[ THEME SONG PLAYS ] * I BET WE'VE BEEN TOGETHERFOR A MILLION YEARS * * AND I'LL BET WE'LL BE TOGETHERFOR A MILLION MORE * * OH, IT'S LIKEI STARTED BREATHING * * ON THE NIGHT WE KISSED * AND I CAN'T REMEMBERWHAT I EVER DID BEFORE * * WHAT WOULD WE DO, BABY * WITHOUT US? * WHAT WOULD WE DO, BABY * WITHOUT US? * AND THEREAIN'T NO NOTHIN' * * WE CAN'T LOVEEACH OTHER THROUGH * * OOH-HOO * WHAT WOULD WE DO, BABY * WITHOUT US? * SHA-LA-LA-LA Steven: I WAS IN A DEEP,DEEP SLEEP, ELYSE! YOU MIGHT HAVE CONSIDEREDPICKING UP THE PHONE! Elyse:I WAS IN THE SHOWER. HEY. HEY,WHAT'S GOING ON? SHH.SHH. A FIGHT? A FIGHT,AND YOU DIDN'T CALL ME? IT JUST STARTED,BUT IT HAS REAL POTENTIAL. [ CLANG ] THE PHONE RANGSEVEN TIMES, ELYSE! Elyse: I HAPPEN TO BEIN THE HABIT OF DRYING MYSELFAFTER A SHOWER! IT ONLY TAKES THREE RINGSTO DRY YOURSELF! BREAK! WOULDN'T CARE --HOW MANY TIMESDO I HAVE TO -- [ SIGHS ] Both:HI, KIDS. BEAUTIFUL SUNDAY,ISN'T IT? I GUESS SO. OH, IT IS.IT'S A GREAT DAY. DON'T YOU THINK SO,JENNIFER? NOT REALLY. THE PHONE WOKE ME UPTHIS MORNING. THAT WAS YOUR MOTHER'S FAULT,SWEETIE.YOU'RE RIGHT. WE SHOULD HAVE INSTALLED A PHONEIN THE SHOWER YEARS AGO. IT WOULD MAKE MY LIFEA LOT EASIER. [ VEHICLE APPROACHES ] OKAY, ELYSE.RICHARD AND KEITH ARE HERE. DO YOU THINK WE COULD STOPTHIS SILLY FIGHT? I KNOW I COULD. OH -- OH, I SEE.IT'S MY FAULT. WELL,Y-YOU'RE RIGHT. LOOK, FROM NOW ON,NO MATTER WHERE I AM, I'LL ANSWER THE PHONE. IF I'M AT WORKAND THE PHONE'S RINGING, YOU GO NEXT DOORTO THE OBECKS', CALL ME. I'LL RACE HOMETO ANSWER IT. EVEN IF YOU'RE INA DEEP, DEEP SLEEP? [ DOORBELL RINGS ] OH, AND THERE'S THE BELLTO END THE FIRST ROUND. COMING. TRY TO KEEP SOMESENSE OF DECORUM, WOULD YOU, ELYSE? THE MAN'S BEEN THROUGHA HORRIBLE DIVORCE AND CUSTODY BATTLE. HIS VIEW OF MARRIAGEIS DIM ENOUGH WITHOUT OUR SNUFFING OUTWHAT LITTLE LIGHT REMAINS. Alex: WHOA. HEAR, HEAR.BRAVO, DAD. [ DOORBELL RINGS ] WHAT DO WE HAVEFOR HIM, KEITH? YES, IT'S THE DURO-KITEBY SCHIFF CO.! THE DURO-KITE -- FOR A LIFETIMEOF KITING PLEASURE AND MORE. Elyse:HI, GUYS. AND...FOR THE LADIES. IT'S DAISIES.THANK YOU. AND THE DURO-KITEBY SCHIFF CO.! THANK YOU,RICHARD. I'M A LITTLE SHORTOF DURO-KITES. A HUG WILL HAVE TO DO.OH, OKAY. SO, KEITH, WHERE HAS THISDAD OF YOURS TAKEN YOU TODAY? WELL, WE STARTED ATTHE FOOTBALL HALL OF FAME. THEN WE WENT TOTHE PONY RIDES -- UH, DON'T TELL HIMANY MORE, KEITH. IT'S JUST GONNA MAKE HIM LOOKBAD IN FRONT OF HIS KIDS. NO, LET'S JUST SAY WEPRETTY MUCH TOURED THE MIDWEST. TOMORROW,THE WINE COUNTRY.MM-HMM. HEY, ALEX, YOU WANT TOGO FLY THE KITE? YEAH, THANKS ANYWAY,KEITH, BUT I THINK I'MA LITTLE OLD FOR KITES. CAN I HAVETHE RED ONE? MALLORY? ALL RIGHT.WHOSE TEAM AM I ON? OH, I TELL YOU.YOU KNOW? WHAT A BEAUTIFULSIGHT TO SEE. KIDS PLAYINGTOGETHER. HUSBAND AND WIFE LIVINGTOGETHER UNDER THE SAME ROOF. I USED TO HAVE A WIFE.I USED TO HAVE A ROOF. COME ON, RICHIE,DON'T GET BITTER. YOU HAVEN'T EVENBEEN HERE FIVE MINUTES. I'M NOT BITTER.I-I'M NOT. I'M PHILOSOPHICAL ABOUT IT,ACTUALLY. I HAVE NO REGRETS. WHAT WAS, WAS.IT'S OVER. I JUST HAVEONE QUESTION -- HOW'D YOU LET MEMARRY THAT WITCH? THAT'S THE IDEA.FORGIVE AND FORGET. KNOW WHAT IT WAS?YOU TWO. IT WAS YOU TWO. YOU MADE MARRIAGELOOK PHENOMENAL. KISSING AND HUGGINGALL THE TIME. SMILING. HAPPY. SHAME ON YOU. COME ON, RICHARD. YOU AND CYNTHIA HADSOME TERRIFIC TIMES TOGETHER. YOU REMEMBERTHAT SUMMER IN MAINE? THE FOUR OF USAT BAR HARBOR?AH! AH, THAT WAS GREAT. TENTSON THE BEACH, DIGGING CLAMS. THAT WASJULY OF '68. ALEX TURNED THREETHAT SUMMER. I REMEMBER WE LET HIMHOLD THE MONEY. [ Sighing ]OH, I WAS IN LOVE THAT SUMMER. I WAS IN LOVE WITHEVERYBODY AND EVERYTHING. I-I REMEMBER YOURINFATUATION WITH KELP. KELP AND CYNTHIA. I JUST MADETHE WRONG CHOICE. SHE'S TAKING KEITHAND MOVING TO SAN DIEGO. WHAT DO YOU MEAN"MOVING"? MOVING. THEY PUT YOUR STUFFIN A TRUCK, THEY BREAK YOUR DISHES --MOVING. OH, RICHARD, NO.I'M SORRY. W-WHEN --WHEN IS THIS HAPPENING? THEY'RE LEAVINGNEXT WEEK. THIS IS MY LAST SUNDAYWITH HIM. YOU MUST BE EXCITED ABOUTMOVING TO CALIFORNIA, KEITH. HOLLYWOOD,DISNEYLAND, THE GRAND CANYON. UH, MALLORY, THE GRAND CANYONIS NOT IN CALIFORNIA. IT'S IN ARIZONA. HE CAN STILL VISIT IT,CAN'T HE, ALEX? YEAH, HE CAN VISITBELGIUM, TOO. WHAT DOES THAT HAVETO DO WITH IT? YOU'LL LIKE IT IN CALIFORNIA,KEITH. YOU'LL SEE. I WISH MY DADWERE COMING WITH ME. OF COURSE,THEN MY MOM WOULDN'T COME. AAH! YOU BROKE ANOTHER ONE? JENNIFER, I AM DOINGTHE BEST I CAN. THE DIRECTIONSARE IN CHINESE. WELL, YOU'VE BROKEN KITESIN THREE LANGUAGES NOW. GIVE IT TO ME. I THINK I COULDFOLLOW IN SPANISH. WELL, YOU GETTINGTHOSE KITES TOGETHER? YEAH, AND WE'RE LEARNINGA LOT OF LANGUAGES, TOO. YES, THE DURO-KITE --IT'S