* I BET WE'VE BEEN TOGETHER * FOR A MILLION YEARS * AND I BET WE'LL BE TOGETHER * FOR A MILLION MORE * OH, IT'S LIKEI STARTED BREATHING * * ON THE NIGHT WE KISSED * AND I CAN'T REMEMBER * WHAT I EVER DID BEFORE * WHAT WOULD WE DO, BABY * WITHOUT US * WHAT WOULD WE DO, BABY * WITHOUT US * AND THERE AIN'T NO NOTHING * WE CAN'T LOVEEACH OTHER THROUGH * * WHAT WOULD WE DO, BABY * WITHOUT US * SHA LA LA LA * I'M ALMOST READY.ONE MORE MINUTE. OK. THANK YOU. I HOPE YOU'RE NOTTOO UNCOMFORTABLE. I DRESSED AS QUICKLYAS I COULD. NO, NO, NO.DON'T BE SILLY. AN HOUR AND A HALFIS JUST FINE. THANKS FOR RUSHING. I'M SORRY, ALEX. I GUESS I'MA LITTLE UNCOMFORTABLE DRESSINGWITH A MAN AROUND. HEY, IUNDERSTAND COMPLETELY. I'M THE SAME WAY. I'M GOING TO NEED YOUTO ZIP ME UP. YEAH, ALL RIGHT. WAIT. CLOSE YOUR EYES. WHAT DO YOUTHINK I AM, HOUDINI? ALEX, I'MA LITTLE NERVOUS. ZIP ME UP,OR YOU'RE FIRED. YOU KNOW, THIS WAS NOTIN THE JOB DESCRIPTION. THERE YOU GO. HOW DO I LOOK? YOU LOOK RAVISHING, SIR. THANK YOU. * STRANGERSIN THE NIGHT * * EXCHANGING MONEY [KNOCK ON DOOR] YOUR CHAMPAGNE, MISS. I DIDN'T ORDER ANY. * STRANGERSIN THE NIGHT * * EXCHANGINGT-BILLS * MAYBE IT WASFRANK SINATRA IN THERE. FRANK, COULD YOUCOME OUT FOR A MINUTE? YES--YES, DEAR? DID YOU ORDERANY CHAMPAGNE? OH, YEAH.GOOD. YEAH. COME IN.COME IN. JUST MY WAYOF SAYING THANKSFOR THIS TRIP. HERE YOU GO, SON. THANK YOU, SIR. NOW I CAN GETTHAT OPERATIONI'VE BEEN NEEDING. THAT WAS NICE OF YOU. THAT WAS VERY SWEET. BUT I DON'TWANT TO RISK MIXING BUSINESSWITH PLEASURE. FIRST SIGN OF PLEASURE,WE MAKE A RUN FOR IT. ALEX, I WANTTO BE AT MY BESTTO MEET MR. OKUN. HE'S THE NATIONALDIRECTOR OF OUR BANK. HE'S A FORMER MEMBER-- THE NATIONALRESERVE BOARD. SERVED THREE TERMS--1972 TO 1978. VERY GOOD. YEAH, I DO MY HOMEWORK. MR. OKUN ISA SILVER-HAIRED,PORTLY GENTLEMAN, A GRADUATE OF THE WARDENSCHOOL OF BUSINESS. HE'S A FABULOUS BOWLER, AND HE'S MARRIEDTO A VERY YOUNG WOMAN. AND VERY SENSITIVEABOUT IT. WHO WOULDN'T BE? TAMMIE TURNED 18MARCH 5th. THEY JUST GOT BACKFROM THEIR HONEYMOON. YEAH, THEY WENTTO DISNEYLAND. THIS COULD BEA GREAT NIGHT FOR US. HERE IS TO A ROOMFULL OF BANKERS TALKING ABOUTINTEREST RATES, FLUCTUATIONSIN THE PRIME, EXCHANGINGBANKING ANECDOTES. THE KIND OF EVENINGMOST PEOPLEONLY DREAM ABOUT. HEY, MR. KEATON. HEY, SKIPPER. SOMETHING'SDIFFERENT IN HERE. DON'T TELL ME,BUT SOMETHING ISDEFINITELY DIFFERENT. DID YOUGET A HAIRCUT? SKIPPY, WE'REGOING TO REWALLPAPERTHE