[ THEME SONG PLAYS ] * I BET WE'VE BEEN TOGETHERFOR A MILLION YEARS * * AND I'LL BET WE'LL BE TOGETHERFOR A MILLION MORE * * OH, IT'S LIKEI STARTED BREATHING * * ON THE NIGHT WE KISSED * AND I CAN'T REMEMBERWHAT I EVER DID BEFORE * * WHAT WOULD WE DO, BABY * WITHOUT US? * WHAT WOULD WE DO, BABY * WITHOUT US? * AND THEREAIN'T NO NOTHIN' * * WE CAN'T LOVEEACH OTHER THROUGH * * OOH-HOO * WHAT WOULD WE DO, BABY * WITHOUT US? * SHA-LA-LA-LA MOM, DAD, AND ALEX AND MALLORY WILL BE BACK FROMTHE FUNERAL REAL SOON. AND AFTER WE FINISH OUR COCOA, YOU AND I AREGOING TO PLAY JACKS. AND THEN WE'REGOING TO PLAY POKER, AND IF THEY'RENOT BACK BY THEN... ...YOU AND IARE GOING TO MEXICO. WHAT'S A FUNERAL? WELL, A FUNERAL'S WHEREYOU GO TO SHOW RESPECT FOR SOMEONE WHO DIED. WHO DIED? GREG, ALEX'S FRIEND. I WOULD LIKE TO MEET HIM. THAT'S GONNA BE TOUGH. YOU SEE, WHEN SOMEONE DIES,YOU NEVER SEE THEM AGAIN. WHY? BECAUSE THEY'RE DEAD.THEY'RE GONE. WHY? BECAUSE THEIR LIFE'S OVER.THAT'S ALL. BUT WHY? BECAUSE! WHERE DO BABIES COME FROM? -HELLO.-HI, KIDS. IF YOU DIDN'T COME BACK,WE WERE GONNA GO TO MEXICO. WHAT? IT WAS A LONG AFTERNOON. COME ON, ANDY. WE'LL GOLOOK AT TRAVEL BROCHURES. YOU ALL RIGHT? IT'S JUST CRAZY.SO HARD TO ACCEPT. HE WAS ONLY 21. I TRIED TALKING TO HIS MOTHER, BUT ALL I COULD SAY WAS,"I'M SORRY. I'M SORRY." WHAT ELSE CAN YOU SAY?PEOPLE ARE IN SHOCK. LOOK AT ALEX. EVERYONE HAS THEIR OWNPERSONAL WAY OF GRIEVING. WAS THAT A FUNERAL OR WHAT?! I MEAN, PEOPLE SHOWED UP.I LIKE THAT. ALL THE GUYS ARE THERESHOWING THEIR RESPECT. AND SHOWING RESPECT FOR THE DEADIS VERY IMPORTANT. 'CAUSE THE DEADHAVE AN IMAGE PROBLEM. DON'T YOU THINK, MOM? I'VE ALWAYS FELT THAT. UH, HONEY, I THINK YOUSHOULD GO UPSTAIRS AND LIE DOWN, GET SOME REST.YOU REALLY -- NO. NO, MOM,I DON'T WANT TO LIE DOWN. I'M FINE.I'M FINE. HEY, I'M A LUCKY GUY,REAL LUCKY. I WAS SUPPOSED TO BEIN THAT CAR WITH GREG, BUT I WASN'T. HE SAID,"ALEX, COME WITH ME. "I HAVE TO HELP MY BROTHERMOVE A PIANO. SHORT DRIVE.15 MINUTES OUT OF YOUR LIFE." WHAT DO I SAY?"NO WAY, GREG. I'M BUSY NOW." AND WHY? BECAUSE I DIDN'TWANT TO BE BOTHERED. BECAUSE I'M SELFISH. DO YOU BELIEVE THAT? SELFISHNESS SAVED MY LIFE. I KNEWIT WOULD COME IN HANDY. HONEY, I REALLY THINK YOUSHOULD LIE DOWN. YOU NEED IT. NO, NO, MOM,MOM, MOM, MOMMY, MOMMY, I DON'T WANT TOLIE DOWN NOW, OKAY? I WANT TO STAY UP.I WANT TO KEEP MOVING. OKAY. HOW ABOUT MY EULOGY?HUH? WAS THAT GREAT? I WAS UP ALL NIGHTWORKING ON THAT. HOW WOULD YOU RATE THAT --GREAT, INCREDIBLE? UNBELIEVABLY