[ THEME SONG PLAYS ] * I BET WE'VE BEEN TOGETHERFOR A MILLION YEARS * * AND I'LL BET WE'LL BE TOGETHERFOR A MILLION MORE * * OH, IT'S LIKEI STARTED BREATHING * * ON THE NIGHT WE KISSED * AND I CAN'T REMEMBERWHAT I EVER DID BEFORE * * WHAT WOULD WE DO, BABY * WITHOUT US? * WHAT WOULD WE DO, BABY * WITHOUT US? * AND THEREAIN'T NO NOTHIN' * * WE CAN'T LOVEEACH OTHER THROUGH * * OOH-HOO * WHAT WOULD WE DO, BABY * WITHOUT US? * SHA-LA-LA-LA [ HUMS ] WHAT IS THAT? IT'S MY GEOGRAPHYPROJECT. IT'S A RELIEF MAPOF SWEDEN. THAT IS SWEDEN? NO. IT'S JUST A MAP. THE ACTUAL COUNTRYIS MUCH LARGER. THAT IS A TERRIBLE MAPOF SWEDEN. [ SCOFFS ] WHERE ARE YOUR SAUNAS?WHERE ARE YOUR VOLVOS? WHY DIDN'T I DO THISIN MY ROOM? YOU'RE A KEATON,JENNIFER. WHAT DOES IT MEANTO BE A KEATON? YOU GO THE EXTRA MILE. WHAT ELSE? PERFECTIONIS MY COPILOT. THAT'S RIGHT. OKAY. WE GOT A LOT OF WORKTO DO HERE. THIS THING ISTOTALLY UNUSABLE. OKAY, WE'RE GONNA NEED EIGHT STRIPSOF NUMBER TWO BALSA WOOD. WE'RE GONNA NEED 100 YARDSOF CORRUGATED PAPER. WE'RE GONNA NEED 4 POUNDSOF PLASTER OF PARIS AND A HERRING. OKAY. GET THAT ALL TOGETHER,GIVE ME A SHOUT. I'LL HAVEA LOOK AT IT. YOU'RE NOTGOING TO HELP ME? NO, YOU HAVE TO TAKE ITFROM HERE, JENNIFER. I'M JUSTTHE IDEA MAN. IT'S HERE.MY LETTER'S HERE. I CAN'T DEAL WITH IT. MALLORY, OPENING MAILIS A SKILL WE ALL HAVE TO LEARN. "THE COLUMBUS EXPRESS AND THE ED HANSON AGENCY "ARE PLEASED TO ANNOUNCETHAT YOU'VE BEEN SELECTED "TO BE PHOTOGRAPHED IN OUR ANNUAL MOTHER/DAUGHTERMODELING EVENT." I WON. I WON! OH! I'M GONNA BEIN THE SUNDAY SUPPLEMENT! LOOK, THERE'S A CHANCE FOR A PROFESSIONALMODELING CONTRACT, A $250 PRIZE! THIS COULD BE MY BIG BREAK. HOW DID YOU WIN A MOTHER/DAUGHTER MODELINGCONTEST BY YOURSELF? [ SCOFFS ]EVER HEAR OF MOM? I SENT IN THAT GREAT PICTURETHAT DAD TOOK OF US AT THE BEACH LAST SUMMER. WAIT A -- WAIT -- WAIT --WAIT A MINUTE, MALLORY. UH, I WAS IN THAT PICTURE. I WON! I WON! I WON THE MOTHER/DAUGHTERMODELING CONTEST! WHOA!IS THAT, LIKE, $250 EACH? DO WE SPLIT THAT OR WHAT? NO. RELAX, ALEX.I CUT YOU OUT OF THE PICTURE. I DREW A -- A VOLLEYBALLWHERE YOUR HEAD WAS. MOM HASN'T SAIDANYTHING ABOUT THIS. THAT'S BECAUSESHE DOESN'T KNOW. IT'S A SURPRISE. HEY.HI. OH, MOM! GUESS WHAT? I WON A MOTHER/DAUGHTERMODELING CONTEST! I DIDN'T KNOWYOU'D ENTERED. WELL, WE DID.AND WE WON. ISN'T IT GREAT?!WAIT A MINUTE. A-ARE YOU SAYING YOU ENTERED MEIN A CONTEST WITHOUT ASKING ME? I DIDN'T WANT