KITCHEN. LET ME HELP. OH, THANKS, SKIP, BUT I'VE GOT EVERYTHINGUNDER CONTROL HERE. OH, NO. THISISN'T A ONE MAN JOB. NO, BUT IT ISA ONE MAN LADDER. I'D LIKE YOUTO GET DOWN. GOOD. THANKS. YES. ANYWAY, I'MNOT WORKING ALONE. I'VE GOT ALLTHE HELP I NEED. YO! WHAT'SHOLDING YOU UP IN THERE? I'M STILLON MY COFFEE BREAK. HEY, GUYS. THE WALLS ARE ALMOSTREADY FOR THE NEW PAPER. LET'S SEEWHAT YOU GOT. IF I SEE THIS PATTERNAGAIN, I'LL CRY. I DIDN'T WANT THIS. MALLORY,I AM NOT GETTINGCASHMERE WALLPAPER. LET'S GET THIS SHOWON THE ROAD AND THIS PAPERON THE WALL. DAD, LET NICKBE IN CHARGE. THANKS FORTHE CONFIDENCE. BASED ONYOUR PAST HISTORY, YOU'RE NOT EXACTLY A WHIZWITH HOME IMPROVEMENTS. I BEG TO DIFFER. WHEN YOU TRIED TOPUT TRACK LIGHTINGINTO YOUR BEDROOM, YOU BLACKED OUTAKRON, DAYTON,AND TOLEDO. I HATE WHENYOU EXAGGERATE. TOLEDO HAD LIGHT. THIS IS ONEOF MY GENERAL AREAS OF EXPERTISE-- HOME DECORATINGAND LUBE JOBS. LET ME GIVEYOU A HAND. ALL RIGHT. ELYSE,GET THE GLUE. MALLORY, WHEREARE MY SCISSORS? JENNIFER, HOLDTHIS PAPER STRAIGHT. OH, SKIPPY,GET OFF MY LADDER. NICK, YOU'REUSING TOO MUCH GLUE. SKIPPY,GET OFF MY FOOT. DID YOU WANT PLIERSOR SCISSORS? NO, SCISSORS. WHY CAN'TWE USE-- NO! DON'TPOUR THAT HERE. IT'S NOT STRAIGHT. WAIT A MINUTE. STOP. THISISN'T WORKING OUT. THERE ARETOO MANY PEOPLE. I'D APPRECIATE ITIF YOU ALL LEFT. I'VE GOTA JOB TO DO. GIVE MEA COUPLE HOURS. I'LL HAVE THISROOM WALLPAPERED. GOOD LUCK. I WANT EVERYBODY OUT.THAT MEANS YOU. I'D LIKE TO OBLIGE, BUT I'M AFRAID THAT'SJUST NOT POSSIBLE. YOU MINDTELLING ME WHY? I'M GLUED TO THE WALL. NO, THANK YOU. YOU'RE NOT GOINGTO EAT ANYTHING? I CAN'T EAT.I'M TOO NERVOUS. I WANT EVERYTHINGTO GO RIGHT. YOU BETTER TAKE IT EASY. THAT'S YOUR THIRD ONE. WE'VE ONLYBEEN HERE 15 MINUTES. WHEN YOUCOME TO THESE THINGS, YOU HAVETO BE SOCIABLE. YOU HAVETO DRINK A LITTLE. YOU HAVE TO LOOKLIKE YOU'RE HAVING FUN. NO. NO, THANK YOU. OH, LOOSEN UP, KEATON! YOU ARE SUCHA TIGHT LITTLE GUY. I MEAN... LOOK AT THE WAYYOU'RE DRESSED. YOU ARE SO SERIOUS. YOU OUGHT TO BEWEARING SHORTSAND A BEANIE. LET'S GO OUTSIDE ANDGET A LITTLE AIR, OK? WE CAN'T.WE'LL MISS OKUN. WELL, THAT'S THE THING. I DON'T THINK YOUSHOULD MEET OKUN NOW. YOU'RE A BIT DRUNK. I HAVE NEVERBEEN DRUNK IN MY LIFE. YOU'RE GIVING OFF VAPORSTHAT COULD FUEL A JET. IF I WERE DRUNK,COULD I DO THIS? AWOOO! ALL RIGHT.I APOLOGIZE. COME ON, ALEX,YOU'RE SUCHA PARTY POOPER. WHY DON'T YOUGO MINGLE? OK. JUST HOWLIF YOU