* I BET WE'VE BEEN TOGETHER * FOR A MILLION YEARS * AND I BET WE'LL BE TOGETHER * FOR A MILLION MORE * OH, IT'S LIKEI STARTED BREATHING * * ON THE NIGHT WE KISSED * AND I CAN'T REMEMBER * WHAT I EVER DID BEFORE * WHAT WOULD WE DO, BABY * WITHOUT US * WHAT WOULD WE DO, BABY * WITHOUT US * AND THERE AIN'T NO NOTHING * WE CAN'T LOVEEACH OTHER THROUGH * * WHAT WOULD WE DO, BABY * WITHOUT US * SHA LA LA LA THE PRINCE TOOK CINDERELLAFOR HIS BRIDE, AND THEY LIVED HAPPILYEVER AFTER IN THE PRINCE'S CASTLE. ALEX SAIDTHE PRINCE WAS SILLY. CINDERELLAHAD NO MONEY. ALEX SAYS A LOT THATDOESN'T MAKE SENSE. WHAT SHOULD YOU DOWHEN ALEX STARTSTO TALK? GOOD BOY. ELYSE, WHATDO YOU THINK LOOKS BETTERWITH WHAT I'M WEARING? THIS OR, UH... THIS? I THINK I'D HAVETO SEE THEM ON. THAT'S A FASHIONPROJECT FOR MY SALESAND MARKETING CLASS. THEY WERE IN MY CLOSET. I ASSUMED THEYWERE MINE. I NEEDEXTRA CLOSET SPACEFOR THIS PROJECT. I HOPE YOU DON'T MINDIF I MOVED YOUR STUFFAROUND. WHY ME? IT WOULDN'T BE FAIRTO USE MOM OR JEN'SCLOSET 'CAUSE THEY'RE GIRLS. ANDY'S STILL IN HISFORMATIVE WARDROBE YEARS. ALEX CHARGES TOO MUCH RENTFOR HIS CLOSET. THAT LEFT YOU. YOU'RE THE PERFECT CHOICEBECAUSE IT DOESN'T MATTER. YOU DON'T REALLYNEED TO LOOK GOOD. YOU'VE REACHED THAT AGE. WHAT ABOUT YOUR CLOSET, MALLORY? MY CLOSET, DAD? HA HA HA HA. DAD, YOU'RE SO FUNNY! COME ON, ELYSE.WE ALWAYS SAY WE SHOULD SUPPORTMALLORY IN SCHOOL. IT'S JUST A MINORINCONVENIENCE. IT'LL BE GOOD FOR METO EXPERIENCENEW CLOSETS. SORRY I MISSED DINNER. MY COMMITTEE MEETINGRAN LATE. WHAT COMMITTEEWAS THAT? STUDENTS FOR WEAPONSIN SPACE? THE ENTERTAINMENTCOMMITTEEE FOR HOMECOMINGWEEKEND. THIS WHOLE THING'SUNRAVELING. WE GOT A LOT OF GOODACTIVITIES PLANNED. WE GOT BOBBINGFOR MONEY. WE'VE GOT THE "GUESSYOUR CLASSMATESINCOME" BOOTH. SOMETHING FOR EVERYONE. YEAH. BUT THE BANDWE BOOKED BACKED OUTAT THE LAST MINUTE. DOES ANYBODYREMEMBER THE GROUP AT ANDY'SBIRTHDAY PARTY? HUMPTY AND THE DUMPTIES? ELYSE, WE HAVE TO GO. WE'RE GOING TO BE LATE. SEE YOU LATER. REALLY LOOKINGFOR A BAND, HUH? YEAH. GOTANY SUGGESTIONS? WHAT ABOUT MY BAND--THE PERMANENT WAVES? HA HA! NO. NO, THANKS. COME ON, ALEX.WHY NOT? I'M SURE IT FALLSIN THE FINE TRADITION OF THE OTHER ABSURDMUSICAL GROUPS YOU'VE BEENINVOLVED WITH-- KEATON AND THE KAZOOS, THE NEW KEATON MINSTRELS, KEATON AND GARFUNKEL. THE PERMANENT WAVES ARE DIFFERENT. YEAH. I'LL BET. WHAT DO YOU HAVETO LOSE? IF YOU DON'T LIKE US,DON'T USE US. EVEN IF I LET YOUAUDITION, YOU'LL BE TREATEDLIKE EVERYBODY ELSE. BEING MY SISTER WILL BEABSOLUTELY NO ADVANTAGE. OH, AND WHAT A PLUS IT'S BEEN SO FAR. AH HA HA