TOUCHING?WHAT? I DIDN'T FEELIT WAS NECESSARY TO MENTIONHIS NET WORTH. ARE YOU KIDDING ME, DAD?PEOPLE LOVED THAT. MAYBE SO, BUT, UH, I THOUGHTYOU COULD HAVE STOPPED THERE. NO NEED TO GET INTOPROJECTED EARNINGS. I AGREE WITH DAD.IT WAS REALLY GAUCHE. YEAH, WELL, I-I DIDN'TFIND YOUR COMMENTS PARTICULARLY APROPOSEITHER, MAL. ME NOT APROPOS? HA. HE'S LYING THEREIN THE COFFIN. YOU DON'T HAVE TO SAY HIS TIEDIDN'T GO WITH HIS SUIT. WELL, THEY DIDN'T, ALEX. PLEASE?BROWN AND GRAY? I WOULDN'T BE CAUGHT DEADIN THOSE COLORS. YOU KNOW, MAYBE OUR TIMEWOULD BE BETTER SPENT REMEMBERING WHAT A SPECIALYOUNG MAN GREG WAS. YEAH, YEAH. I LIKEYOUR THINKING, MOMMY. WHY DON'T YOUKICK IT OFF? WELL, UH... I REMEMBERWHEN ANDY WAS BORN, GREG GAVE ME A BIBLE, AND HE SAID,"MRS. KEATON, "I KNOW THAT YOU'RE NOTA PARTICULARLY RELIGIOUS PERSON, "BUT IF THIS TURNS OUTTO BE ANOTHER ALEX, YOU'RE GONNA NEED IT." WHAT A GUY,THAT GREGGER. WHAT A SPORTS NUT. I DON'T THINK ANYBODY LOVEDTHE INDIANS AS MUCH AS GREG DID. I DON'T THINK I EVER SAW HIMWITHOUT HIS INDIANS CAP ON. YEAH, THEY SHOULD HAVEBURIED HIM IN IT. IT WOULDN'T HAVEGONE WITH THE SUIT. WHAT'S THE DIFFERENCE? THE TIE ALREADYRUINED THE SUIT. AND THAT ENDS THE REMEMBERINGPORTION OF OUR PROGRAM. UH, WHY DON'T WE JUST GOUPSTAIRS AND GET CHANGED, HUH? GREG. GREG. WHAT ARE YOUDOING HERE? YOU'RE DEAD. AND YOU'RE ALIVE. THAT'SNO REASON WE CAN'T BE FRIENDS. I'M NOT SAYING WE CANDOUBLE DATE ANYMORE, BUT, UH... GREGGER IS BACK! OH, GOD!OH! OH! OH! HEY!HOW YOU DOIN'? THIS IS A NEW DANCEI'M WORKING ON. THE KEATON SAMBA. COME ON, TRY IT.EVERYBODY! ALEX, WHY DON'T YOUCOME ON UP? OH, I CAN'T, DAD.I'M NOT FINISHED WITH THE DANCE. I'M MAKING A REALBREAKTHROUGH WITH IT. I JUST -- I DON'T KNOWWHETHER TO END IT WITH A -- WITH A DIP OR A TWIST. ALEX, YOU'VE EXPERIENCEDA GREAT LOSS HERE. YOU CAN'T EXPECT TOANSWER ALL THE QUESTIONS OR, UH, EXPECT THE PAINTO GO AWAY IN ONE NIGHT. DON'T RUSH YOURSELFTHROUGH THIS. TIME IS WHAT YOU NEED. RIGHT. THANKS, DAD.THANKS. COME ON, ALEX.YOU PROMISED. I HAVE TO HELP MY BROTHERMOVE A PIANO. NO WAY, GREG.I'M BUSY, OKAY? IT'S A SHORT DRIVE.15 MINUTES OUT OF YOUR LIFE. NO. GREGGER, NO.NO, I'M SORRY. I'M NOT GOING. NOW, YOU ARE ONE HOURAND 46 MINUTES LATE. AND I HAVE A SCHEDULE TO KEEP. THERE ARE WOMEN IN NEEDOF MY ATTENTION LINED UP ALL OVER THIS CITY. WHO ARE YOU KIDDING, ALEX? YOU HAVEN'T HAD A DATEIN THREE MONTHS. YOU IMAGINE WHAT THAT'S DOINGTO THESE WOMEN? WE COULD HAVE A RIOTON OUR HANDS. YOU TOLD ME YOU'D HELP, AND I PROMISED