OKAY, ANDY, TIME FOR BREAKFAST. HMM. I'LL COOK,BUT YOU GOT TO CLEAN UP. OH, THERE HE IS. MOM, CAN I TAKE ANDREWINTO THE LIVING ROOM? IT'S MY LAST CHANCETO PLAY WITH HIM BEFORE I HAVE TOLEAVE FOR SCHOOL. WELL, HONEY, I'M ABOUTTO GIVE HIM BREAKFAST. -BUT YOU CAN HELP ME FEED HIM.-OKAY, THANK YOU. OKAY, ANDY,THIS MORNING IT'S CORN MUSH. I'LL CREATE A DIVERSION,YOU MAKE A RUN FOR IT. OH, THERE HE IS. ANDY. HOW ABOUT A QUICK STORYBEFORE I GO TO WORK? WHAT DO YOU SAY? DAD, HE'S ALL BOOKED UPRIGHT NOW, BUT MAYBE MOMCOULD READ YOU A STORY. IT'S NOT THE SAME. COME ON, ALEX,DON'T BE SO SELFISH. HE'S MY BROTHER, TOO. WELL, MALLORY, LOOK. TODAY HAPPENS TO BETHE FIRST DAY OF MY SOPHOMORE YEARIN COLLEGE, AND I'D LIKEA FEW PRIVATE MOMENTS TO SHAREWITH MY ONLY BROTHER. JENNIFER AND I ARE ABOUTTO GIVE HIM BREAKFAST NOW. AND IF THAT FALLS THOUGH,I GOT DIBS ON HIM. THEN I'M NEXT. WAIT A MINUTE.WHAT ABOUT ME? -I WANT TO PLAY WITH HIM.-NOW, COME ON, ANDY. [ INDISTINCT SHOUTING ] ALL RIGHT,ALL RIGHT, ALL RIGHT. LET'S LET ANDY DECIDE. NOW, ANDY,WHO'S YOUR FAVORITE? WELL, THAT SEEMS CLEAR ENOUGH. [ INDISTINCT SHOUTING ] [ THEME SONG PLAYS ] * I BET WE'VE BEEN TOGETHERFOR A MILLION YEARS * * AND I'LL BET WE'LL BE TOGETHERFOR A MILLION MORE * * OH, IT'S LIKEI STARTED BREATHING * * ON THE NIGHT WE KISSED * AND I CAN'T REMEMBERWHAT I EVER DID BEFORE * * WHAT WOULD WE DO, BABY * WITHOUT US? * WHAT WOULD WE DO, BABY * WITHOUT US? * AND THEREAIN'T NO NOTHIN' * * WE CAN'T LOVEEACH OTHER THROUGH * * OOH-HOO * WHAT WOULD WE DO, BABY * WITHOUT US? * SHA-LA-LA-LA * LOVE ISA MANY-SPLENDORED THING * * IT'S THE APRIL ROSETHAT ONLY GROWS * * IN THE EARLY SPRING * LOVE IS NATURE'S WAYOF GIVING * * A REASON TO BE LIVING KISS ME, DAD. I USED TO LIKE THAT SONG. BEAR WITH ME, MOM. FIRST DAY OF COLLEGE, BEAUTIFUL GIRLSSTROLLING AROUND THE CAMPUS. SURELY YOU MUST REMEMBERWHAT IT'S LIKE TO BE YOUNG AND IN LOVE? OR AT LEAST IN LOVE. OW! KIDDING, MOM. KIDDING. WELL, NOW,THIS IS BIG NEWS, ALEX. WHAT GIRLARE YOU IN LOVE WITH? WELL, DAD, I'VE NARROWED IT DOWNTO SEVEN LUCKY FINALISTS. AND YOU'LL FINDTHEIR PICTURES IN HERE. LELAND COLLEGEFRESHMAN DIRECTORY. YOU MET SEVEN DIFFERENTFRESHMEN GIRLS ON YOUR FIRST DAY OF SCHOOL? WELL, I HAVEN'T ACTUALLYMET ANY OF THEM YET, MOM. I DECIDED IT'D BE MORE EFFICIENTTO GO THROUGH THE BOOK, PICK ONE I LIKE, SEEK HER OUT,AND FALL IN LOVE. WOULDN'T IT BE EASIERJUST TO ORDER A FEW, TRY THEM OUT, AND THEN SEND