[ THEME SONG PLAYS ] * I BET WE'VE BEEN TOGETHERFOR A MILLION YEARS * * AND I'LL BET WE'LL BE TOGETHERFOR A MILLION MORE * * OH, IT'S LIKEI STARTED BREATHING * * ON THE NIGHT WE KISSED * AND I CAN'T REMEMBERWHAT I EVER DID BEFORE * * WHAT WOULD WE DO, BABY * WITHOUT US? * WHAT WOULD WE DO, BABY * WITHOUT US? * AND THEREAIN'T NO NOTHIN' * * WE CAN'T LOVEEACH OTHER THROUGH * * OOH-HOO * WHAT WOULD WE DO, BABY * WITHOUT US? * SHA-LA-LA-LA COME IN, MAUREEN. IT'S GOOD TO SEE YOU. IT'S GOOD TO SEE YOU,TOO, STEVEN. MAUREEN, WHAT A SURPRISE.HOW DID YOU KNOW I WAS HERE? WELL, IT WASN'T EASYRUNNING YOU DOWN. YOU'VE BEEN COVERINGYOUR TRACKS PRETTY WELL. COVERING MY TRACKS?WHAT ARE YOU TALKING ABOUT? I HAVEN'T BEENCOVERING ANYTHING. TWO MONTHS AGO,YOU WERE IN NEW YORK CITY AT YOUR FRIENDROGER'S APARTMENT. I WOULDN'T HAVE KNOWN THAT IF ROGER HADN'T CALLEDTO ASK ME WHAT TO DO WITH YOUR TRAVEL ALARM,WHICH YOU LEFT THERE, AS IF I CARE! ROB, WHAT WERE YOU DOINGIN NEW YORK CITY? THEN, LAST MONTH, YOU WERE IN YELLOWSTONENATIONAL PARK, CAMPING OUT. I WOULDN'T HAVE KNOWN THATIF A FOREST RANGER HADN'T CALLED TO ASK ME WHAT TO DOWITH YOUR INFLATABLE PILLOW. YOU WERE IN YELLOWSTONENATIONAL PARK? FOR THE LAST THREE WEEKS,I HAD NO IDEA WHERE YOU WERE BECAUSE YOU DIDN'T LEAVEANYTHING ANYWHERE. ROB, ROB,I DON'T UNDERSTAND. I THOUGHT YOU CAMEDIRECTLY FROM BUFFALO. I-I AM -- I DID. I'M ORIGINALLY FROM BUFFALO. YES, I KNOW. THAT'S WHERE WE MET. YOU MEANHE -- HE HASN'T TOLD YOU? LOOK, MAUREEN,I REALLY DON'T THINK -- HE WALKED OUT OF THEHOUSE TWO MONTHS AGOWITHOUT A WORD TO ME. HE LEFT HIS BUSINESSWITHOUT A WORD. HIS CLIENTS HAVE BEEN CALLING MEAT THE HOUSE. HERE. YOU'RE THE ACCOUNTANT,NOT ME. YOU ANSWER THOSE. THE FIRST 10 ARE FROM PEOPLEWHO ARE PLANNING TO SUE US. MOM IS SUING US? OKAY, WELL,THEY'RE OUT OF ORDER. UH, LOOK, MAUREEN,I-I UNDERSTAND YOU MUST FEEL PRETTY BADRIGHT NOW, AND -- OH, ROB. YOU COULD ALWAYS SEERIGHT THROUGH ME. WELL, I JUST WANT TO SAYI AM SORRY ABOUT -- LOOK, I DIDN'T COMETO HEAR YOUR APOLOGIES. I'M TRYING TO GET ONWITH MY LIFE. WHETHER OR NOT THAT'S A LIFE THAT'S GOING TO INCLUDE YOUIS NOT THE ISSUE HERE. YOU HAVE CERTAINRESPONSIBILITIESAND OBLIGATIONS, AND YOU ARE DAMN WELLGONNA LIVE UP TO THEM, BECAUSE IF YOU DON'T, THE NEXTMESSAGE ON THAT LITTLE PILE IS GONNA BE FROM MY LAWYER. -HE'S GONNA SUE YOUR ---AUNT MAUREEN. HI, SWEETIE. -AUNT MAUREEN.