRYING. 'CAUSE IF I DON'T, I MAY AS WELLJUST ROLL OVER AND PLAY DEAD. GOOD GOING, ALEX. I HOPE YOU'REREAL PROUD OF YOURSELF. YOU JUST MADE MALLORY FEELCOMPLETELY WORTHLESS. I DON'T EVEN WANT TO BEIN THE SAME ROOM WITH YOU. COULD YOU UNPIN ME,PLEASE? OKAY, ALEX, WE BETTERGET GOING. THE INTERVIEWSTARTS IN HALF AN HOUR. YEAH, ALL RIGHT, DAD. JUST GOING OVERSOME LAST-MINUTE NOTES HERE. "THANK YOU.THANK YOU. "YOU ARE TOO KIND. PLEASE STOP." ALL RIGHT. I'M READY. I'LL JUST PUT THESEIN THE U-HAUL WITH YOUR OTHER BOOKSAND CHARTS. OH, DAD, DID YOU GET THAT BOXOF 3-D GLASSES? RIGHT HERE. GOOD STUFF.[ DOOR CLOSES ] OH, HEY, MAL. IS ALL THAT STUFFFOR YOUR PRESENTATION? UH, YEAH. YOU WANT SOME HELP? NO. THANKS. ARE YOU SURE? YES. I CAN HANDLE IT PERFECTLY WELLON MY OWN. AH! OKAY, LOOK -- IT'S FINE, ALEX.EVERYTHING'S UNDER CONTROL. DID YOU MAKE THIS? YES. IF I WERE --IF I WERE A WOMAN... AND HAD A BETTER FIGURE... ...I'D BE CLAMORINGAFTER THIS. I TRIED TO DESIGNA LINE OF CLOTHING FOR THE WORKING WOMAN. 'CAUSE WOMEN HAVE A HARD TIMEBEING TAKEN SERIOUSLY IN THE BUSINESS WORLD. WOMENNOT BEING TAKEN SERIOUSLY? GOD KNOWS WHY. SO I DESIGNEDA LINE OF CLOTHING THAT A WOMAN CAN WEARIN THE MAN'S WORLD WITHOUT HIDING THE FACTTHAT SHE'S A WOMAN. THIS IS GREAT. YOU, UH -- YOU SAWA DEMAND IN THE MARKET AND YOU SET OUTTO FILL IT. THAT IS GOOD BUSINESS. HEY, THESE SKETCHESAREN'T BAD, EITHER -- ATTRACTIVE, PROFESSIONAL. THANKS, ALEX. ALTHOUGHYOU COULD HAVE SHOWN A LITTLE MORE LEGON THIS ONE. I'M KIDDING. I'M KIDDING. THESE ARE GREAT. THANKS. I'M SURE YOUR PRESENTATIONIS REALLY GREAT, TOO. OH, YEAH, IT IS.YOU WANT TO HEAR IT? NO. GOOD LUCK, ALEX. YEAH. GOOD LUCK TO YOU, MAL. AHH, I JUST POPPED IN TO SEEIF YOU HAD YOUR INTERVIEW YET. NO. I'M SURE YOU'LL DO GREAT. WHERE'S ALEX? [ LAUGHTER ] AHH. WELL, UH, STOP BY MY OFFICEWHEN YOU'RE DONE AND YOU CAN TELL MEALL ABOUT IT. OKAY. GOOD LUCK. THANKS. [ LAUGHTER ] Mrs. Simpson:BRAVO! BRAVO! BRAVO! YOU'RE TOO KIND. PLEASE STOP. [ LAUGHS ] THANKS. YOUR PRESENTATIONWAS AMAZING, ALEX, AND THE EFFECTSWERE INCREDIBLE. WHEN THAT DOLLAR BILLSTARTED SPINNING OUT TOWARDS ME, I JUMPED OUT OF MY SEAT. [ LAUGHS ] MALLORY? WHAT? WE'RE READY FOR YOU NOW. OH. HEY, COME ON, MAL.YOU'RE NEXT. RIGHT. OH, HEY, MAL? KNOCK 'EM DEAD. THANKS. MALLORY, WE ALL FOUNDYOUR APPLICATION VERY INTERESTING. THANK YOU. AND WE'RE LOOKING FORWARDTO YOUR ORAL PRESENTATION. YOU MAY BEGIN. WELL, A LOT OF PEOPLETHINK FASHION IS SILLY, BUT IT'S NOT. IT REFLECTS SOCIAL VALUES AND, MORE IMPORTANTLY,SOMETIMES DETERMINES THEM. HOW SO? WELL,IN THE BUSINESS WORLD, THE, UH, TRADITIONALMAN'S DARK SUIT... WHICH -- SORRY -- PERSONALLY,I FIND A LITTLE BORING. UM... ...KEEPS ITA MALE-DOMINATED WORLD BECAUSE IN ORDERFOR A WOMAN TO FIT IN, SHE HAS TO PRETEND SHE'S A MANAND DRESS LIKE ONE. HEAR, HEAR! AND I ALSO THINK IF PEOPLEDRESSED MORE COMFORTABLY, THEY -- THEY COULD IMPROVETHEIR