BACKTHE ONES YOU DON'T LIKE? YOU'RE A NATURAL AT THIS. ALEX, PICKING OUT GIRLFRIENDSBASED ON PICTURES IN A BOOK IS A BIT IMMATURE,NOT TO MENTION SEXIST. RIGHT, STEVEN? STEVEN! OH, UH...YES. I AGREE. NOW, THIS IS DESPICABLE, ALEX. I'M SHOCKED AT YOU. WILL YOU TWO CUT IT OUT? YES, REALLY, ALEX. MOM, MOM, LOOK AT THIS ONE --TRICIA ARMSTRONG. NOW, COME ON. DON'T YOU THINKWE MAKE A GOOD COUPLE? WELL, YOU'RE BOTHTWO-DIMENSIONAL. SEE? ANYWAY, HERE'S MY PLAN. I FIGURE I'LL DROP HER A NOTEIN THE COLLEGE MAIL TOMORROW, TELL HER I'M FROM THE SOPHOMOREHOSPITALITY COMMITTEE, AND I'LL BE CALLING BYLATER IN THE DAY. YES? AH. EXCUSE ME. YOU'RE NOT TRICIA ARMSTRONG,ARE YOU? NO, I'M ELLEN REED. SORRY TO DISAPPOINT YOU.TRICIA'S MY ROOMMATE. OH, SHE'S YOUR ROOMMATE.FABULOUS. HI. UH, ALEX P. KEATON,SOPHOMORE HOSPITALITY COMMITTEE. CONGRATULATIONS. WHOA. EXCUSE ME. UH, DO YOU MIND IF I WAITAROUND HERE FOR A WHILE? I TOLD MISS ARMSTRONGTHAT I'D MEET HER HERE, AND IT'S OFFICIALCOMMITTEE BUSINESS. YEAH, I SUPPOSE. AH, THANKS VERY MUCH. SO, YOU AND TRICIAMUST BE PRETTY CLOSE, HUH? MET HER YESTERDAY. OH. HOW'D THAT GO? SHE SAID HELLOWHEN I SAID HELLO. SOUNDS LIKE SHE'S GOTTHE GIFT OF GAB. PUT THAT DOWN.CAN'T YOU SEE I'M PAINTING THAT? WAIT A MINUTE. THAT IS SUPPOSED TO BE THIS? IT'S NOT SUPPOSED TO BEREPRESENTATIONAL. IT'S ABSTRACT. OH, I'LL SAY IT'S ABSTRACT. WHAT DO YOU CALL IT?"FIND THE APPLE"? [ CHUCKLING ] I'D EXPLAIN THE CONCEPTOF ABSTRACT ART TO YOU, BUT I HAVE A FEELINGI'D BE WASTING MY TIME. OH. OH, YOU DO, DO YOU? LOOK, I KNOW WHY YOU'RE HERE. WHAT, DO YOU THINK I'M STUPID? I HAPPEN TO KNOWTHAT THERE'S NO SUCH THING AS A SOPHOMOREHOSPITALITY COMMITTEE. THERE IS, TOO.I'M THE PRESIDENT. AND, UH -- AND FOUNDER. YOU'RE HERE FOR EXACTLY THE SAMEREASON AS ALL THOSE OTHER GUYS. YOU SAW TRICIA'S PICTUREIN THE FRESHMEN DIRECTORY, AND YOU CAME BY HERETO HIT ON HER. THAT IS NOT TRUE. WHAT OTHER GUYS? DON'T WORRY, YOU'LL DO FINE. FROM WHAT I CAN TELLABOUT TRICIA, YOU'RE HER TYPE. OH, OH, I SEE,AND YOU KNOW WHAT TYPE I AM. I MEAN,YOU GOT ME ALL FIGURED OUT. WELL, LET ME TAKE A SHOT. YOU'RE AN ECONOMICS MAJOR. [ COUGHS ] [ CLEARS THROAT ] YOU VOTED FOR REAGAN. YOU'RE IN THE DEBATING CLUBAND THE YOUNG EXECUTIVES CLUB, AND YOU WEAR A JACKET AND TIEEVERYWHERE YOU GO. HA. JUST SHOWS YOU WHAT YOU KNOW. I QUIT THE DEBATING CLUBLAST SPRING. -I'M SORRY. I MISJUDGED YOU.