HO! OH. MY.HEY! HEY, HEY! LEY'S HEAR ITFOR MITCH ZIAUKUSAND THE POLKA BOYS! GOOD JOB! GREAT! THANKS A LOT. HEY. WE GOT OUR BAND. THANKS A LOT EVERYBODY. WE'VE BEEN WAITINGALL DAY. ALL RIGHT. ALL RIGHT. MAKE IT QUICK, OK? COME ON, GUYS. THAT'S MY KID SISTER. I'M SORRY. I PROMISED. SKIPPY, WHATARE YOU DOING HERE? I'M WITH THE BAND. WHAT INSTRUMENTDO YOU PLAY? MY ROLE'SMORE IMPORTANT-- BAND ADVISOR. IF YOU DON'T GET THATUP HERE, YOU'RE FIRED. HERE YOU ARE. * THE FIRST TIMEI LOOKED AT YOU * * I COULD SEEYOU SEARCHING * * FOR SOMEBODY SPECIAL * SPELLBOUND * I DIDN'T MIND YOUTAKING MY HEART * * OH, NO * I WAS JUSTA LITTLE SHY * * WAITING FORTHE RIGHT TIME * * TO TAKE YOUR HAND * AND WHISPERIN YOUR EAR * * HOLD ME * I'M YOUR DREAMCOME TRUE * * YOUR PERFECT GIRL * I KNOW YOUWANT TO HOLD * * THIS DREAM COME TRUE * YOUR PERFECT GIRL * HOLD ME * I'M YOUR DREAMCOME TRUE * * YOUR PERFECT GIRL * I KNOW YOUWANT TO HOLD ME--* OH, ALEX.THEY ARE FANTASTIC. I ADMITTHEY GOT TALENT, BUT TAKE IT EASY. THEY'RE NOTTHE POLKA BOYS. THEY'RE WHAT WE NEED. THEY'RE GREAT! ALEX, WHAT DIDYOU THINK? WELL, YOU'RE RAW,YOU'RE GREEN. BUT THERE'S A GLIMMEROF SOMETHINGUNDER THERE. YOU'VE GOT TALENT. YOU REALLY THINK SO? YEAH, JEN. I THINKWITH THE PROPERGUIDANCE, CAREER MANAGEMENT,PROMOTION... PLEASE DON'T, ALEX. WE'RE JUSTTEEN-AGERS TRYINGTO GET THROUGH PUBERTY. HEY, GIRLS,NICE. NICE.SOUNDS GREAT. GOOD STAGEPRESENCE, TOO. THANKS.THANKS. ONLY ONE THING'SMISSING, ONE PIECEFROM THE PUZZLE, ONE STEP BETWEENYOU AND SUCCESS. DON'T ASK HIMWHAT THAT IS. WHAT IS IT? UH...ME. WE SHOULD LEAVE NOWTO BEAT THE CROWDS. WHERE'S YOUR FATHER? HE'S NOT READY YET. LET'S GO NOW AND TAKEDADDY TO THE ZOO TOMORROW. I MOVEDHIS CLOTHES AROUND, SO HE'S HAVINGA HARD TIMEFINDING THEM. I HAD TODRAW HIM A MAP. MALLORY, I WANTTO HELP YOU OUT HERE. I WANT TO BEA GOOD FATHER. I KNOW IT'S FOR SCH0OL, AND IT'SIMPORTANT FOR YOU, BUT IT'S ALSOWINTER IN OHIO, AND I'D LIKE A LITTLEMORE INSULATION. WE WENT OVER THIS. CLOTHES WORNABOVE THE WAIST ARE IN THE HALL CLOSET. OK. THAT'S CONVENIENT. WHAT ABOUT CLOTHESWORN BELOW THE BELT? I HAVEN'T FOUND A PLACE. DO YOU HAVEA TARGET DATE ON THAT? TEMPORARILY, THEY'REIN ANDY'S TOY CHEST, BUT I'M NOT HAPPYWITH THAT. THOSE WEREDADDY'S PANTS? YES. EXCUSE ME. ANDY! JENNIFER AND THE BANDDOWN YET? NO. THEY'RESTILL UPSTAIRS. WHY? AS MANAGER,I HAVE TO KNOW WHERE THEY AREEVERY MOMENT. I CAN'T BELIEVETHEY CHOSE YOUAS THEIR MANAGER. THEY DID, AND I HAVETHEIR CAREERS PLANNED FROM NOW UNTILSOCIAL SECURITY. WHEN THEY SIGNED TO HIRE ME AS MANAGER, THEY KNEW WHAT THEY WERE GETTING INTO. AND STILL THEY SIGNED. THEY