EFFICIENCY. SO, I'VE DESIGNEDA LINE OF CLOTHING FOR THE WORKING WOMAN -- COMFORTABLE,AUTHORITATIVE, AND YET STILL FEMININE. OH!WONDERFUL! IF YOU'LL REFER TO MY CHARTON DEMOGRAPHICS... OH!WONDERFUL! AND SO,AS YOU CAN SEE, THIS COLOR DOES MORE FOR HERCOMPLEXION AND MOOD. NOT THAT IT'S BETTER THANWHAT YOU'RE WEARING ALREADY. NO, IT'S MUCH BETTER. AW. NOW, MRS. SIMPSON, DON'T YOUJUST FEEL GREAT IN THIS FABRIC? OH, YES! SEE? THAT'S WHAT I'VE BEENTALKING ABOUT. FASHION REALLY DOESMAKE A DIFFERENCE. YES. BRAVO, MALLORY.WONDERFUL. WONDERFUL. [ LAUGHTER ] UH, MR. WERTZ? UH, SO...WHAT'S THE GOOD WORD? YOUR SISTER GAVEA SPLENDID INTERVIEW, ALEX. [ CLEARS THROAT ]OH, REALLY? REALLY? GREAT. GOOD. HEY, THAT IS A NICE COLORON YOU. ISN'T IT, THOUGH?YOUR SISTER SUGGESTED IT. I GUESSED THAT. SHE'S WONDERFUL. SHE'S STILL IN THERE CHATTINGWITH SOME OF THE PANEL. YEAH, UH, SO, HOW MANY --HOW MANY APPLICANTS DO YOU HAVE LEFTTO INTERVIEW? NONE.YOU TWO WERE THE LAST ONES. AH, SO YOU'LL BE AWARDING THAT SCHOLARSHIPPRETTY SOON, HUH? WELL, WE HAVEN'T VOTEDOFFICIALLY YET... YEAH, BUT YOU KNOW,RIGHT? WELL... COME ON, MR. WERTZ. HONESTLY, ALEX, YOU'RE LIKEA KID ON CHRISTMAS EVE. I KNOW, I KNOW,I KNOW, I KNOW. BUT, LOOK, I'M GONNA FIND OUTLATER ON TODAY ANYWAY, RIGHT? I SUPPOSE THAT'S TRUE. Congratulations, Alex. You wonthe WKS scholarship. Yes!Shh! Thank you.Thank you, Mr. Wertz. Thank you. YOU DESERVE IT. JUST REMEMBERTO LOOK SURPRISED WHEN YOU FIND OUT. OH, HEY, MR. WERTZ. UH, JUST, UH --JUST OUT OF CURIOSITY, HOW DID MALLORYFINISH IN THE RUNNING? SHE WAS OUR SECOND CHOICE,RIGHT AFTER YOU. OH. WELL, THOSE -- THOSE ARETHE BREAKS, RIGHT? WELL, I BETTER BEGETTING BACK IN. Congratulations, Alex. THANK YOU. [ INDISTINCT CONVERSATION ] THIS IS GREAT FOR EVENINGAND THEN FOR WORK. ANYTHING, RIGHT. YOU ARE SO TALENTED. YOU ARE.YOU HAVE LOTS OF GOOD IDEAS. ALL RIGHT,I'LL BE BACK LATER FOR ALL... [ LAUGHS ]OH, ALEX! ALEX! IT WAS GREAT! I MEAN,I DID REALLY WELL IN THERE. I ANSWERED ALLTHEIR QUESTIONS, RIGHT? THEY WERE REALLY IMPRESSEDWITH MY PRESENTATION. I THINK I WAS, TOO. I THINK I'VE REALLY GOT A SHOTAT WINNING THIS SCHOLARSHIP! OH, MAL,THAT'S TERRIFIC.AHH! THAT'S TERRIFIC. I AM SO EXCITEDI COULD BURST. I GOT TO GO TELL DAD.I'LL BE RIGHT BACK. [ SIGHS ] I THOUGHTSHE WAS JUST WONDERFUL. UH, MR. WERTZ. WITH ALL DUE RESPECT,SIR, I'M WITHDRAWINGFROM THE COMPETITION. BUT THAT MEANS -- YEAH. YEAH, I KNOWWHAT IT MEANS. I WOULDN'T DO THATIF I WERE YOU. WHY NOT? IT'S NOT YOUR MAN. YO, ALEX. ALEX, HOW DIDYOUR INTERVIEW GO? OH, FINE, FINE.UH, WHERE'S MALLORY? WELL, SHE GOT HOMEABOUT AN HOUR AGO. WHERE HAVE YOU BEEN? I WAS OUT WALKING. DO YOU THINK YOU WON? I DON'T KNOW.HARD TO TELL. IT'S JUSTANOTHER SCHOLARSHIP. WHY IS WINNING ALWAYSSO IMPORTANT TO YOU PEOPLE? HERE IT IS. IT SAYS WKSRIGHT ON THE ENVELOPE. HEY, OPEN IT UP,BABE. I'M AFRAID.YOU OPEN IT. OH, MALLORY. I DON'T