-WAIT A MINUTE. WHAT IS GOING ON HERE? WHY ARE YOU GIVING MESUCH A HARD TIME? MAYBE IT'S BECAUSE I'VE HADTO SPEND THE LAST TWO DAYS MAKING INANE CONVERSATIONWITH INSECURE GUYS LIKE YOU WHO FALL IN LOVEWITH PHOTOGRAPHS. INSECURE, HUH? LET ME TELL YOU SOMETHING. YOU HAVE REALLY GOT A CHIPON YOUR SHOULDER. I DO NOT HAVE A CHIPON MY SHOULDER! I AM A VERY NICE PERSON EXCEPTWHEN I'M AROUND PEOPLE LIKE YOU! OH, PEOPLE LIKE ME?!PEOPLE LIKE ME?! I HAPPEN TO LIKE PEOPLE LIKE ME! I CAN TELL YOU DO. AND OF ALL THE PEOPLE LIKE YOUTHAT THERE ARE, YOU PROBABLY LIKE YOU THE BEST. YEAH, WELL,LET ME TELL YOU SOMETHING. YOU ARE ABOUTTHE MOST UNFRIENDLY, SELF-RIGHTEOUS PERSONI HAVE EVER MET. ALEX P. KEATON, SOPHOMOREHOSPITALITY COMMITTEE. -HI.-HOW YOU DOING? OH, HEY, ALEX.I LEFT SOME DINNER FOR YOU. OH, THANKS, MOM.I ALREADY ATE. OH. HOW'D YOUR GIRL SHOPPING GO? IT WAS FINE. IT WAS GREAT. OH. IS THAT ONE YOUNG LADYAS PRETTY IN PERSON? UH-HUH. YOU SEEMED HAPPIERWITH HER PICTURE. NO, NO, NO, IT WAS FINE.SHE WAS -- SHE WAS GREAT. SHE WAS REALLY GREAT.I MEAN, WE WENT TO A MOVIE. AND WE'RE PROBABLY GONNA GO OUTTOMORROW NIGHT. IT'S JUST THATSHE'S GOT THIS ROOMMATE. ELLEN REED. MA, I GOT INTO A BIG ARGUMENTWITH THIS GIRL WHILE I WAS WAITING AROUNDFOR TRICIA. AND IT REALLY BUGGED ME. DO YOU KNOW SHE HAD THE NERVE TO ACCUSE ME OF GOING OVER THEREJUST TO HIT ON TRICIA? WELL, ISN'T THATWHY YOU WENT OVER? SO WHAT? WHAT IS THE BIG DEAL? I WAS JUST ASKING. AND THEN SHE STARTS IN --REAL KNOW-IT-ALL, YOU KNOW, LIKE SHE KNOWSEVERYTHING ABOUT ME. "YOU'RE AN ECONOMICS MAJOR.YOU VOTED FOR REAGAN. "YOU'RE IN THE DEBATING CLUB. YOU'RE INTHE YOUNG EXECUTIVES CLUB." WELL, ALL THAT IS TRUE. I QUIT THE DEBATING CLUBLAST SPRING! AND THEN SHE TELLS MEI'M INSECURE. I MEAN -- I MEAN, YOU DON'TTHINK I'M INSECURE, DO YOU, MOM? B-BECAUSE I WOULD HATE FOR -- FOR PEOPLE TO VIEW MEA-AS INSECURE. B-BECAUSE I'M NOT. I'M -- I'M REALLY, REALLY NOT. HM. THIS GIRL REALLYGOT TO YOU, HUH? YOU KNOW, ALEX,IT WAS REALLY NICE OF YOU TO COME OVER THE OTHER DAYTO MEET ME. [ GIGGLES ] ALL THE GUYS AT LELANDHAVE BEEN SO NICE TO ME. WELL, THAT'S THE LELAND MOTTO --"WE'RE NICE." [ LAUGHS ] EASY, TRISH. [ DOOR OPENS ] OH, HI, ELLEN. HI, TRISH. HELLO. -HELLO.-OH. ELLEN, YOUR BOYFRIEND, DENNIS,CALLED A COUPLE OF HOURS AGO. HE SAID HE'D CALL BACKTOMORROW. OH, THANKS, TRISH. ELLEN'S BOYFRIEND IS A SENIORAT FRANKLIN & MARSHALL. HE'S GONNA BEA PSYCHOLOGIST, AND THEY'RE PROBABLYGONNA GET MARRIED. ISN'T THAT GREAT? -SWELL.