TOGET YOUR HOPES UP. THIS IS THE BEST THINGTHAT EVER HAPPENED TO ME. ISN'T IT GREAT, MOM?AREN'T YOU EXCITED? SHE LOOKS THRILLED. ALEX... A GOOD MODEL DOESN'T SHOWHER TRUE FEELINGS. SHE JUST SMILES... AS IF SHE DOESN'T HAVEA THOUGHT IN THE WORLD. [ SCOFFS ] THEN, UH, YOU SHOULDMAKE A GREAT MODEL. THANKS. AH. YO, "YENNIFER." DID YOU GET THAT STUFFI TOLD YOU TO GET? UH...YEAH. EXCEPTTHEY DIDN'T HAVE THAT NUMBER TWOBALSA WOOD YOU ASKED FOR. BUT THE GUY TOLD ME THIS STUFFWOULD WORK JUST AS WELL. THIS? WHAT IS WRONGWITH YOU, JENNIFER? WE CAN'T USE THIS. THAT ISTHE LAST TIME I SEND YOU TOTHE LUMBERYARD ALONE. DON'T DENY HERHER CHILDHOOD, ALEX. OH, HEY. HEY, THAT'SA GOOD IDEA, MALLORY. MAYBE SOME OF IT WILLLEAK INTO YOUR BRAIN. MOTHER, I'VE BEEN READINGTHESE MODELING INSTRUCTIONS. I'VE GOT ITALL PLANNED OUT. I'LL WEARMY WHITE DRESS, AND YOU CAN WEAR THE BLACK DRESSWITH THE FULL SLEEVES. NOW, HOLD ON, MALLORY. I TOLD YOUI DIDN'T LIKE IT WHEN YOU ENTERED ME IN THECONTEST WITHOUT MY PERMISSION. I DON'T WANT TODO THIS. WHY NOT? IT'S NOT SOMETHINGSHE WANTS TO DO. YOU KNOW, THAT'S FUNNY,'CAUSE IT SAYS HERE MOM'S BEEN WORKINGTOWARDS A MODELING CAREER HER WHOLE LIFE. ALEX, GIVE ME THAT.NO! MALLORY, I THINKIT'S IMPORTANT THAT MOM READHER OWN AUTOBIOGRAPHY. WAIT -- WHATAUTOBIOGRAPHY?! "AFTER A HARD DAYOF SHOPPING FOR SWEATERS "WITH MY GORGEOUSDAUGHTER, MALLORY, "I HURRY HOMETO MAKE SURE "MY HUSBAND'S HAPPYIN HIS FAVORITE CHAIR WITH HIS ROBE, HIS SLIPPERSAND HIS PIPE"? MALLORY, THAT'S RIDICULOUS.I DON'T SMOKE A PIPE. GET A LOAD OFMALLORY'S BIOGRAPHY. "I'VE ALWAYS LIKEDTHE SIMPLER THINGS IN LIFE -- CHILDREN, RAIN,CASHMERE."[ SCOFFS ] JENNIFER! MALLORY, IT IS UNBELIEVABLE THAT YOU WOULD DO THIS. YOU'RE RIGHT, MOM.I SHOULDN'T HAVE DONE IT. IT'S JUST THATI REALLY WANTED TO WIN, AND YOU WERE SO BUSY,I DIDN'T THINK IT WOULD HURT. I'M REALLY SORRY, MOM.I WAS WRONG. GOOD. I'M -- I'M GLADYOU CAN SEE THAT. I DO. SO WILL YOU DO IT? NO! WHY NOT? I DON'T KNOW.I -- I'D FEEL SILLY. ARE YOU SAYING I'M SILLYFOR WANTING TO DO IT? ALL OF YOU THINKI'M SILLY, DON'T YOU? I DO. THANKS A LOT, MOM. OH, HONEY, DON'T-- OH, BOY. SHE, UH,SHE SEEMS UPSET. I BETTERGO TALK TO HER. SOMETIMES ONLYA BROTHER KNOWS WHAT NEEDS TO BE SAID. MODELING. PFFT. I BETTER GO, TOO. SOMETIMESONLY A SISTER KNOWS WHAT NEEDSTO BE SAID. MODELING. I'LL HAVE TO FAKE IT. ELYSE... MAYBE YOU SHOULD THINKABOUT GIVING IN ON THIS ONE. STEVEN, SHE ENTERED MEIN A