WANT TO KNOW. OH! I WON! [ ALL CHEERING ] OH, I WON! I WON THE SCHOLARSHIP! SHE BEAT ALEX. HEY. CONGRATULATIONS, MAL. THANKS, ALEX. Steven: LOOK, ELYSE, ITHINK WE HAVE SOMECHAMPAGNE IN THE BASEMENT. WHY DON'T WEGO GET IT? OKAY. YEAH, COME ON, GUYS.COME ON. WELL. THIS IS THE MOMENTYOU'VE BEEN WAITING FOR. LET ME HAVE IT. OH, COME ON, MAL. DON'T HOLD BACK. LET'S SEE SOME GLOATING. YOU KNOW, I'VE WAITEDALL MY LIFE FOR THIS MOMENT. I IMAGINED ITSO MANY DIFFERENT WAYS. THAT DAY,FAR IN THE FUTURE, WHEN I'M IN THE SPOTLIGHTAND YOU'RE IN THE SHADOW. I ALWAYS THOUGHTTHIS MOMENT WOULD SOMEHOW OCCURIN NEW YORK. YOU'D BE -- YOU'D BE WAITINGFOR ME AT SOME SMALL CAFé. AND I'D COME RUNNING INBREATHLESS AND I'D SAY, "LOOK, ALEX, MY DESIGNS ARE ONTHE COVER OF VOGUE." AND YOU'D SMILE,STAMMER OUT "CONGRATULATIONS." BUT I'D KNOW,THAT UNDERNEATH THAT TOUPEE... ...YOU WERE --YOU WERE GREEN WITH ENVY AND COMPLETELY BALD. WE'D ENGAGEIN SOME SMALL TALK, EXCHANGESOME PLEASANTRIES. YOU'D TRY TO INTEREST MEIN SOME SHODDY LAND DEAL. I'D POLITELY DECLINE AND SAY,"NO, I HAVE TO HEAD UPTOWN. BUSINESS, YOU KNOW." AND I'D TURN TO SIGN SOMEONE'SAUTOGRAPH, RIGHT, AND I'D SEE SOMEONEWALK UP TO YOU AND SAY, "AREN'T YOUMALLORY KEATON'S BROTHER? YOU MUST BE SO PROUD." SO I'D COME BACK,AND I'D -- I'D, YOU KNOW, SHOVE A FEW BUCKSIN YOUR POCKET. AND I'D RUFFLE MY FINGERSTHROUGH YOUR HAIR AND SAY GOODBYE. ONLY AFTERI'M HALFWAY UPTOWN DO I REALIZE THAT... I'VE GOT YOUR TOUPEEIN MY PURSE. THAT'S QUITE A RICH FANTASY LIFEYOU GOT THERE, MAL. AND YOU'RE ENTITLEDTO THE COVER OF VOGUE, BUT, UH...WHY DOI HAVE TO BE BALD? YOU KNOW,NOW THAT I'M HERE, NOW THAT I'VE WON, I DON'T FEELLIKE GLOATING. I MEAN,I'M EXCITED FOR ME, BUT I FEEL BAD FOR YOU. I KNOW HOW MUCHTHESE THINGS MEAN TO YOU. AND I'M SORRY YOU LOST. THANKS, MAL. BUT DON'T FEEL BAD FOR ME,OKAY? BECAUSE I'M HAPPY. I'M HAPPY FOR YOU. YOU KNOW, AND MAYBE -- MAYBETHIS COULD BE THE START OF A NEW MALLORY KEATON -- ONE WHO PUSHES HERSELF, ONE WHO STRIVES, ONE WHO REACHES FORTHE BRASS RING AND GETS IT. AND WHEN THEY ASK MEHOW IT FEELS TO BE MALLORY KEATON'SBROTHER, I'M GONNA SAY,"DAMN PROUD." THANKS, ALEX. [ GRUNTS ] BONK, BONK.WHOA. EASY, EASY. HERE I AM! [ CHEERS AND APPLAUSE ] CELEBRATION'SIN THE DINING ROOM, ALEX. YOU COMING IN? YEAH, IN A SECOND, DAD. IT'S TERRIFIC ABOUT MALLORY,ISN'T IT? YEAH.YEAH, IT SURE IS. SHE REALLY SEEMS EXCITED. YOU KNOW, I ALWAYS KNEWSHE HAD IT IN HER. YEAH, SHE, UH --SHE SURE DID. MR. WERTZ TOLD MEWHAT YOU DID. WHAT? I DON'T KNOW WHATYOU'RE TALKING ABOUT. THAT YOU STEPPED DOWNSO MALLORY COULD WIN. OH, THAT. OH, YEAH. IT WAS NO BIG DEAL. IT WAS A WONDERFUL THINGTHAT YOU DID. YOU ACTED INAN INCREDIBLY COMPASSIONATE AND GENEROUS FASHION. YOU DIDN'T THINKOF YOURSELF AT ALL. WELL, I FIGURE IN LIFE YOU SHOULDTRY EVERYTHING ONCE. HEY, THANKS, DAD. YOU GAVE HERA GREAT GIFT. DAD... ...CAN I BORROW2,500 BUCKS?