FUN AND EDUCATIONAL. UH, I'LL BE HONEST WITH YOU,MR. BAILEY. YOU GOT TO HAVEA DEGREE IN ENGINEERING TO PUT THESE THINGSTOGETHER. OKAY, IT'S READY.LET'S GO. Mallory:COME ON, KEITH. UH...HOW DID YOU DO THAT? I JUST USEDMY CABEZA. WHO KNOWS WHENI'LL SEE HIM AGAIN. THIS SUNDAY BUSINESSIS HARD ENOUGH -- NOW I'LL SEE HIM, WHAT,UH, ONCE EVERY SIX MONTHS? THAT'S NOT A FATHER. THAT'S A DENTIST. UM... R-RICHARD,I HATE TO...BUG YOU. OH, MY GOD.I FORGOT WHERE I WAS. I'LL --I'M GONNA PUT IT OUT. I'M GONNA PUT ITRIGHT OUT. I'LL JUST FIND A PLACE,THEN I -- I JUST LOST MY MIND,THAT'S ALL. I DON'T KNOW, UM...WHERE, UM... MAYBE. UM, I DON'T... D-DID YOU AT LEAST DISCUSSTHE MOVE WITH CYNTHIA? SURE, LIKE WE DISCUSSEVERYTHING. I SAID DON'T DO IT.SHE SAID, "I'M DOING IT." I SAID I FORBID IT,AND SHE THREW ME OUT. IT WAS ONEOF OUR BETTER TALKS. WHAT ABOUTGOING BACK TO COURT? TRY TO SHARE CUSTODY. DON'T SAY "COURT"TO ME, STEVE. I SPENT $20,000AND ALL LAST YEAR IN COURT. THE OHIO BAR ASSOCIATIONVOTED ME EX-HUSBAND OF THE YEAR. I DIDN'T KNOW THAT. WELL, YOU KNOW ME.I DON'T LIKE TO BRAG. EVEN IF I WANTED TOGO BACK TO COURT, IT JUST WOULDN'T WORK. I MEAN,I HAVEN'T GOT A CHANCE. I MEAN, UNLESSTHE MOTHER APPEARS IN COURT NAKED AND DROOLING, SHE'S GONNA GET CUSTODYOF THE KIDS EVERY TIME. WELL, YOU GOT TODO SOMETHING. WHAT? TELL ME.I'LL DO IT. I DON'T KNOW WHAT.I DON'T KNOW WHAT I'D DO. YOU DON'T HAVE TO WORRY. IT'S NOT GONNA HAPPENTO YOU, STEVE. I MEAN, YOU'VE GOTA BEAUTIFUL THING HERE. WHEN DID ELYSE EVER DO ANYTHINGTO MAKE YOU MAD? WELL, UM...THIS MORNING. THE ONE MORNINGI CAN SLEEP LATE. I'M FAST ASLEEP,AND THE PHONE RINGS. SHE LET IT RING... SEVEN TIMES. I HAD TO...GET UPAND ANSWER IT MYSELF. SHE DID THATTO YOU? YOU GOT TO LEAVE HER. IS SOMETHINGBURNING? SORRY, SORRY.I LIT A CIGARETTE. A THOUSAND PARDONS. I LOSTMY MIND. THERE. I'M SORRY. LEAST YOU COULD DOIS APOLOGIZE. UH, YOU SHOULD GETKEITH'S THINGS TOGETHER. CYNTHIA SHOULD BE HEREANY MINUTE. [ TELEPHONE RINGS ] STEVIE, THE PHONE. [ RINGING CONTINUES ] ELYSE? I HEAR IT. WHAT DO YOU NORMALLY DOIN THIS SITUATION? HI, DAD! HEY,HOW'D THE KITING GO? DOES THIS ANSWERYOUR QUESTION? THERE'S STILLONE LEFT. IT'S STUCK INMRS. OBECK'S CHIMNEY. [ DOORBELL RINGS ] OH,HI, MRS. BAILEY. HI, ALEX.Elyse: OH, HI. OH, THERE'SMY LITTLE BOY. HI, EVERYBODY. HI.HI.HI. DO I SMELL SMOKE? I DON'T