MY BROTHERYOU'D BE THERE. NO, GREG, I'M SORRY. BUSY MAN HERE, OKAY? NEXT TIME BE ON TIME. FINE. NO! NO, GREGGER, NO! NO! DON'T GO! COME BACK! I KEEP ASKING MYSELF,IS THERE A BETTER WAY? IS THERE ANOTHER WAYTO PASS THROUGH THIS EXISTENCE? AND -- AND I'VE ALWAYSADMIRED PEOPLE WHO HAD RELIGION IN THEIR LIVES. YOU KNOW, IT ALWAYS SEEMEDTO BRING SUCH COMFORT TO THEM. MM-HMM. BROTHER TIMOTHY,I'VE LOST A VERY CLOSE FRIEND. I MEAN, ONE MOMENT HE WAS HERE,AND THEN...HE WAS GONE. AND I FEEL SO LOST. MM-HMM. AND I FIND MYSELFQUESTIONING EVERYTHING. I MEAN, WHO AM I? WHY AM I HERE?WHY ARE YOU HERE? WELL, I'M HERE BECAUSEYOU CALLED ME ON THE TELEPHONE. WELL, THAT CLEARS THAT ONE UP. I WANT TO HELP YOU, ALEX. HOW CAN I HELP? BROTHER TIMOTHY, I'VE GIVEN THISQUITE A LOT OF THOUGHT. AND I AM QUITE SERIOUSWHEN I SAY... I THINK I WANT TO BE A MONK. MM-HMM. THERE IS, HOWEVER,ONE QUESTION I MUST ASK. -NO GIRLS.-THAT WAS IT. OKAY. NOW, WHEN YOU SAY,"NO GIRLS," DOES THAT MEAN, YOU KNOW,NOT EVEN ON WEEKENDS? NOT EVEN ON VALENTINE'S DAY. ALL RIGHT,BUT WHAT IF YOU'RE WRONG? I MEAN -- I MEAN, WHAT IF YOUWEREN'T MEANT TO BE A MONK? I MEAN, YOU ARE GIVING UPA TREMENDOUS THING WITH THESE GIRLS HERE. DO YOU HAVE ANYTHING ELSEON YOUR MIND? I'M -- I'M SORRY.FORGIVE ME, OKAY? IT'S JUST THIS NO-GIRL RULEIS A TOUGHIE FOR ME. [ KNOCK ON DOOR ] -HEY, SKIPPY.-HI, ALEX. OH. WHO'S THE MONK? BROTHER TIMOTHY, I'D LIKE YOUTO MEET IRWIN HANDELMAN, MY NEIGHBOR. HOW DO YOU DO, IRWIN? WELL, FINE.THANK YOU, SIR. UH... SO... WHAT BRINGS A MONK LIKE YOUINTO THIS NECK OF THE WOODS? WELL, ALEX HAS BEEN QUESTIONINGME ABOUT THE PRACTICAL AND PHILOSOPHICAL ASPECTSOF THE MONASTIC LIFE. MM-HMM. AND WHAT DID YOU SAY? WELL, IRWIN,I'VE BEEN EXPLAINING TO ALEX THAT A MONKMUST TAKE SACRED VOWS OF OBEDIENCE, POVERTY,AND CHASTITY. SO, YOU MEAN DO WHATYOU'RE TOLD, ALWAYS BE BROKE, AND NEVER HAVE A DATE? MM-HMM. I MAY ALREADY BE A MONKAND NOT KNOW. [ VEHICLE APPROACHES ] AH. UH, THAT'S MY, UH --THAT'S MY PARENTS. UM... THEY'RE NOT GONNAREALLY UNDERSTAND THIS. SO, UH, I-I WAS WONDERING,WOULD YOU CONSIDER LEAVING? MM-HMM. I'M JUST -- OH. -HI.-OH, MOM, DAD. HI.THIS IS BROTHER TIMOTHY. -HELLO.