CONTEST WITHOUT ASKING ME. THEN -- THEN SHE WROTETHESE PHONY BIOGRAPHIES. OKAY. OBVIOUSLY, MALLORY'SGOTTEN CARRIED AWAY. BUT AT LEAST SHE -- SHE --SHE'S TAKING SOME INITIATIVE, SHOWING SOME ENTHUSIASM. I'VE ALWAYS WANTED HERTO CARE ABOUT SOMETHING. I ALWAYS HOPED IT'D BEPHYSICS INSTEAD OF FASHION. WELL, THEY BOTH STARTWITH A "FFF" SOUND. I'M NOTA MODEL, HONEY. MODELS GETSO CARRIED AWAY WITH THEIR OUTFITSAND -- AND TOSSING THEIR HAIR. IT'S JUST NOT ME. IT'S JUST ONE DAY. IT WOULD MEANSO MUCH TO HER. I GUESSIT COULDN'T HURT. OH! [ LAUGHS ] [ CAMERA SHUTTER CLICKING ] Man: BEAUTIFUL, BEAUTIFUL.I LOVE IT. WHO'S THE MOTHER?WHO'S THE DAUGHTER? I CAN'T TELLTHE DIFFERENCE. [ CAMERA SHUTTER CLICKING ] [ SIGHS ]THIS IS GREAT, MOM. ISN'T THIS YOUR IDEAOF HEAVEN? YEAH, WELL, I ALWAYSPICTURED A LARGER ROOM. OKAY, MOM, MALLORY. I'LL BE BACK IN A COUPLE OFHOURS TO PICK YOU UP. GOT TO GET DADFROM THE DENTIST. OR I COULDWAIT AROUND. DAD CAN HITCH. KEATON GIRLS,AM I RIGHT? THAT'S US. WHAT DID I TELL YOU?ED HANSON. I RECOGNIZE YOUFROM YOUR PICTURES.ED HANSON. WHAT DID I TELL YOU?[ GIGGLES ] HERE. MY AGENCY ISCOSPONSORING THIS EVENT. WOW, YOU OWNYOUR OWN AGENCY. THANKS, SWEETHEART.WELL, COME ON. HEY. I THINK WE'RE ALMOST READYFOR YOU. COME ON, FOLLOW ME. ISN'T THIS GREAT, MOM?I ALREADY HAVE AN AGENT. REMEMBER -- NO FROWNING,GRIMACING, POUTING. AND ABOVE ALL,DON'T SMILE. THAT CAUSES MORE WRINKLESTHAN ANYTHING. BUT, MOM, WHAT IF THEYWANT ME TO SMILE FOR THE CAMERA? A HIGH-FASHION MODELNEVER SMILES. SHE HOLDSHER HEAD STEADY AND LOOKS STRAIGHTAT THE HORIZON. YOU KNOW YOU HAVEBEAUTIFUL EYES? THANK YOU. YOUR NOSE AND MOUTHARE NO SLOUCHES, EITHER. NOT THAT I'VE EVER SEENTHAT MOUTH SMILE. WAS THAT A SMILE?[ GIGGLING ] I THINK IT WAS. HEATHER. WHAT DIDI JUST TELL YOU? NO LAUGHING,NO SMILING. OH. THIS MUST BEYOUR SISTER. [ GIGGLES ] YOU'RE MOTHERAND DAUGHTER GOING ON A TRIPTO PARIS. OKAY. TAKE IT, PHIL. OKAY. PACKING,PACKING, PACKING. OKAY? YOU'RE SMILINGAS YOU'RE PACKING. YOU LOVE PACKING.YOU LOVE TRAVELING. THAT'S BEAUTIFUL.YOU LOVE SMILING. OKAY, KEEP IT UP. THAT'S BEAUTIFUL, ELYSE.BEAUTIFUL. HONEY,SWEETIE, DARLING, WOULD YOU MIND JUST TAKING ONE STEP BEHIND YOUR MOM? THAT'S BEAUTIFUL, HONEY.BEAUTIFUL. BEAUTIFUL. OKAY!I'M EXHAUSTED! CAMERA! OKAY.IT'S AIRPORT TIME. LET'S GO. WE'RE GOINGTO THE AIRPORT. COME ON.LINE 'EM UP. OKAY. YOU'REGETTING READY. YOU'RE GETTING READY.YOU'RE GETTING ON THE PLANE. YOU'RE