BELIEVE IT. THREE HOURS AGO,IN ANOTHER ROOM. THE WOMAN OUGHT TO HAVEHER NOSE BRONZED. HELLO, RICHARD. HELLO. CYNTHIA,SIT AND HAVE SOME COFFEE. I JUST MADEA FRESH POT. OH, NO, NO. THANKS.NO, NO. WE'VE GOT TO RUN. TOMORROW'S A SCHOOL DAY,SO, UH... GET YOUR THINGS TOGETHER,KEITH. COME ON, MOM.CAN'T WE STAY A LITTLE LONGER? THERE'S STILL ONE KITEWE HAVEN'T BROKEN. PLEASE? COME ON.PLEASE. WELL, MAYBE JUST A MINUTEOR TWO.YEAH! Keith: LET'S GO.COME ON. THERE. HMM. [ CLEARS THROAT ] SO... HOW YOU DOIN',CYNTHIA? [ LAUGHS ] FINE. GOOD. GOOD! [ CHUCKLES ] US TOO. WE'RE REALLY FINE. I WAS GONNA ASK.[ CHUCKLES ] NOW YOU DON'T HAVE TO. [ CHUCKLES ] AH, WE'RE FINE... ...FINE AS, UH... ...FINE AS GOLD. GOOD, GOOD. SO... YOU'RE FINE, HUH? YES. YES, I AM. WHY SHOULDN'T SHE BE FINE?! SHE'S GOT THE HOUSE,THE BANK ACCOUNT, MY PARAKEET! DO YOU REMEMBER MAINE? THE SUMMERS? JULY OF '68! THAT WAS THE BEST ONE.YEAH. I REMEMBER MAINE. I REMEMBER LIVINGIN A TENT FULL OF KELP. IS THERE SOMETHING WRONGWITH KELP? IT STINKS. KELP STINKS. HOW DARE YOU! THAT'S A STUNNING BROOCH,CYNTHIA. WHERE -- WHERE COULD A PERSONFIND A BROOCH -- HOW CAN YOU DO IT? HOW CAN YOU TAKE MY ONLY SON2,000 MILES AWAY FROM ME? I HAVE GOT TOGET AWAY, RICHARD. I HAVE GOT TOGET OUT OF OHIO. I NEED A FRESH START,AND SO DOES KEITH. KEITH IS 9 YEARS OLD. 9-YEAR-OLD BOYSDO NOT NEED A FRESH START. THEY NEED A FATHER! OH, MY GOD.I FORGOT. GO AHEAD. SMOKE.LET'S ALL SMOKE. NO. I WILL NOT FOULYOUR HOME. IF YOU SHOULD NEED ME,I'LL BE ON YOUR FRONT LAWN FOULING YOUR NEIGHBORHOOD. HE -- HE'S JUST AGITATED,CYNTHIA. THIS...WHOLE THING'S BEENVERY DISTURBING TO HIM. [ SCOFFS ]I AM SICK AND TIRED OF HEARING HOW HARD THIS HAS BEENON RICHARD. WHAT ABOUT ME? ALL I EVER HEAR ABOUT IS HOW "DADDY TOOK METO THE PONY RIDES" AND "DADDY TOOK METO THE MOVIES" AND -- AND "DADDY" THIS,AND "DADDY" THAT. AND WHAT DO I DO? I'M THE ONE WHO MAKES HIMDO HIS HOMEWORK AND BRUSH HIS TEETHAND EAT ASPARAGUS. I'M NO FUN AT ALL, AND RICHARD --RICHARD IS SOME KIND OF A SAINT! CAN THE BAILEYSSTAY FOR SUPPER? NO.NO.NO. [ SIGHS ] WELL,THIS IS REALLY GETTING SILLY. I'VE GOT TO GET HOME. [ Loudly ] RICHARD,IF YOU'RE DONE SULKING, WOULD YOU MINDSENDING KEITH IN? I'LL GET HIM. [ SIGHS ] GOODBYE, CYNTHIA. UH, MR. BAILEY WANTED METO GIVE YOU THIS. [ SCOFFS ] "CYNTHIA, I'M THE ONEWHO NEEDS A FRESH START. I'M