-HELLO. IS THAT YOUR DONKEY OUT THERE? HE'S HERE TO TALK TO ALEXABOUT BEING A MONK. ARE YOU THINKINGOF BECOMING A MONK, ALEX? I'M, UH, TOYING WITH IT, MOM. I WOULDN'T CONCERN MYSELFTOO MUCH, MRS. KEATON. I REALLY CAN'T PICTURE ALEXIN A MONASTERY, DENOUNCINGALL HIS WORLDLY POSSESSIONS, TAKING A VOW OF POVERTY, GETTING UP EVERY MORNING AT DAWNAND SCRUBBING FLOORS ALL DAY DRESSED IN SANDALS AND A ROBE. I SAY LET HIM GIVE IT A SHOT. [ TAPPING ] OH! AS THOUGHIT'S NOT ENOUGH TO LOSE ONEOF MY DEAREST FRIENDS, LET ME POUR JUICEALL OVER MYSELF. NICE GOING, ALEX. GREGGER. HI. GREGGER! OH! OH! I HOPE YOU DON'T MINDME DROPPING BY. OH, NO.NO, I'M GLAD YOU'RE HERE. I'M GLAD YOU'RE HERE,BUT, UH... BUT THIS ISA LITTLE STRANGE. MY -- MY PARENTS HEARD METALKING TO YOU EARLIER AND, UH, THEY -- THEYTHINK I'M SEEING GHOSTS. UM, SO I WONDER, IF I --IF I BROUGHT THEM DOWN HERE, WOULD YOU SAY HI? SURE."HI" AND MAYBE "BOO." GREG, GREG, GREG --THERE'S -- THERE'S -- THERE'S A LOT I HAVE TO SAYTO YOU, OKAY? THERE'S A LOT OF STUFFI WANT TO TALK TO YOU ABOUT. I KNOW, ALEX. BUT A DEAD GUYWALKS INTO YOUR KITCHEN, YOU DON'T OFFER HIMSOMETHING TO EAT? I MEAN, A PEANUT BUTTERSANDWICH, AN ORANGE -- OH, I'M SORRY.I-I WASN'T THINKING. I-I DON'T KNOW THE ETIQUETTEIN THESE THINGS. I'M SORRY. YOU'RE THE --YOU'RE THE ONLY -- ONLY GUY I-I KNOWWHO'S DEAD AND COMES TO VISIT ME. HEY. ECONOMICS FINAL,HUH? I ALMOST FORGOTABOUT THAT. YOU GOT TO ADMIT -- I GOT A FABULOUS EXCUSEFOR MISSING THAT ONE. YOU DON'T EVENNEED A NOTE. HEY, I'LL COME BACKANOTHER TIME. I KNOW HOW IMPORTANTYOUR GRADES ARE TO YOU. NO! WAIT, WAIT, WAIT.WHAT, ARE YOU KIDDING ME? WHAT,ARE YOU KIDDING ME? YOU'RE MORE IMPORTANTTO ME THAN THIS. I DON'T EVEN KNOWWHY I'M BOTHERING. THIS -- THIS IS --THIS IS MEANINGLESS. THAT'S MEANINGLESS. LOOK, I MEAN -- I MEAN, WHAT'STHE USE OF BUSTING MY TAIL TO TRY AND BUILD A FUTUREFOR MYSELF? I MEAN, MAYBEI DON'T HAVE A FUTURE. I MEAN,LOOK WHAT HAPPENED TO YOU. YEAH, BUT IT DIDN'THAPPEN TO YOU, ALEX. YOU'RE STILL ALIVE.YOU GOT TO KEEP LIVING. I'M SORRY, GREG. I'M SORRY. I'M SORRY. I SHOULD HAVE GONE WITH YOUTO YOUR BROTHER'S. WHAT FOR?YOU'D BE DEAD. I DON'T CARE.I DON'T CARE. I SHOULD -- I WAS LAZY.I DIDN'T WANT TO GO. ALEX, STOP IT! NO, LET ME FINISH.NO, YOU GOT TO LET ME FINISH! NO ONE'SSTOPPING YOU, ALEX. HI, MAL. YOU JUST IN HERETALKING TO YOURSELF? NO. NO, I WASN'TTALKING TO MYSELF. I WAS TALKING TO GREG. OH, THAT'S BETTER. I WAS SUPPOSED TO BEIN THAT CAR WITH HIM, MAL. YEAH, BUT YOU WEREN'T. NO, I WASN'T. I WASN'T. I WASN'T.YOU KNOW WHY? BECAUSE I WAS LAZY. BECAUSE I WAS SMALL. BECAUSE I COULDN'TBE BOTHERED. MY LIFE WAS SAVEDOUT OF SMALLNESS, OUT OF LACK OF GENEROSITYTO A FRIEND. I JUST DON'T GET IT, MAL.WHY AM I STILL ALIVE? YOU'RE STILL ALIVETO AGGRAVATE ME. [ Voice breaking ] NO.NO, THAT'S NO ANSWER. I'M JUST JOKING, ALEX. NO, I SHOULD HAVE BEENWITH GREG! I SHOULD HAVE BEENSITTING RIGHT NEXT TO HIM. I WANT ANSWERS, OKAY?'CAUSE I CAN'T GO ON LIKE THIS. WHY AM I ALIVE?WHY AM I ALIVE?! -HONEY...