AIRBORNE! OOH! OOH-OOH. BEAUTIFUL, BEAUTIFUL. UH-OH!LITTLE TURBULENCE. LITTLE TURBULENCE. TURBULENCE.GIVE ME MORE TURBULENCE. I LOVE THE TURBULENCE. TURBULENCE. NOT SO MUCHTURBULENCE, KID. OKAY. KEEP IT GOING.KEEP IT GOING. YOU'RE COMING DOWNFOR A LANDING. YOU'RE COMING IN.YOU'RE ALMOST DOWN. YOU ARE...DOWN! OKAY! BEAUTIFUL! I HAVE SEEN YOU BEFORE.I KNOW I HAVE. WASN'T THAT YOU ONTHE COVER OF COSMOPOLITAN? NO. THIS IS MY VERY FIRSTMODELING EXPERIENCE. YOU'RE NOT A PROFESSIONAL MODEL? [ GIGGLES ]COME ON. NO. MY MOM JUST BROUGHT MEHERE FOR THE CONTEST. YOU KNOW,I'M, UH... I'M PLANNING A LITTLE CONTESTOF MY OWN. OKAY, LADIES. LADIES.WE ARE IN PARIS NOW. WE'RE IN PARIS. OKAY? BONSOIR. BONJOUR. [ High-pitched voice ] BONJOUR. BONJOUR. OKAY, WE'RE GONNAGO FOR A LITTLE WALK DOWN THE CHAMPS-éLYSéES. ARE YOU READY?START A-WALKING. BEAUTIFUL.WALKING. WALKING. WALKING. LET ME SEE A LITTLE PARISIN THOSE FACES. BEAUTIFUL, BEAUTIFUL. KID, THAT'S A LITTLETOO MUCH PARIS. ELYSE -- YOU SEETHE ARC DE TRIOMPHE. SEE IT! LOVE IT! POINT TO IT!SHOW IT TO YOUR KID! SHOW IT TO HER. YOU'RE NOTSEEING IT, KID. IT'S A LANDMARK.LOVE IT! [ CAMERA SHUTTER CLICKING ] NOT THAT MUCH, KID.IT'S NOT THE EIFFEL TOWER. HONEY, SWEETIE, DARLING,WOULD YOU MIND JUST MOVING A LITTLE FURTHERTO THE RIGHT? A LITTLE FURTHER.THAT'S GOOD. FURTHER. FURTHER. FURTHER. GOOD. FURTHER. Ed:THAT'S GREAT, ELYSE. YOU LOOK BEAUTIFUL. BEAUTIFUL.BEAUTIFUL. BEAUTIFUL. THAT'S TERRIFIC!KEEP SHOOTING, PHILLIP. BEAUTIFUL, ELYSE.BEAUTIFUL. GIVE ME THAT SMILETHAT ONLY YOU CAN SMILE! BEAUTIFUL!THAT IS WONDERFUL! THAT'S FABULOUS!I LOVE IT! IT'S BEAUTIFUL,FANTASTIC, WONDERFUL, LOVELY, FABULOUS, FANTASTIC! [ CAMERA SHUTTER CLICKING ] OH, THANK YOU. YEAH, I'VE HAD A LOTOF COMPLIMENTS ONTHOSE PHOTOGRAPHS. I NEVER REALIZED SO MANY PEOPLE READTHE SUNDAY SUPPLEMENT. NO, THAT -- MY FIRSTMODELING JOB. WHO IS IT, MOM?HOW MUCH ARE THEY OFFERING? DON'T SIGN ANYTHING YET. DO YOU MIND?I'M TRYING TO STUDY HERE. STUDY? SHOULDN'T THE BOOKBE ON YOUR HEAD? ALEX, YOU'RE NOT HELPING MEWITH MY PROJECT! I AM GOING TOGET AN "F," AND I'LL NEVERGET INTO COLLEGE, AND I'M GONNA WIND UPON THE STREET SELLING THIMBLES! WELL, THANK YOU. I'LL TELL YOU, THIS DOESN'TSOUND LIKE IT'S FOR ME. GOODBYE. DETAILS, MA.GIVE ME DETAILS. WELL, I-IT WASFOR A MAGAZINE AD, AND THEY WANTED METO POSE IN A BUBBLE BATH. SOUNDS LIKEGOOD EXPOSURE.OH. HOW DOES ANYONEEXPECT ME TO GET ANY STUDYINGDONE AROUND HERE? ALEX, YOU LEFT