-[ GIGGLES ] [ KNOCK ON DOOR ] TRISH,YOU HAVE A PHONE CALL. OH, THANKS, JACK. I'LL BE RIGHT BACK, ALEX. WELL, YOU TWO SEEMTO BE HITTING IT OFF. WELL, THAT SHOULDN'TSURPRISE YOU. AFTER ALL, WE ARE THE SAME TYPE. LISTEN, I WON'T BOTHER YOU GUYS.I JUST CAME BACK TO GET A BOOK. I'LL BE OUT OF YOUR WAYIN A MINUTE. HEY, IT'S YOUR ROOM. YOU NEED ANY HELP? NO. HERE, HERE, LET ME GET THAT. NO, I CAN DO IT. THE SAME THINGHAPPENED YESTERDAY. I FIXED IT MYSELF. YOU DID A NICE JOB. OKAY, FINE, YOU SEEMTO WANT TO HELP SO BADLY. ALL RIGHT. JUST, UH...UM... RIGHT, UH, JUST, LIKE... ALL RIGHT, OKAY, NO PROB. JUST GET THIS. ALL RIGHT, OKAY.ALL RIGHT. HERE. OKAY. THERE WE GO.GENTLY, GENTLY, GENTLY. AH. PIECE OF CAKE. ANYTHING ELSE NEED FIXINGWHILE I'M HERE? THAT'LL DO IT. THANKS. [ LAUGHS ] UH... LISTEN, ELLEN, ABOUT THE OTHER DAY, I'M SORRY IF I CAME ONA LITTLE STRONG. I'M SORRY, TOO. HEY, HEY, DID YOU DO THESE? WHAT? OH, YEAH. THEY'RE MINE.THEY'RE NOT VERY GOOD. OH, COME ON, THESE ARE GREAT. I MEAN, NOW,THESE LOOK LIKE REAL THINGS. I MEAN, LOOK AT THAT.THAT COULD BE A REAL PAINTING. IT IS A REAL PAINTING. YEAH, THIS ONE, TOO.THIS IS GREAT. WHO IS THAT? OH, THAT'S JUST A GUY I KNOW. AN OLD FRIEND. DENNIS. OH, YOUR BOYFRIEND. WELL, I GUESS THAT DEPENDSON WHAT YOU MEAN BY BOYFRIEND. UH, TRICIA SAID YOUWERE GONNA MARRY HIM. OH, WELL, IF THAT'SWHAT YOU MEAN, YEAH. SO, YOU AREGETTING MARRIED? WELL, HE REALLY WANTS TO. OF COURSE, I DO, TOO. I PROBABLY WILL. I'M SURE I WILL. I DON'T KNOW.MAYBE NOT. WELL, AS LONG AS YOU'RE SURE.I MEAN -- WHAT A NICE CALL THAT WAS. WHO WAS IT FROM? A GUY NAMED BRETT FROM THE SENIOR CLASSWELCOMING COMMITTEE. [ LAUGHS ] LISTEN, TRISH. UH, YOU GOT TO BE CAREFUL,YOU KNOW. A LOT OF THOSE ORGANIZATIONSARE BOGUS. TRUST HIM. HE KNOWS. BYE, ELLEN. COME ON, ALEX.THIS IS IMPORTANT. NOW, PRETEND THAT YOU'RETHETA PI SIGMA SORORITY AND YOU'VE INVITED METO TONIGHT'S FALL PLEDGE DANCE. WHICH ONE WOULD YOUMOST LIKE ME TO WEAR? UH, TRICIA, THIS IS SILLY. I MEAN, I'M NO GOODAT PRETENDING I'M A SORORITY. I NEVER HAVE BEEN. OH, THE PINK ONE'S YOU, ALEX. GOOD MORNING. JENNIFER, MALLORY.OH, HI, MR. KEATON. I'M GONNA GOTRY THESE DRESSES ON. WILL YOU TELL ME WHICH ONELOOKS BEST? -SURE, LET'S GO.