DID.TAKE A LOOK. ALEX, IT LOOKS LIKE YOU'RETHE ONLY ONE MAKING MONEY. YOU'D SAY THATABOUT YOUR SON? WHAT'S THISON LINE FIVE? THAT'S MY AGENT'S FEE. LINES SIX, SEVEN,AND EIGHT? THAT'S MY MANAGER'S FEE, FINDER'S FEE,AND KEEPER'S FEE. LINE 10? THAT'S MY FEE FEE. ALEX? HEY! HEY, YOULOOK TERRIFIC! WE LOOK LIKEA BRIDAL PARTY. ALEX, WHAT IS THIS? THIS IS PARTOF THE BOLD, NEWCOMMERCIAL IMAGE I'M CREATINGFOR THE BAND. OH, LOOK. IT'STHE ANDREWS SISTERS. I THINK THE BANDNEEDS A NEW NAME. PERMANENT WAVESJUST DOESN'T STICKIN THE BRAIN. WE NEED SOMETHINGMORE CONTEMPORARY. THE LEG WARMERS. WHAT DO YOU THINK? THE SWINGINGCORPORATE RAIDERS. OH, ALEX! WASN'T THAT THE ORIGINALNAME OF THE SUPREMES? COME ON. [DOORBELL RINGS] I GOT IT! HEY, SKIPPY. COME ON IN. SO, YOU GOT EVERYTHING? I'VE GOT THE GUITARS,AMPS, SOUND EQUIPMENT,AND A HERNIA. YEAH. THAT'S EVERYTHING. GIRLS, THERE'S A LOTOF WORK TO DO. WE'LL GO OVERTHE NEW STAGESHOW, THE NEW MUSIC. WE DON'T LIKETHE NEW MUSIC. THEY'RE ALLSHOW TUNES, ALEX. WHEN YOU'RE OUT ON TOUR, THERE WILL BEIMPORTANT PEOPLEIN THAT AUDIENCE. I MEAN OLDER PEOPLE-- PEOPLE WHO WANTSOME ENTERTAINMENTFOR THEIR DOLLAR. I'M NOT SINGING WHY CAN'T A WOMAN BE MORE LIKE A MAN? LET'S GO OVER ONEOF THE OTHER TUNES. LET'S DO THE ONEWE DID LAST NIGHT. OK, LET'S GO.IN THE KEY OF "C." WHERE IS IT? [PLAYS NOTE] OK, WITH THE HEAD BOBS. * BOM BOM BOM BOM BOMBOM BOM BOM * * BOM BOM BOM BOM BOM * MR. SANDMAN YES? * BRING ME A DREAM * MAKE HIM THE CUTESTTHAT I'VE EVER SEEN * LET'S SEETHAT POUT, ASHLEY. GOOD. OK. COME ON! TEETH,BROOKE, TEETH! THERE YOU GO! JENNIFER, I DON'TBELIEVE YOU! I DON'T BELIEVEYOU EITHER, ALEX. KITTEN'S GOT IT! THE REST OF YOU,WATCH ME! OK! KITTEN, HANDS! OK! ALL RIGHT!BEDDY-BYE! OK. NOW,COME ON, GIRLS! I'LL WEARMY BLUE SUIT. DOES ANYBODYKNOW WHERE IT IS? CHECK THE FRONT PORCH. OH. HE'S REALLYA WONDERFUL MAN. GIRLS, YOUTOOK FOREVER. OUR TRAIN LEAVESIN 30 MINUTES. THOSE DRESSESDON'T PACK EASILY. THESE AREYOUR TRAIN TICKETS. OH, NOT THAT ONE. HOW COME YOURSSAID FIRST CLASSAND OURS DIDN'T? WELL, JEN, IT'SIMPORTANT FOR ME TO MAINTAINA CERTAIN IMAGE. PEOPLE SEE THE... PEOPLE SEE THE MANAGERRIDING IN FIRST CLASS, THEY FIGURE IT'SA FIRST-CLASS BAND. WHAT ABOUT WHEN THEYSEE THE BAND IN COACH? THEY THINKYOU'RE REAL PEOPLE. YOU SAIDHE WAS SMOOTH. OK, LADIES.COME HERE. COME HERE.HUDDLE. HUDDLE. THIS ISAN HISTORIC MOMENT. WE'RE LEAVINGFOR OUR FIRST GIG. THE SWINGINGCORPORATE RAIDERS, WHICH BEGANAS A GLIMMER IN MY EYE, IS NOW A REALITY. TONIGHT, TOLEDO. TOMORROW...TOLEDO. MONDAY, BACKTO SCHOOL. LET'S GO. * BOM BOM BOM BOM BOMBOM BOM BOM * * BOM BOM BOM BOM