MESTRANDED IN SWEDEN. OH, BUNDLE UP.I'M ON MY WAY. QUIET NIGHTBY THE HEARTH? I TRIED TO CALL YOUFOR HOURS. WAS THE PHONEOFF THE HOOK?MNH-MNH. PEOPLE HAVE BEEN CALLING HEREALL DAY ABOUT MODELING. I GUESS THEY SAWTHAT THING IN THE PAPER. HEY. THAT MUST MAKETHE TWO OF YOU FEEL GREAT. WHAT, ARE YOUKIDDING, DAD? I WOULDN'T WASTE MY TIMEON THAT STUFF. [ DOORBELL RINGS ]I'LL GET IT. OH, HI, ED. HI THERE, VALERIE. MALLORY. RIGHT. HEY. PRETTY EXCITINGHAVING YOUR PICTURE IN THE PAPER, HUH? OH, WAS IT THIS WEEK?SILLY ME. I ALREADY THREW IT AWAYAND SHREDDED IT. OH, WELL. UH, ED.UH, STEVEN KEATON. COME ON IN.AND... YOU MUST BEELYSE'S HUSBAND. YES, I AM. ELYSE! ELYSE. SIT.SIT, SIT, SIT, SIT, SIT. ELYSE... [ DOOR CLOSES ] PROPER PENGUINFROZEN GOURMET DINNERS IS LOOKING FORA SPOKESPERSON FOR THEIR TV COMMERCIAL. ELYSE, THEY WANT YOU. AND THEY'RESHOOTING IT TOMORROW! TOMORROW? OH, THAT'SSUCH SHORT NOTICE. HEY, NO ONE TURNS DOWNTHE PENGUIN. I -- I'M NOTSURE ABOUT THIS. ELYSE, THEY TOOKONE LOOK AT YOU AND SAID, "ELYSE KEATON IS THE PROPER PENGUIN LADY." THAT'S HOW I FELL FOR HER. WHAT DO YOU SAY, ELYSE? $1,500FOR ONE DAY'S WORK. $1,500 -- THIS ISRIDICULOUS, RIGHT? RIGHT. DO YOU NEEDA PROPER PENGUIN MAN? Man: PLACES![ CLAPS HANDS ] READY TO GO! OH. MALLORY. I-I THOUGHTYOU ALL WENT BOWLING. OH, NO. I TOLD DADTO GO AHEAD WITHOUT ME. I'VE GOT A LOTOF STUDYING TO DO. OH, UH, SORRY. UM, THIS IS THE DAYFOR YOUR LITTLE COMMERCIAL. I FORGOT. I GET OUTOF YOUR WAY. OKAY, PEOPLE.THIS IS FOR REAL. PLACES, EVERYONE.PLACES. ROLL 'EM. PROPER PENGUINFROZEN FOOD COMMERCIAL. TAKE 1.[ CLACK ] AND...ACTION! I WAS HELD UP AT WORK.TRAFFIC WAS AWFUL. HOW AM I SUPPOSED TO COOKAN IMPRESSIVE DINNER FOR 8 IMPORTANT FRIENDSIN 20 MINUTES? WHAT ABOUTTHE PROPER PENGUIN? OH, I FORGOT. THANK YOU,SIR PENGUIN. [ CHUCKLES ] LOOK AT THAT -- AN ENTIRE GOURMET MEALRIGHT IN YOUR FREEZER. ESCARGOTS,TURTLE SOUP, SUCCULENT PEKING DUCKWITH ALL THE FIXINGS. AND FORDESSERT, UH -- CUT.YE-- [ SIGHS ] WHAT IS IT? SORRY. MOM, CAN I HAVETHE ICE CREAM THAT WAS... IT'S R-RIGHT BEHINDTHE TURTLE... SORRY. HERE, MALLORY. NOW, PLEASEDON'T INTERRUPT! I WON'T.I'M SORRY. CAN I JUSTGET A SPOON? NO. Ed: PLACES, EVERYONE.PLACES. ROLL 'EM. PROPER PENGUINFROZEN FOOD COMMERCIAL. TAKE 2.