-OKAY, BYE. WELL, ALEX,I HAVE TO GIVE YOU CREDIT. YOU GOT THAT BOOK,PICKED OUT THE GIRL YOU WANTED, SOUGHT HER OUT,AND NOW YOU'RE A HAPPY COUPLE. YOU TOOK ALL THE SURPRISEAND ROMANCE OUT OF LOVE AND REDUCED ITTO WHAT IT SHOULD BE... AN EXACT SCIENCE. YEAH, WELL, IT'S NOT AS EXACTAS I'D HOPED, DAD. WHAT DO YOU MEAN? I DON'T KNOW. HERE I AM. I'M WITH TRICIA. SHE'S EVERYTHINGI'D HOPED SHE'D BE. SHE'S BEAUTIFUL.SHE'S FUN-LOVING. SHE'S VIVACIOUS. AND IF I HAVE TO SPENDANOTHER MINUTE WITH HER, I'M GONNA STRANGLE BOTH OF US. WELL,THESE THINGS TAKE TIME, ALEX. THE CRAZY THING ISSHE'S GOT THIS ROOMMATE, AN ART MAJORFOR CRYING OUT LOUD, WHO I HAVE ABSOLUTELY NOTHINGIN COMMON WITH. AND FOR SOME UNKNOWN REASON,I THINK ABOUT HER CONSTANTLY. AND SHE'S GOT A BOYFRIENDWHO SHE'S PROBABLY GONNA MARRY. ALEX, I HOPE I'M NOT INTERFERINGIN YOUR PERSONAL LIFE IF I SAY... GOOD LUCK. OH, THERE YOU ARE, ALEX. WOULD YOU LOOK AFTER ANDREWFOR A WHILE? OH, YEAH. YOU GOT IT, MOM. OH, AND, DAD? YEAH. I HOPE YOU WIN THIS TIME. ALEX, WE JOG FOR EXERCISEAND FUN. IT'S NOT A COMPETITION. YEAH. YOU READY TO GO? YEAH. ALL SET. WHOOPS. WOULD YOU MIND GETTING THATFOR ME, DEAR? UH, YEAH. OH, STEVEN! WELL, BIG GUY,LOOKS LIKE JUST YOU AND ME. [ As Andy ]WHAT DO YOU WANT TO DO, ALEX? [ Normal voice ]I DON'T KNOW. I THOUGHT MAYBE WE'D POP OPENA COUPLE OF COLD BEERS. [ As Andy ] OKAY,BUT I'M ONLY 9 MONTHS OLD. MAKE MINE A LIGHT. YOU'RE CORRUPTING A MINOR.I'M CALLING THE POLICE. [ Normal voice ] WHEN -- UH,WHEN -- WHEN DID YOU GET HERE? JUST A SECOND AGO.I CAME BY TO PICK UP TRICIA. WHO'S THAT LITTLE GUY? THIS IS MY BROTHER, ANDREW. ANDREW, THIS IS ELLEN. [ As Andy ]HI, ELLEN. TRICIA NEEDS A GUY'S OPINIONABOUT HER DRESS. I THINK'S ANDREW'SOUR SAFEST BET. WELL, I GUESS I'LL GOTELL TRICIA I'M HERE. YEAH, UH, WAIT. ELLEN, UH, JUST A MINUTE. I, UH --I GOT YOU SOMETHING. YOU DID? YEAH, IT'S NO BIG DEAL. I WAS AT THIS ART SHOW, AND, UH, THEY WERE HAVINGA SALE ON PICASSOS. AND I KNEW YOU LIKED HIS STUFF,SO I GOT YOU ONE. ALEX... IT'S NOT A PICASSO. OH, YEAH. YEAH, IT IS. SURE. LOOK RIGHT HERE. UH, PICA-- PICARDO. UH, VINCE PICARDO. GOT TO ADMIT, THOUGH,HE IS GOOD. [ LAUGHS ] ALEX, THANK YOU. THIS -- THIS WAS VERY SWEETOF YOU. IT WAS -- IT WAS NOTHING. REALLY, I MEAN,I WAS THERE AND EVERYTHING, AND I KNEW YOU LIKED ART. IT WAS STILL VERY SWEET.THANK YOU. I REALLY -- NO, NO, DON'T WORRY ABOUT IT.IT WAS A COUPLE OF BUCKS. -EVEN SO.-NO BIG DEAL. IT WAS VERY SWEET. NOW SHUT UP. YOU'RE WELCOME. SO, I GUESS I'LL SEE YOU GUYSAT THE DANCE TONIGHT. OH, YOU, UH --YOU GONNA BE THERE? YEAH, JUST TO MAKE SOME MONEY. I'M WORKINGTHE REFRESHMENT TABLE. SO COME SAY HELLOIF YOU GET BORED. I WILL. I WILL. IN FACT, UM, I DON'T KNOW. MAYBE -- MAYBE WE COULD --[ DOOR OPENS ] -OH, HI, ELLEN.