TAKING KEITH.GOODBYE. RICHARD." KEITH! WHAT WOULD YOU DO IF MOMMYAND DADDY EVER GOT DIVORCED? DON'T WORRY.THEY'RE NOT GONNA GET DIVORCED. THEY STILL ACT AS IFTHEY'RE ON THEIR HONEYMOON. JUST THINK WHATTHEIR HONEYMOON WAS LIKE. I'D RATHER NOT. JUST SAY THEY DIDGET DIVORCED. WHO'D YOUWANT TO GO WITH? I'D GET MY OWN APARTMENTAND LET THEM VISIT ME. WHAT ABOUT YOU? I'D GET MY OWNAPARTMENT BUILDING, LET 'EM RENTFROM ME. I NEVER DREAMED THATIT WOULD COME TO THIS, THAT HE WOULD DARE. HE WAS UPSET, ANGRY. HE WAS CONFUSED. HEDIDN'T KNOW WHAT HE WAS DOING. STOP MAKING EXCUSESFOR HIM. I'M NOT MAKING EXCUSES.I'M JUST -- YOU KIDS STILL UP? MOM, IT'S 8:15. OH. WELL,I-IT WOULDN'T HURT YOU TO GET A GOOD NIGHT'S SLEEPFOR A CHANGE. HEY, LOOK.IF YOU WANT US TO LEAVE, WHY DON'T YOU JUST SAY,"PLEASE LEAVE"? All:PLEASE LEAVE. SEE HOW EASYTHAT WAS? YOU'VE ALWAYS BEENON RICHARD'S SIDE, HAVEN'T YOU,STEVEN? I'M NOT TAKINGRICHARD'S SIDE. I'M NOT TAKING SIDESAT ALL. A-ALTHOUGH WHEN I -- WHEN ISPOKE TO RICHARD EARLIER, I -- YOU SPOKE TO HIM? WHAT DID YOU SAY? MM, NOTHING, NOTHING. ALL I SAID WAS THATHE SHOULDN'T SIT STILL AND LET YOU TAKE KEITHTO SAN DIEGO. THAT'S ALL YOU SAID? WHY DIDN'T YOU WRITEA RANSOM NOTE FOR HIM? WE HAD A CONVERSATION, ELYSE.HE'S MY FRIEND. DID YOU THINK YOU HAD ANY RIGHTTO GET INVOLVED IN THIS? I THINK I HAD MORE THAN A RIGHT.I HAD AN OBLIGATION. OH, AS A MAN?NO. AS A WOMAN?NO. AS A FRIEND. I FELT SORRY FOR HIM. HE'S BEEN THROUGHA HORRIBLE DIVORCE. IT WASN'T EXACTLYA FUN DIVORCE FOR ME. I DIDN'T EVEN GET AN AWARDOUT OF IT. LOOK, HE NEEDED TO TALK.HE WAS LONELY. HE WAS DEPRESSED. HE WAS BROKE. HE DIDN'T EVENHAVE MONEY FOR GAS. GOOD. THEN THEY CAN'TGET VERY FAR. I GAVE HIM MONEY. STEVEN, HOW COULD YOUGIVE HIM MONEY? I-I HOPE YOU REALIZE THATCOULD MAKE YOU AN ACCESSORY. AN ACCESSORY? POINT OF ORDER,COUNSELOR -- WEREN'T YOU IN THE ROOMWHEN I GAVE HIM THE MONEY? THAT MAKES YOUAN ACCESSORY ONCE REMOVED. YOU HAVE NO RIGHTTO CALL ME THAT, STEVEN. CYNTHIA, I WAS ONLY TRYINGTO CONSOLE RICHARD. I HAD NO IDEATHAT HE'D TRY TO TAKE KEITH. [ TELEPHONE RINGS ] I'LL GET IT. HELLO? RICHARD! JUST A SECOND.I-I'LL GET CYNTHIA. OH -- WHA-- COME ON, RICHARD. YOU'VEGOT TO TALK TO HER. YOU -- He won't talk to you. LOOK -- YEAH,I-I GUESS SO. I -- OKAY. I PROMISE.WHERE ARE YOU? [ SIGHS ] OKAY,I'LL LEAVE RIGHT AWAY. WHAT'S GOING ON?IS KEITH ALL RIGHT? KEITH'S FINE.RICHARD WANTS TO TALK THIS OVER. WELL, I'M GOINGWITH YOU. HE MADE ME PROMISEI'D COME ALONE. HOW CAN I LET YOU GO --CYN-- CYNTHIA. CYNTHIA.IT'S THE ONLY WAY. [ INDISTINCT CONVERSATIONS ] [ PINBALL MACHINE PINGING ] HEY, KEITH.HOW YOU DOIN'? GREAT.GREAT, MR. KEATON! I JUST WONA FREE GAME. HEY, WAY TO GO.