-WHY AM I ALIVE?! HONEY... WHY AM I ALIVE? WE'RE GONNA HELP YOU,HONEY. -THAT'S RIGHT. ALEX, ALEX...-WE'RE GONNA HELP YOU. WE'RE GOING TO HELP. [ BREATHES DEEPLY ] MY NAME IS ALEX KEATON. I'M 21 YEARS OLD. I'M A... I-I'M A JUNIORAT LELAND UNIVERSITY. I'M MAJORING IN ECONOMICS. A-ACTUALLY, IT'SA DOUBLE MAJOR -- ECONOMICS AND BUSINESS. ACTUALLY,I'M MAJORING IN MONEY. ANYTHING TO DOWITH MONEY -- IT'S BEEN A PASSION OF MINEEVER SINCE I WAS A KID. LET'S TALK ABOUTYOUR CHILDHOOD A LITTLE. HUH? UH, YEAH, NORMAL...NORMAL CHILDHOOD. I DID THE THINGSTHAT ALL KIDS DO. LIKED TO COLOR,LIKED TO FINGER-PAINT, PLAY THE STOCK MARKET. USUAL THINGS. YOU LIKED MONEYEVEN THEN. LOVE AT FIRST SIGHT. WHEN I WASIN NURSERY SCHOOL, THEY USED TOBLINDFOLD ME AND DROP COINSINTO A PIGGY BANK. I COULD IDENTIFYTHE DIFFERENT COINS... BY THE SOUND. DEEP BASSOF A QUARTER. PLUNK. LILT OF A DIME. PLINK. SWEET SQUISHOF A DOLLAR BILL. SWOOSH. [ COINS CLATTER ] TWO DIMES, A QUARTER,AND THREE PENNIES. YOU'RE VERY GOOD. THANK YOU. YOUR MOTHER SAYSYOU'RE NOT SLEEPING WELL. YOU'RE NOT EATING. YOU'RE TROUBLEDBY "VISIONS," FOR WANTOF A BETTER WORD. THAT'S NOTEXACTLY TRUE. YES, IT IS, ALEX. YOU DON'T SLEEPAT ALL. YOU'RE A 7-YEAR-OLD BOY.YOU NEED YOUR REST. HOW MUCH SLEEPDID YOU GET LAST NIGHT? LAST NIGHT?20 MINUTES. -BUT THEY WERE20 QUALITY MINUTES.-ALEX... OH, MOM,LAST NIGHT WAS SPECIAL. I-I WAS GOING OVERTHE TRANSCRIPTS. I FOUND A FLAWIN JOHN DEAN'S TESTIMONY. THIS HAS GOT TO STOP, ALEX. OUR PHONE BILLTO THE WHITE HOUSE HAS GOTTEN OUT OF HAND. MOM, CAN I PLEASE STAY HOMEAND WATCH THE HEARINGS ON TV? -NO.-OH, PLEASE, MOMMY? DON'T MAKE ME GO BACKTO THAT CLASSROOM. IT'S A TRAVESTY. THE COUNTRY'SFALLING APART, AND THESE KIDS ARE SITTING THERELEARNING TO TELL TIME. YOU'RE GOING TO GOTO SCHOOL, ALEX, AND I DON'T WANT A REPEATOF WHAT HAPPENED YESTERDAY. OH, MOMMY, MY PRESIDENTIS BEING IMPEACHED. HOW CAN YOU EXPECT METO CONTINUE LIVING THE LIFE OF A NORMAL SECOND GRADER? I'M WAITING FOR YOUTO BEGIN LIVING THE LIFE OF A NORMAL SECOND GRADER. WALK TO SCHOOLTODAY, ALEX? OKAY, SKIPPY,IF YOU WANT TO. BET SKIPPY DIDN'TSTAY UP ALL NIGHTWORRYING ABOUT WATERGATE. HUH? HOW MUCH SLEEPDID YOU GET LAST NIGHT? 19 HOURS. YOU SEE? 19 HOURS? I CAME HOME FOR LUNCH YESTERDAYAND TOOK A NAP. I JUST WOKE UPA FEW MINUTES AGO. MOMMY, I'M GONNA SKIPBREAKFAST, OKAY? -I WANT TO GET TO SCHOOL.