[ CLACK ] AND ACTION! I WAS HELD UP AT WORK.TRAFFIC WAS AWFUL. HOW AM I SUPPOSED TO COOKAN IMPRESSIVE DINNER FOR 8 IMPORTANT FRIENDSIN 20 MINUTES? WHAT ABOUTTHE PROPER PENGUIN? OH, I FORGOT. THANK YOU,SIR PENGUIN. [ CHUCKLES ] LOOK AT THAT -- AN ENTIRE GOURMET MEALRIGHT IN YOUR FREEZER. ESCARGOTS,TURTLE SOUP, SUCCULENT PEKING DUCKWITH ALL THE FIXINGS. AND FOR DESSERT...OH. YES.OOH. WHY NOT? CRêPES SUZETTEFLAMBé. [ SIGHS ] AND I'LL TOP IT OFF WITH PROPER PENGUINPREMIUM PERUVIAN COFFEE IN THIS HARDYBOIL-IN-THE-BAG POUCH. WHY FOOLWITH INSTANT? JUST POP IT ALLIN THE MICROWAVE. EXCUSE ME. CUT! CUT, CUT, CUT. [ SIGHS ]IT'S JUST THAT WE DON'THAVE A MICROWAVE. WE DON'T NEEDA MICROWAVE FOR THE COMMERCIAL! OH. SORRY. UM, I'M JUSTTRYING TO HELP. LOOK, KID... IT'S 114 DEGREESIN THIS SUIT. MAYBE I'LL TAKEA WALK. MAKE IT A LONG ONE. Ed: OKAY.PLACES, EVERYBODY. PLACES. ONCE MOREFROM THE TOP. READY. AND...ROLL 'EM. PROPER PENGUINFROZEN FOOD COMMERCIAL. TAKE 4.[ CLACK ] Ed: OKAY. VERY QUIETLY. ONCE AGAIN.AND...ACTION. I WAS HELD UP AT WORK.TRAFFIC WAS AWFUL. HOW AM I SUPPOSED TO COOKAN IMPRESSIVE DINNER FOR 8 IMPORTANT FRIENDSIN 20 MINUTES? [ DOORKNOB RATTLES ]WHAT ABOUTTHE PROPER PENGUIN? HE'S LOCKED OUT. CUT. CUT. CUT. MALLORY. OH! SORRY. OH, STUPID ME. I-I LOCKED THE DOOR.[ CHUCKLES ] HABIT. SAFETY. I'M SORRY. UM... I'M WARNING YOU, KID. PROPER PENGUINFROZEN FOOD COMMERCIAL. TAKE 22.[ CLACK ] Ed: ACTION! I WAS HELD DOWN AT WORK.TRAFFIC WAS IMPORTANT. HOW AM I SUPPOSED TO COOK8 FRIENDS AND A PENGUIN? [ CRASHING ] I CANNOT BELIEVE YOU BEHAVED LIKE THAT. FINISH THE COMMERCIAL,MOM? SURE. AFTER 34 TAKES. IT'S NOT MY FAULTYOU KEPT FLUBBING YOUR LINES. I-I DON'T THINK I WOULD HAVEFLUBBED THEM SO MUCH IF YOU WEREN'T DELIBERATELYTRYING TO THROW ME OFF. WHAT? IS THAT WHAT YOU THINKI WAS DOING IN THERE? I JUST HAPPENED TO BEIN THE KITCHEN. I WAS MINDINGMY OWN BUSINESS. OH, AND INTHE MIDDLE OF SHOOTING, YOU JUSTHAPPENED TO YELL, "RUN FOR YOUR LIFE!THE HOUSE IS ON FIRE!" SLIPPED OUT. [ SCOFFS ] MALLORY, YOU'RE ACTINGLIKE A 9-YEAR-OLD. OBVIOUSLY, SOMETHING IS BOTHERING YOU. PLEASE TELL MEWHAT IT IS. ALL RIGHT, I'LL TELL YOUWHAT'S BOTHERING ME. I'M THE ONEWHO WANTED TO BE A MODEL, AND YOU STOLE THATAWAY FROM ME. NOW I'LL NEVERBE ONE. I DIDN'T STEALANYTHING FROM YOU. IF YOU HADN'T BEEN THERE,THEY WOULD HAVE CHOSEN ME TO BETHE PROPER PENGUIN LADY. WELL, MAYBE NOTTHE PROPER PENGUIN LADY, BUT AT LEASTTHE PROPER PENGUIN DAUGHTER. I DIDN'T WANT TO GETINTO THIS TO BEGIN WITH. YOU DRAGGED ME INTO IT. MAYBE SO. BUT ONCE YOU WERE THERE,YOU CERTAINLY ENJOYED IT. WHY DOES IT MATTERSO MUCH TO YOU THAT I ENJOYED