[ CHUCKLES ] HELLO, RICHARD. HI, STEVE.THANKS FOR COMING. MIND IF I SMOKE? GO AHEAD. THANKS,I-I HATE TO STOP MID-PACK. RICHARD...WHAT ARE YOU DOIN'? I'M NOT SURE. I'M CONFUSED AS HELL. THAT'S WHYI WANTED TO TALK TO YOU. WHAT YOU'RE DOINGIS CRAZY.MAYBE. BUT THERE'S NO WAY I WAS GONNALET HER TAKE HIM TO SAN DIEGO. YOU'RE BREAKING THE LAW. IT'S NOT ABOUTTHE LAW, STEVE. IT'S ABOUT MY FEELINGS. IT'S ABOUT MY LIFE. WHAT ABOUT KEITH'S FEELINGS?WHAT ABOUT KEITH'S LIFE? WHAT ARE YOU TALKING ABOUT?LOOK, I AM DOING THIS FOR KEITH. WHAT ARE YOU DOING FOR HIM,RICH? MAKING HIM A FUGITIVE? YOU HAVE NO MONEY. YOU DON'T KNOWWHERE YOU'RE GOING. LEAVING YOUR JOB. YOU'RE NOT DOING THISTO HELP KEITH. YOU'RE DOING ITTO HURT CYNTHIA. COME ON, RICHARD.LET'S GO HOME. YOU EVER BEEN TOTHE, UH, PONY RIDES, STEVE? I THINK WE SHOULDSTOP AT HOME FIRST. I GO EVERY SUNDAY.I'M A REGULAR. THAT'S WHATDIVORCED FATHERS DO ON SUNDAY. YOU SHOULD SEE US THERE. BUNCH OF LONELY GUYSDRESSED LIKE OUR KIDS, TRYING TO DOTHE IMPOSSIBLE. TRYING TO LOVEAGAINST THE CLOCK. WAVING AS THEY COMETROTTING TOWARD US, AND... DRYING OUR EYESWHEN THEY MAKE THEIR TURN. WE'RE A CLUB.WE OUGHT TO GET JACKETS. WE'RE SUNDAYS FATHERS. SUNDAYS FOOLS. COFFEE?UH, OH, NO. THANKS.I-I CAME HERE TO TALK. WHAT DO YOU WANT TOTALK ABOUT? I CAN TALK ABOUTANYTHING. YOU NAME THE SUBJECT,AND I'LL TALK. OKAY, I'LL HAVETHAT COFFEE. WORKS EVERY TIME. DO YOU WANT SOME PIEWITH THAT COFFEE? YOU TELL ME. A LITTLE PIECE. RICHARD, WHY DID YOUASK ME TO COME HERE? YOU WANT -- YOU WANT ME TO SAYYOU'RE DOING THE RIGHT THING? THAT CYNTHIADROVE YOU TO THIS? THAT YOU HAVE NO CHOICE? THAT I'D DO THE SAME THINGIN YOUR SHOES? YES, THAT'S PRETTY MUCHWHAT I WANT YOU TO SAY. WELL, I CAN'T SAY THAT!WELL, YOU JUST SAID IT! I CAN'T SAY ITAND MEAN IT! YOU AND CYNTHIAHAVE GOT TO TALK THIS OUT. WE'RE THROUGH TALKING,STEVE. NOW I'M DOING THIS MY WAY. YOUR WAYIS NOT GOING TO WORK. HOW THE HELL DO YOU KNOWSO MUCH ABOUT THIS, KEATON? I KNOW YOU'RE MAKINGA BIG MISTAKE, BUSTER. AND