-HI. I DIDN'T KNOW YOU WERE HERE YET. YEAH, UH, SHE JUST GOT HERE. -JUST NOW.-SECOND AGO. GREAT. ARE YOU READY TO GO? -YEAH, LET'S GO.-OKAY. OH. [ GIGGLES ] MMM. BYE. -BYE.-I'LL SEE YOU TONIGHT. YEAH. [ DOOR CLOSES ] [ SLOW DANCE MUSIC PLAYING ] THANKS, ALEX.THAT WAS NICE. YOU HAVING A GOOD TIME? OH, IT'S WONDERFUL. EVERYBODY LOOKS SO NICE, AND THE DECORATIONSARE BEAUTIFUL. HI, ELLEN. HEY, IT'S 10:00. SHOWING A TAPE OF LAST WEEK'SPEP RALLY UP IN THE LOUNGE. OH, WOW. YOU WANT TO GO, ALEX? UH, NO, TRICIA.WHY DON'T YOU GO AHEAD? UM, I'M GONNA STAY HEREAND RELAX. ENJOY THESE DECORATIONS. OKAY, I WON'T BE LONG. [ BILLY VERA & THE BEATERS'"AT THIS MOMENT" PLAYS ] * WHAT DID YOU THINK * I WOULD DO AT THIS MOMENT * WHEN YOU'RE STANDINGBEFORE ME * HEY. HOW'S IT GOING? FINE. EXCUSE ME. SOMETHING WRONG? NO, NOTHING WRONG. WELL, LISTEN,WHY DON'T YOU TAKE A BREAK? LET'S DANCE. NO, I CAN'T.I HAVE TO... MAKE SURE THERE'SENOUGH PUNCH AVAILABLE. ELLEN, THERE ARE 8,000CUPS OF PUNCH HERE. PLEASE, ALEX,I DON'T WANT TO DANCE. -WHY NOT?-BECAUSE I JUST DON'T. -COME ON.-* I WOULD SAY AT THIS MOMENT * WHEN I'M FACEDWITH THE KNOWLEDGE * * THAT YOU JUST DON'T LOVE ME * DID YOU THINKI WOULD CURSE YOU * * OR SAY THINGS TO HURT YOU * 'CAUSE YOU JUST DON'TLOVE ME NO MORE * * DID YOU THINKI COULD HATE YOU * * OR RAISE MY HANDS TO YOU? ELLEN. WHAT? NOTHING. WHAT IS IT? NOTHING. I -- NOTHING. -YOU WERE GONNA SAY SOMETHING.-NO, NO, NO, NO. I THOUGHTI WAS GONNA SAY SOMETHING, AND THEN I REALIZED I WASN'T. * AND YOU KNOW * I'D NEVER HURT YOU * WHOA-OH * WHAT DO YOU THINK * I WOULD GIVE AT THIS MOMENT ELLEN. WHAT? NOTHING. UH, THAT TIMEIT WAS REALLY NOTHING. * I'D FALL DOWN ON MY KNEES * KISS THE GROUNDTHAT YOU WALK ON * * IF I COULDJUST HOLD YOU AGAIN * ELLEN. ALEX, PLEASE, LET ME GO. ELLEN, I'M SORRY. I SLIPPED. ELLEN. GUESS WHO. [ GIGGLES ] WHAT YOU BEEN DOING? UH, DANCING. I DANCED WITH ELLEN. REALLY?WELL, DID SHE TELL YOU? TELL ME WHAT? [ GIGGLES ]OOPS. MAYBE SHE DOESN'TWANT ANYBODY TO KNOW. KNOW WHAT? PROMISE YOU WON'T TELL ANYONEI TOLD YOU? LOOK, TRICIA,I AM NOT FOOLING AROUND HERE. WHAT IS IT? WELL, SHE DECIDEDTO GET MARRIED. SHE CALLED HER BOYFRIEND RIGHTBEFORE THE DANCE AND SAID YES. ISN'T THAT GREAT? * I'D FALL DOWN ON MY KNEES * AND I WOULD KISS THE GROUNDTHAT YOU WALK ON, BABY * * IF I COULDJUST HOLD YOU AGAIN *