NEED ME. OH, I'M SORRY. I JUST TOOKTHE LASTSWEDISH MEATBALL. THAT'S QUITE ALL RIGHT. I REMEMBER ONCEAT A PARTY I TOOK THE LAST M&M. THEN YOU KNOWHOW I FEEL. YEAH. WE--WE--WE HAVEA LOT IN COMMON. I GUESS SO.WE BOTH LIKE EATINGM&Ms AND MEATBALLS. HO HO. JUST NOT TOGETHER. WHY DON'T WE,AFTER THE CONFERENCE, GO HAVEA CUP OF COFFEE. GRAB SOME M&Ms, A MEATBALL OR TWO. SOUNDS DELIGHTFUL.COULD MY HUSBAND JOIN US? YOUR HUSBAND. I WOULDN'T HAVE ITANY OTHER WAY. I'M SORRY. I NEVERINTRODUCED MYSELF. I'M TAMMIE OKUN. OKUN? TAMMIE?AS IN MR. OKUN? AS INMR. CHARLES OKUN, JR.? HOW DID YOU KNOWMY HUSBAND'S NAME? YOU WERE BORN MARCH 5th? YES! HOW WAS DISNEYLAND? TAMMIE! CHARLES, I WASHAVING THE NICESTCONVERSATION WITH THIS MAN. I NEVER CAUGHTYOUR NAME. FEEGIS. WALTER FEEGIS. HI. CHARLES OKUN.PLEASURE TO MEET YOU. AWOOO! THAT'S MY RIDE.EXCUSE ME. A PLEASUREMEETING YOU. REBECCA. I MET TAMMIEAND MR. OKUN. TO MAKEA LONG STORY SHORT, LET'S GET OUT OF HERE. FEEGIS. HI. AND IS THISMRS. FEEGIS? I'M REBECCA RYAN.I'M VICE PRESIDENT OF YOURHARDING TRUST BRANCH. I'M CHARLES OKUN, JR. HAVE YOU METMY ASSOCIATE, AXEL? AXEL P. KEATON? AXEL? I THOUGHTYOUR NAMEWAS WALTER. AND THIS MUST BETHE LITTLE MOUSKETEER. HA! HA HA! REBECCA RYAN.HARDING TRUST. I'VE HEARDSOME GOOD THINGSABOUT YOU. HAVE YOU HEARD THIS? AWOOO! WHAT'S HAPPENING,CHUCKLES? AM I GETTINGTHE PROMOTION, OR WHAT? I GOT THAT. I CERTAINLYDON'T THINK THIS IS THE TIMETO DISCUSS IT. AND I MUST SAY, I DOUBT VERY MUCH WHETHER SUCH A TIMEWILL COME. HE LIKED ME. I CAN ALWAYS TELLWH@N I MAKEA GOOD IMPRESSION. HE DIDN'T LIKE YOUMUCH, THOUGH. THAT'S BECAUSE I FORGOT TO SPILL MY DRINKON HIM. LET'S GO BACK.I'LL FIX IT FOR YOU. I'LL TALKTO MR. OKUN. I WOULDN'T SAYANOTHER WORD TO HIM. WE GOT HIMJUST WHERE WE WANT HIM. LET'S GO BACKTO THE PARTY, ANYWAY. WE DIDN'T GET TO DANCE. THAT'S FOR THE BEST.BELIEVE ME. WELL, LET'S DANCE HERE. NO. I THINK I'M GOING TOSIT THIS ONE OUT. * DA * DA DA DA DA * YA * DA DA DA DA * DA * YA DA DA DA * YA * DA DA DA DA DA * YA * YA DA DA DA WHOO! * YA * YA DA DA DADA DA DA DA * * DA DA DA DA * DA DA DA DA * OH! WHERE ARE YOU GOING,FEEGIS? WELL, IT'S UH... IT'S BEENA LONG DAY. WE SHOULDGET SOME REST. GOOD IDEA.COME ON. SIT DOWNNEXT TO ME. COMFY? OH, YEAH. I'M--I'MQUITE COMFORTABLE,REBECCA. DON'T CALL ME REBECCA. YOU KNOW WHAT? I THINK WE SHOULDMAKE UP NICKNAMESFOR EACH OTHER. I HAVE ALWAYS WANTEDA NICKNAME. HOW ABOUT LUSH? EVERYONE HAD A NICKNAMEAT THE PREP