DON'T CALL ME"BUSTER," KEATON. I DIDN'T CALL YOU"BUSTER KEATON." WELL, I DIDN'T SAYYOU CALLED ME "BUSTER KEATON." CAN WE STOPTHIS "BUSTER KEATON" BUSINESS?! I DON'T AGREEWITH WHAT YOU'RE DOING. I WILL NOT SUPPORT IT. THANKS. THANKS A LOT,STEVE. I'M GLAD I CAN COME TO YOUIN MY TIME OF NEED. LET'S GO, KEITH.RICHARD, YOU'RE DOING SOMETHINGWRONG. IT'S NOT WRONG, STEVEN! YOU HAVEN'T LIVED THIS! YOU CAN'T KNOWHOW I FEEL. BUT I KNOWWHAT YOU'RE DOING. YOU AND CYNTHIAARE AT WAR, AND YOU'RETAKING PRISONERS. BYE, MR. KEATON. WHAT'S TAKING HIM SO LONG? HE'S BEEN GONEFOR OVER TWO HOURS NOW. TRY TO CALM DOWN,CYNTHIA. YOU'RE NOT MAKING ITANY EASIER ON YOURSELF. I KNOW KEITHISN'T WEARING A SWEATER. RICHARD NEVER MAKES HIMWEAR A SWEATER. WHERE'S KEITH?WHAT HAPPENED? THE ONLY THING I CAN TELL YOUIS THAT HE'S OKAY. HE'S NOT COMING BACK? I TRIED.RICHARD WASN'T LISTENING. I'M SORRY. NO LUCK, HUH, DAD? I TRIED, ALEX.I REALLY TRIED. YEAH,I KNOW YOU DID. YOU KNOW WHAT I WAS JUSTTHINKING ABOUT? WHAT? LAKE HIAWATHA. I'M GLAD I DIDN'THAZARD A GUESS. CHRISTMAS, '79.REMEMBER? WE SHARED A CABIN UP THEREWITH THE BAILEYS. HOW CAN TWO PEOPLE WHO LOVEDEACH OTHER SO MUCH -- THEY REALLY DIDLOVE EACH OTHER. I KNOW. I HAD THE ROOMNEXT TO THEM. THEY REALLY DIDLOVE EACH OTHER. ANYWAY, DAD, I'M GONNA BEREALLY SURE WHEN I GET MARRIED. WELL, I'LL BEROOTING FOR YOU, SON. I HOPE YOU'LL BEONE OF THE LUCKY ONES. YOU KNOW, YOU ARE. I KNOW. SURE, YOUR MOM AND I FIGHTONCE IN A WHILE, BUT, UH... YOU'RE RIGHT. I AM ONEOF THE LUCKY ONES. [ TELEPHONE RINGS ] I'LL GET IT. NO, I'LL GET IT. BUT I'M CLOSER.NO, I THINKI'M CLOSER. NO, NO. ANYWAY,I THINK IT'S MY TURN. HELLO? JUST A SECOND.ALEX, IT'S FOR YOU. WHO IS IT?I DON'T KNOW.SOME GIRL. I'LL TAKE ITUPSTAIRS. YOU KNOW, I COULD HAVEGOTTEN THE PHONE. I KNOW. IT WASTHE STUPIDEST FIGHT. ONE OF THE ALL-TIMESTUPIDEST. YOU READYTO MAKE UP? REAL READY.OH. MM. I DON'T LIKE ITWHEN WE FIGHT. NEITHER DO I,BUT I LOVE MAKING UP. MM.Alex:OH, FOR CRYING OUT LOUD! WILL YOU HANG UPTHE PHONE?! STEVEN, D-DO YOU NOTICEHOW WE ALWAYS SEEM TO FIGHT JUST BEFORERICHARD AND CYNTHIA COME OVER? I GUESS WE SEE A LITTLEOF OURSELVES IN THEM, AND IT SCARES US. THEY ONCE HAD A WONDERFULMARRIAGE, AND IT'S OVER. WE JUST GOT TO KEEPWORKING AT IT. [ DOOR OPENS ] YOU'RE A VERYPERSUASIVE GUY, STEVEN. [ DOOR CLOSES ] KEITH! MOM! [ SOBS ]