IT? [ Crying ]BECAUSE YOU FORGOT ABOUT ME. IT'S SUPPOSED TO BEMY BIG, SHINING MOMENT... AND EVERYONEWAS SHOVING ME ASIDE. YOU DIDN'T EVEN CARE. IT'S LIKEI DIDN'T EXIST. HONEY, I-I DIDN'T REALIZEI HURT YOU. YEAH, YOU WERE TOO BUSYWITH YOUR MAKEUP AND YOUR LINESAND YOUR PENGUIN FRIENDS. YOU DIDN'T HAVETIME FOR ME. I ALWAYS HAVETIME FOR YOU. I'M A MOTHER FIRSTAND A PENGUIN LADY SECOND. DON'T TELL YOUR FATHER. [ SIGHS ] WHY DID YOU DO IT,MOM? YOU KNEW HOW IMPORTANTIT WAS TO ME. I DON'T KNOW. I GUESS I GOTCARRIED AWAY. ALL THAT FUSS,ALL THAT A-ATTENTION. IT WAS FLATTERING. I GUESS I JUSTDIDN'T STOP TO CONSIDERYOUR FEELINGS. EVERYONE ELSE HAS SOMETHINGTHEY'RE GOOD AT. I JUST WANTEDTO BE GOOD AT SOMETHING, TOO. HONEY, YOU'RE GOODAT LOTS OF THINGS! OH. THEY'RE NOT THE THINGS THATANYONE THINKS ARE IMPORTANT. [ SOBBING ] SOMETIMES I FEEL LIKESUCH AN OUTSIDER. HONEY, IT'S TRUE, MAYBE, THAT -- THAT DIFFERENT THINGSARE IMPORTANT TO YOU, BUT IT SHOULDN'T MAKE THEMANY LESS VALUABLE. THEN WHY DOES EVERYONE ALWAYS MAKE FUNOF THE THINGS THAT I LIKE? IF THAT'S WHAT'S HAPPENING,I'M SO SORRY. WE SHOULD BE MUCH MORE AWAREOF YOUR FEELINGS. ESPECIALLY ME. OH, HONEY. [ SOBBING ] [ CHUCKLES ] I SHOULD APOLOGIZE, TOO.[ SNIFFLES ] IT WAS PRETTYCHILDISH OF ME TO RUINYOUR COMMERCIAL. YOU WERE GOOD, TOO. I WOULD HAVE BEENGOOD, TOO, THOUGH. [ CHUCKLES ] I MEAN, I HAVEEVERYONE'S LINES MEMORIZED. EVEN SIR PENGUIN'S. [ GASPS ]YOU DID? [ SIGHS ] I WAS TIED UP AT WORK.TRAFFIC WAS AWFUL. HOW AM I SUPPOSED TO COOKAN IMPRESSIVE MEAL FOR 8 IMPORTANT FRIENDSIN 20 MINUTES? WHAT ABOUTTHE PROPER PENGUIN? WELL, THANK YOU,SIR PENGUIN. [ BOTH LAUGH ] WELL, HEY.HOW'D THE FILMING GO? OKAY.[ CHUCKLES ] JUST OKAY, AND YOU'REHUGGING LIKE THAT? DAD BOWLEDA 200 GAME. YOU DON'T SEE MESLOBBERING ALL OVER HIM. NO. BUT YOU DID SPIKETHE BOWLING BALL. SO, MOM...[ POUNDS WALL ] ...WHEN'S THE NEXTASSIGNMENT? UH... I'M NOT GONNA DOANY MORE MODELING. WHAT? I THOUGHT YOU SAIDIT WENT OKAY. DID THEY MAKE YOUEAT THAT PENGUIN FOOD? MOM, GET -- GET AHOLDOF YOURSELF. WE'RE TALKING ABOUTA LOT OF MONEY HERE. SOME THINGSARE MORE IMPORTANT THAN MONEY. NAME ONE. [ TELEPHONE RINGS ] HELLO? OH. HELLO, ED. UH, YES -- WELL --WELL, THANK YOU, BUT I'M REALLY NOT INTERESTEDIN DOING ANY MORE MODELING. BUT MAYBE MY DAUGHTER IS. SHE HAPPENS TO BERIGHT HERE. NOW, HOLD ON.JUST BE RELAXED.MOM. CALM DOWN.BE YOURSELF. BONJOUR, éDOUARD. [ ACCORDION PLAYSFRENCH-STYLE MUSIC ]