SCHOOL. BUNKIE, MOONIE... I ALWAYS WANTED... COOKIE. ALL THE CUTE GIRLSWERE ALWAYS NAMED COOKIE. WOULD YOUCALL ME COOKIE, ALEX? I WILLIF YOU PROMISE TO GO TO SLEEPRIGHT NOW. PROMISE. OK, COOKIE. NO. SAY ITIN A SENTENCE. GO TO SLEEP... COOKIE. TELL MEABOUT YOURSELF, ALEX, ABOUT WHENYOU WERE LITTLE. I BET YOU WEREA REALLY CUTE LITTLE BOY. WELL... WELL, I'M... I'M NOT GOING TOLIE TO YOU... COOKIE. I WAS ADORABLE. YOU'RE ADORABLE NOW. I DON'T THINKTHIS IS A GOOD IDEA. REBECCA, I-- COOKIE. I DON'T THINKIT'S A GOOD IDEA,COOKIE. I REALLY LIKE YOU,ALEX. YEAH. I REALLY... I REALLYLIKE YOU, TOO. I THINK YOU'REA GOOD PERSON. YOU'VE GOTA GOOD HEART, AND YOU'VE HADWAY TOO MUCHTO DRINK. GOOD NIGHT, COOKIE. EVERYBODY, COULD YOUCOME OUT FOR A MINUTE? THERE'S SOMETHINGI'D LIKE TO SHOW YOU. WHAT, HONEY? * DA DA DA DA OH, STEVEN,IT'S MAGNIFICENT! I NEVER REALLYLIKED THIS WALLPAPER, BUT YOU MADE IT WORK. THIS IS PRETTYNICE, MR. K. MAYBE YOU CANDO MY KITCHEN. I AM GOODWITH MY HANDS. THERE'S A CERTAINSATISFACTION A MAN GETS... A CERTAIN SATISFACTIONFROM A JOB WELL DONE. MAYBE I SHOULD DO MORE. I DON'TTHINK SO, DAD. OH, THAT'S... THAT'S FINE... THAT'S FINE.NO PROBLEM. I EXPECTEDTHAT TO HAPPEN. WHOA! HEY, HEY! [KNOCK ON DOOR] COME IN! IF YOU'REBEING SEARCHED, I COULDCOME BACK. GEORGE, DIDN'TI FIRE YOU? SOMEONE OBVIOUSLYTHOUGHT YOU NEEDEDAN INTERIOR DECORATOR. I WAS SUMMONED BYA CERTAIN PARTY WHORESIDES IN THIS HOUSE. I DIDN'T THINKYOU COULD HANDLE IT, BUT I WAS WRONG. YOU'RE A BIG MANTO ADMIT IT, ELYSE. I APOLOGIZE.IT'S OBVIOUS YOU'VEDONE AN EXCELLENT JOB. OBVIOUSLY, YOUDON'T NEED ME... WHEN YOU HAVE A PROFESSIONALLIKE MR. KEATON HERE. I HOPE MY OTHER CLIENTSDON'T FIND OUT ABOUT YOU. GO AHEAD, GEORGE. DO WHAT YOU WILL. PUT UP THE WALLPAPER. CHANGE THE APPLIANCES.CHANGE EVERYTHING. I GIVE UP. FINE. PLEASE GO TO MY CARAND GET MY SUPPLIES. ANDY, KEEP AN EYE ON HIM. GIRLS... LET'S BEGIN. GEE, STEVEN. IT'S GOING TO BEHARDER THAN I THOUGHT TO SAY GOOD-BYETO THIS WALLPAPER. I REMEMBER WHENWE BOUGHT THIS-- WHEN WE FIRST MOVED HEREIN APRIL 1968. ALEX WAS ONLY 3. WE LEFT HIMWITH THE BABYSITTER TO FINISHOUR TAX RETURNS. FIRST YEARWE WEREN'T AUDITED. WE WERE AT MARSHALL'SHOME FURNISHING STORE. DR. SHERMAN HADASKED YOU TO CALL BECAUSE YOU'D JUSTBEEN IN FOR A VISIT. YOU TALKED FOR A BIT,CAME BACK AND SAID, "I WANT THAT WALLPAPER, AND I'M GOINGTO HAVE A BABY." THE WALLPAPERSALESMAN SAID, "HEY, LADY.WE JUST SELL WALLPAPER." THAT BABYWAS