-HI, HONEY. HI. -AUNT MAUREEN.-HI, HON. HI. AUNT MAUREEN. SO, I'M ON MY WAYHOME FROM WORK. I STOP AT THE SUPERMARKET, GOT A CAR FULL OF GROCERIES. PULL INTO THE DRIVEWAY. I'M HONKING THE HORN.NOTHING HAPPENS. SEE, ON TUESDAYS, ROB USUALLYGETS HOME BEFORE ME, AND HE HELPSWITH THE GROCERIES. SO, FINALLY,HE COMES DOWNSTAIRS, AND HE'S GOT THIS FUNNY LOOKON HIS FACE. HE WALKS OVER TO ME,AND HE SAYS, "MAUREEN, I THINKWE SHOULD SPLIT UP." SO I SAY, "FINE. FIRST, HELP ME WITH THEGROCERIES, THEN WE'LL SPLIT UP." I CANNOT BEGIN TO IMAGINEWHAT YOU'RE GOING THROUGH HERE. BUT, MAUREEN, WHATEVER HAPPENSBETWEEN YOU AND ROB, I -- I WANT USTO STAY CLOSE, OKAY? I MEAN, YOU'RE STILL FAMILY,FOR GOODNESS' SAKES. THANKS, ELYSE.[ SNIFFLES ] YOUR SUPPORT MEANSA LOT TO ME. AND I REALLY THINK I'M STARTINGTO GET A HANDLE ON THIS. I MEAN, I KNOWI'M GONNA BE OKAY. YEAH. I'VE NO INTENTION OF SPENDINGTHE REST OF MY LIFE DWELLING ON ROBAND WHAT MIGHT HAVE BEEN. IT'S OVER. IT'S IN THE PAST.IT'S BEHIND ME. GOOD FOR YOU. SO, WHO WAS THE LITTLE HUSSYDOWNSTAIRS? [ SIGHS ] KATHY, SHE'S -- SHE'S JUST A PHASEHE'S GOING THROUGH. THEY GO OUT DANCING. ROB GOES DA-- ROB GOES DANCING? HE'S THE WORST DANCERIN THE WORLD! AT OUR WEDDING, HE STEPPEDON MY TOES SO MANY TIMES I HAD TO BE CARRIED OUT. [ KNOCK ON DOOR ] -COME IN.-EXCUSE ME. I'M REALLY SORRYABOUT THIS, AUNT MAUREEN. BUT...YOUR CAR'SBLOCKING MINE, AND... AND I REALLY WANT TO LEAVE. OH, I'M SORRY, MAL, BUT I'M GONNA HAVE TO USEMY COMPUTER DOWN HERE. IT'S LIKE A WAR ZONEUPSTAIRS. IS EVERYONE STILL FIGHTING? IN EVERY POSSIBLE COMBINATION. FIRST IT WAS DAD AND ROBIN MY ROOM. THEN IT WAS MAUREEN AND ROBIN MOM AND DAD'S ROOM. THEN IT WAS MOM AND ROBIN YOUR ROOM. AND THEN IT WAS ANDY AND ROBIN THE BATHROOM. OH, BUT I THINK THAT ONE WAS JUST A MISUNDERSTANDINGABOUT TOWELS. HOW IS IT UP THERE? NOT GREAT.NOT GREAT. AND ANDY ISN'T HELPING ANY. HE'S BEENRUNNING AROUND SAYING, "IS SHE MY AUNT MAUREEN,OR ISN'T SHE?" HOW CAN TWO PEOPLEWHO REALLY LOVE EACH OTHER BECOME SEPARATED? HOW CAN THEY LOSE THAT LOVE? IT'S A LOT MORE COMMONTHAN YOU THINK, JENNIFER. I WATCH A LOT OF SOAP OPERAS,AND... ...IT SEEMS TO HAPPENAT LEAST ONCE A SHOW. I MEAN, IF ROB AND MAUREEN CAN'THOLD THEIR MARRIAGE