BOM * MR. SANDMAN * BRING ME A DREAM * MAKE HIM THE CUTESTTHAT I'VE EVER SEEN * * GIVE HIM THE WORDTHAT I'M NOT A ROVER * * AND TELL HIM THATMY LONESOME NIGHTS ARE OVER * * SANDMAN * I'M SO ALONE * DON'T HAVE NOBODYTO CALL MY OWN * * PLEASE, TURN ONYOUR MAGIC BEAM * * MR. SANDMAN,BRING ME A DREAM * JENNIFER'S STILLNOT READY! SHE'S UPSTAIRSWITH THE GIRLS. NOBODY KNOWS WHATUS MANAGERS GO THROUGH. TONIGHT IS THE BIGGESTNIGHT OF OUR CAREERS. I'M THINKING OF MY BLUE BLAZERFOR THE DANCE. THAT'S A GOOD IDEA. DAD, COME INAFTER YOU GET DRESSED. I'VE GOTSOME EXCITING NEWS. WHAT'S THE NEWS,YOU FOUND MY SOCKS? NO. I GOT AN "A"ON MY FASHION PROJECT. THAT'S TERRIFIC! THAT'S WONDERFUL, HONEY. I COULDN'T HAVEDONE THIS WITHOUT YOU. I GET MY CLOSETSBACK NOW. NOT REALLY. I'M TAKINGTHE ADVANCED CLASS. I'M JUST KIDDING! YOU'LL HAVE THEMBACK SOON. THIS CALLSFOR A CELEBRATION. MALLORY GOT AN "A." WHAT DO YOUTHINK OF THAT? YOU HELPED HER, TOO. I GOT USEDTO DRESSINGCLOSE TO NATURE. WITH THE WEATHERWARMING UP... ALEX, THERE AREPROBLEMS DEVELOPING. WHAT PROBLEMS?WE'RE A HIT. THIS IS THE BIGGEST GIGOF OUR LIVES. WE WANT TO PLAYOUR OWN MUSIC. WE LOOK LIKEWE'RE RAISING MONEY FOR WAR BONDS. I SEE. WE'RE NOTHAVING ANY FUN. YOU'RE NOTSUPPOSED TO HAVE FUN. YOU'RE KIDS. THINK ABOUT THE FUTURE. YOU'LL HAVE FUNWHEN YOU RETIRE. WE APPRECIATE EVERYTHINGYOU'VE TRIED TO DO FOR US, BUT IT'S ENOUGH. FINE. GOOD. HEY. I SEE. I GOT IT. FINE. FINE. DON'T POUT, ALEX. I WORK. I SWEAT. I LABOR FOR HOURS. I WORRYABOUT THIS BAND. I MAKE ALLTHE ARRANGEMENTS. WHAT DO I GETIN RETURN? 80%. 85%. READ YOUR CONTRACT. IT'S NOT WORKING, ALEX. NOT WORKING? YOU GUYS ARE A SMASH. DIDN'T THEY LOVE YOUAT THE CLEVELAND STATEPENITENTIARY? ALEX, THOSE GUYS HADN'T BEEN OUT IN 30 YEARS. THEY THOUGHT WE WERE THE ANDREWS SISTERS. THERE ARE BOUND TO BEBUMPS AND BRUISES. YOU'RE JUSTSTARTING OUT. EVERYTHINGWILL WORK OUT. TRUST ME.YOU WON'T BE SORRY. I'M ALREADY SORRY. IT'S JUST A QUESTIONOF HOW MUCH. ENJOYING YOURSELF? IT'S WONDERFUL.WE HAVEN'TPOLKAED IN YEARS. THE POLKA BOYSREALLY WHIP A CROWDINTO A FRENZY. SEVERAL PEOPLEWERE TRAMPLED TO DEATH AT THEIR LAST CONCERT. MAY IHAVE THIS DANCE? IT WILL BE NICE NOT TO HAVE YOUR FATHERDANCING ON MY FEET. WELL, GIRLS,THIS IS IT. LELAND SYMPHONY AUDITORIUM, OUR BIGGEST GIG YET. GOOD LUCK. THEY FEEL LIKEYOU'RE FORCING THEMINTO THIS. I'VE EXPLAINED THIS A MILLION TIMES. YOU NEED A GIMMICK, SOMETHING SPECIALFOR THE AUDIENCETO REMEMBER YOU BY. NOW WHAT'SYOUR GIMMICK? WHAT DO YOU HAVETHAT CANNOTBE DUPLICATED? MY BROTHER. OK. HEY. TANK YOU,TANK YOU, TANK YOU. OK. THIS NEXT ACT IS REALLY GOING