ME, RIGHT? YEAH. YES, THAT WAS YOU. I ALWAYS THOUGHTIT WAS APPROPRIATE THAT WE FOUND OUTWHILE WE WERE SHOPPING. LOOK AT THIS. WHAT... IT'S A HEART WITH "I LOVERICHARD BECK"WRITTEN ON IT. I HAD A CRUSHON HIM. YOU WROTE ONTHE WALLPAPER? HERE'S ANOTHER ONE. "I LOVE RICHARD NIXON." SEE. ALEXDID IT, TOO. GEORGE, HOW MUCHWILL IT COST TO REDO THISWHOLE KITCHEN? NOTHING. NOTHING? I CAME HERE PREPAREDTO REMODEL THIS ENTIRE ROOM, BUT I REALIZE THAT WOULDBE A TREMENDOUS MISTAKE. I HAVE NEVER SEENA GROUP OF PEOPLE SO ATTACHEDTO THEIR WALLPAPER. AND FRANKLY,I WAS VERY MOVED. GEORGE... GEORGE... WHAT AREYOU SAYING? I SEE WALLPAPER! YOUR WALLPAPER. BACK ON THE WALLWHERE IT BELONGS. GOOD MORNING, HONEY. IT'S TIME TO WAKE UP,DUMPLING. OH, GO AWAY, ALEX. OH, COME ON, COOKIE. HOW DO YOUKNOW ABOUT COOKIE? I KNOW THEM ALL. POOCHIE... BOOTSIE, BUNNY... ALL YOUR FURRY FRIENDSFROM PREP SCHOOL. I DON'T REMEMBER THIS. WHAT EXACTLYHAPPENED LAST NIGHT? NOTHING THATSHOULDN'T HAVE HAPPENED. NOTHING THAT WASN'TGOING TO HAPPENSOONER OR LATER. NOTHING THATWASN'T INEVITABLE... DARLING. OH, MY GOD. REBECCA,AFTER LAST NIGHT, I FEEL LIKEI KNOW YOU AS I'VEKNOWN NO WOMAN BEFORE. THE QUESTION NOWIS WHERE TO SPENDTHE HONEYMOON. I AGREE WITH YOU. THE CARIBBEAN IS NICE... BUT SO IS HAWAII. OR... WE COULD GOTO DISNEYLAND. LIKE THE OKUNS. OH, NO. THE OKUNS. IT'S ALL STARTINGTO COME BACK TO ME NOW. DID I POURA DRINK ON HIM, ALEX? YES. DID I CALL HIM CHUCKLES? YES. DID ANYTHINGHAPPEN BETWEEN US? NO. OH, WHAT A RELIEF! THAT WOULD HAVE BEENA COMPLETE DISASTER. THERE WOULD HAVE BEENNO COMING BACK. I COULDN'T DEAL IFANYTHING EVER HAPPENED-- PEOPLE HAVE LIVEDTHROUGH IT, YOU KNOW. A FEW OF THEMEVEN LIKED IT. I'M SORRY. I DIDN'TMEAN IT THAT WAY. I MEANT, WHAT A RELIEFTHAT THE NIGHT IS OVER. YEAH. WELL, WHY DON'TYOU HAVE SOME COFFEE? I'M SO EMBARRASSED. I CAN'T BELIEVE THIS. I'M NOT THATKIND OF PERSON. LOOK, THESETHINGS HAPPEN. YOU HADN'T EATEN. YOU DIDN'TSLEEP VERY WELL. YOU HAD A FEW HUNDREDGLASSES OF CHAMPAGNE. I STARTEDTO LOOK ATTRACTIVE. WHEN WE GETBACK TO THE BANK, IT IS BUSINESS AS USUAL. I'M THE BOSS. YOU ARE MY ASSISTANT. RIGHT? AXEL? YOU GOT IT... COOKIE. CAPTIONING PERFORMED BYTHE NATIONAL CAPTIONINGINSTITUTE, INC. CAPTIONING MADE POSSIBLE BYKELLOGG COMPANYMAKER OF KELLOGG'SFROSTED FLAKES CEREAL PUBLIC PERFORMANCE OF CAPTIONSPROHIBITED WITHOUT PERMISSION OFNATIONAL CAPTIONING INSTITUTE CAPTIONS COPYRIGHT 1987PARAMOUNT PICTURES CORPORATION