-IT'S ALMOST READY. I CAN'T, MOM. I GOTTHE CUB-SCOUT MEETING, AND I'VE GOT THE KIDDIECHAMBER OF COMMERCE LUNCH. -ALEX, DON'T GO.-MOM... DON'T GO!DON'T GO! DON'T GO, GREG!DON'T GO! I COULD HAVESTOPPED HIM. I COULD HAVE --I SHOULD HAVE TOLD HIM. BUT WE HAD A FIGHT... A STUPID FIGHT. DAMN IT. NOW HE'S DEAD. HE'S DEAD, AND THERE'S NOTHINGTHAT ANYONE CAN DO ABOUT IT. WHERE WERE WE? YOU WERE TALKING ABOUTTHE PROBLEMS WITH YOUR MOTHER. I WOULDN'T CALL THEMPROBLEMS, NECESSARILY. SORRY. SHE'S A MOTHER. THAT'S WHAT MOTHERS DO.THEY WORRY, RIGHT? I DON'T KNOW. ALL RIGHT, LOOK, IF YOU'REGONNA TAKE THAT ATTITUDE, WE MIGHT AS WELLSTOP TALKING RIGHT NOW, OKAY? -WHAT ATTITUDE?-YOU KNOW WHAT ATTITUDE. I'M GONNA SIT HERE, I'M GONNA DOALL THE TALKING, I'M GONNA POURMY GUTS OUT, AND YOU'RE JUST GONNA SITBACK THERE SILENTLY AND BE GOD, HUH? PRETEND YOUDON'T KNOW ANYTHING. WAIT A MINUTE.YOU WENT TO GRANT COLLEGE? THAT'S RIGHT. MAYBE YOUWEREN'T PRETENDING. MAYBE YOU REALLYDON'T KNOW ANYTHING. HOW DO YOU KNOWGRANT COLLEGE? MY SISTER MALLORYGOES THERE. LET'S TALKABOUT MALLORY. YEAH. OKAY. HOW DO YOUFEEL ABOUT HER? I LIKE HER. I LIKE HER A LOT. THANK YOU, ALEX.THAT'S SWEET. WELL, YOU KNEW THAT,DIDN'T YOU, MAL? WELL,IT'S NICE TO HEAR. I LOVE YOU. I LOVE YOU VERY MUCH. HEY, WHAT AREYOU DOING? I'M GETTING DRESSED.I HAVE A DATE. OH, YEAH?WITH WHO? GREG. WHAT ARE YOU TALKING ABOUT?GREG'S DEAD. [ CHUCKLES ] NOBODY EVER DIES, ALEX. DON'T BE SILLY. GREG'S COMING BACKIN ANOTHER LIFE. WE ALL ARE. NOBODY EVER DIES? NO. BOY, I WISHI COULD BELIEVE THAT. WOULDN'T THAT BE GREATIF THAT WERE TRUE? IT I TRUE, ALEX. YOU JUSTHAVE TO ACCEPT IT. YOU JUST HAVE TO BELIEVE. READ SHIRLEY MacLAINE. MULTIPLE LIVES. I COULD COME BACKAS ME. I COULD FIX THE THINGSTHAT WENT WRONG THIS TIME. I COULD WARN NIXONABOUT THE TAPES. YOU SEE, ALEX, EACH TIME AROUND,YOU WORK ON WHATEVER PROBLEMS YOU DIDN'T SOLVEIN YOUR PREVIOUS LIFE. SAY YOU'RE A BAD DRESSERIN A FORMER LIFE. YOU COULD COME BACKAS A DESIGNER. GOD, MAL, IT MUST BESO EASY BEING YOU. IT MUST BE SO SIMPLE. IS IT HARDTO BE YOU, ALEX? HEY. HEY. DO YOU MIND?OKAY? I'M TALKING TO MY SISTER. TELL ME MORE, MAL.TELL ME MORE. WHAT --WHAT'S HEAVEN LIKE? [ CHUCKLES ] NO MATTER WHAT YOU EAT,YOU CAN'T GAIN WEIGHT. ANSWER THE QUESTION, ALEX.IS IT HARD TO BE YOU? YOU KNOW THE ANSWER. OF COURSE IT'S HARD. THEY HAVE THESEGREAT STORES THERE, ALEX. THEY OPENAT 9:00 IN THE MORNING AND STAY OPENTILL INFINITY. AND, ALEX... ALEX,ONE SIZE FITS ALL. WHY IS IT SO HARD TO BE YOU? YOU KNOW.