TOKNOCK YOUR SOCKS OFF. LADIES AND GENTLEMEN, PLEASE WELCOME... THE SWINGINGCORPORATE RAIDERS. * BOM BOM BOMBOM BOM BOM BOM BOM * * BOM BOM BOM BOM BOM * MR. SANDMAN YES? * BRING ME A DREAM * MAKE HIM THE CUTESTTHAT I'VE EVER SEEN * * GIVE HIM THE WORDTHAT I'M NOT A ROVER * * THEN TELL HIM THATMY LONESOME NIGHTS ARE OVER * * MR. SANDMAN... I CAN'T GOTHROUGH WITH THIS. NO. UM... * MR. SANDMAN,BRING ME A DREAM * * MAKE HIM CUTESTI'VE EVER SEEN * WHATARE YOU DOING? I'M NOT SINGING.IT'S NO USE. SO THAT'S THE WAYIT IS, HUH? FINE. I SHOULD HAVESEEN IT COMING. WHENEVER YOUGET INVOLVEDWITH MY LIFE, A VOICE SAYSINSIDE MY HEAD, "DON'TLISTEN TO HIM.HE'S DANGEROUS." I'VE TOLD YOUNOT TO LISTENTO STRANGE VOICES. THEN ANOTHER VOICE SAYS,"DO WHATEVER HE SAYS. HE'S YOUR BROTHER.HE'S A GOOD GUY." I LIKE THAT VOICE. THAT'S BECAUSE IT'S YOURS. YOU LEFT A TAPE RECORDERUNDER MY BED. ALL RIGHT, JEN.LOOK. MAYBE I GOTA LITTLE CARRIED AWAY. IT'S JUST... WHEN IHEARD YOU SING, WHEN I SAWHOW TALENTED YOU WERE, I COULDN'T HELP IT. I GOT EXCITED. AND WHENYOU GET EXCITED, I GET EXCITED. I START BELIEVINGANYTHING CAN HAPPEN. THE NEXT THING I KNOW, I'M IN AN EVENING GOWN SINGING MR. SANDMAN. WHY DO I LISTENTO YOUR ADVICE? OH, JEN... WHO ELSE'S ADVICEWILL YOU LISTEN TO? ARE YOU GOING TO LISTENTO MOM AND DAD'S? THE ONLY ADVICE THEY GIVEIS BE FAIR TO PEOPLE. RESPECTOTHER PEOPLE'S IDEAS. WHEN ARE YOU GOINGTO USE THAT IN LIFE? I DO LISTEN TO YOU. YOU'RE MY BROTHER.I LOVE YOU. I THINK I SHOULDMAKE THE DECISIONSBY MYSELF. I THINK WE SHOULDMANAGE THE BANDON OUR OWN. YOU'RE RIGHT.IT'S YOUR BAND. SO, UH...CAN I STILLCOME SEE YOU PLAY? SURE. AND IF WE EVERHIT IT BIG ONE DAY, YOU CAN BEOUR ACCOUNTANT. AND IF I EVER HIT ITREALLY BIG ONE DAY... YOU CAN PLAYAT THE INAUGURATION. THAT'S A DEAL. NO MORE MR. SANDMAN? NO MORE. COME ON, GUYS. WE'RE GOING TODO OUR STUFF. * OVER AND OVER * AND OVER AGAIN * I'VE SEEN LOVE HAPPEN * AND I'VE SEEN IT END * I'VE BEEN HURTSO MANY TIMES BEFORE * * AND MAYBE TOO OFTEN * I SHOULDN'T TRUSTMY HEART ANYMORE * * BUT I KNOWIT'S DIFFERENT NOW * * BABY, I'M BACKIN LOVE AGAIN * * IN LOVE AGAIN * OOH OOH, OOH OOH * BABY, I'M BACKIN LOVE AGAIN * * IN LOVE AGAIN * I'M IN LOVE WITH YOU * YOU YOU YOU * I NEVER THOUGHT THAT * THERE'D BE A TIME * WHEN I COULD REACH OUT * AND CALL YOU MINE, NO * I WAS ALONE * YOU CAME ALONG * TO SET ME FREE * AND LIKE A VISIONFROM A DREAM * * MY HAPPINESSIS CALLING OUT TO ME * * AND I WON'TLET IT GO * * BABY, I'M BACKIN LOVE AGAIN * * IN LOVE AGAIN * OOH OOH, OOH OOH * BABY, I'M BACKIN LOVE AGAIN * * IN LOVE AGAIN * I'M IN LOVE WITH YOU * YOU YOU YOU