TOGETHER, WHO CAN? LET'S TALK ABOUT THAT, GIRLS. HE'S GOT THATPHIL DONAHUE LOOK AGAIN. COME ON. COME ON. LOOK, LET'S TRY AND -- LET'S TRY AND PUT THISIN HISTORICAL PERSPECTIVE. OH, CAN WE, PLEASE? YES, WE CAN. YOU SEE, IN THE OLD DAYS, MARRIAGES WERE ARRANGEDBY THE PARENTS, AND THESE MARRIAGES WERE BASED,AS THEY SHOULD BE, ON MONEY... ...THE BOND THAT DOESN'T BREAK. NOW, LET'S SAY LATER ONTHERE'S SOME TROUBLE. THE MAN IS UNHAPPY.THE MARRIAGE ISN'T WORKING. WHAT DOES HE DO? HE TAKES A MISTRESS. AND -- AND IF THE WOMANIS UNHAPPY, WHAT DOES SHE DO? SHE...LEARNS TO KNIT. SEE, THE IMPORTANT THING ISTHE FAMILY STAYS TOGETHER, AND THEY GETSOME NICE SWEATERS. ROB, I WANT SOME ANSWERS. YOU CAN'T RUN AWAY FROM ME. I'M NOT RUNNING AWAY. I JUSTWANT TO GET A CUP OF COFFEE. I WANT TO TALK ABOUT THIS NOW. I'LL TRY THE LIVING ROOM. OH, HEY, LET ME --LET ME HELP YOU WITH THAT. OH, ME, TOO.THAT LOOKS HEAVY. -WE'RE ALL RIGHT.-WATCH OUT. -WE GOT IT. THANKS.-HERE WE GO. OKAY. BOY, YOU REALLY PAINTED A PRETTY PICTUREFOR YOURSELF THERE, ROB. MARRIAGE IS OVER, AMICABLE SEPARATION,NOBODY'S HURT. YOU DIDN'T SAYYOU RAN OUT TWO MONTHS AGO WITHOUT A WORD TO MAUREEN. WELL, DO YOU THINK IT'S EASYFOR ME TO TALK ABOUT THIS? I MEAN, DON'T YOU THINKIT'S EMBARRASSING? I'M STILL YOUR OLDER BROTHER,YOU KNOW. SO, WHY DID YOU COME HEREAT ALL? I WANTEDTO BE IN A HOME AGAIN. I GOT TIRED OF LIVINGIN CAMPGROUNDS, LYING OUT THERE AT NIGHT,STARING UP AT THE STARS, TRYING TO EXPLAIN DIVORCETO AN OWL. TRY EXPLAINING IT TO ME, ROB. EXPLAIN HOW YOU... ...HOW YOU CANJUST WALK OUT, HOW YOU CAN TURN YOUR BACKON 25 YEARS. I WAS IN THE MIDDLEOF A MEETING WITH ONE OF MY CLIENTS, BILL HODGES -- HODGES OLDSMOBILEUP ON CLINTON? JUST REGULAR MONTHLY MEETINGS,NOTHING SPECIAL. JUST TALK ABOUT THIS,TALK ABOUT THAT. THE NEW OLDSMOBILESARE COMING OUT. IT HAS MORE ROOMIN THE BACKSEAT NOW. THEN HE STARTS IN ON MEFROM NOWHERE. HE'S UNHAPPYWITH THE NEW TAX LAWS. AND HE'S BLAMING ME.HE'S YELLING AT ME. "WHERE ARE MY SHELTERS?I WANT MY SHELTERS!" WELL, I SAID,"HEY, TAKE IT EASY. "WHAT ARE YOU YELLINGAT ME FOR? "I DIDN'T WRITETHE NEW TAX LAWS. I'M NOT A CONGRESSMAN.I'M AN ACCOUNTANT." I HEARD MYSELF SAYING IT. "I'M AN ACCOUNTANT." I'M AN ACCOUNTANT, STEVIE. HOW DID THIS HAPPEN? I HATE NUMBERS. I HATE EVERYTHINGABOUT ACCOUNTING. IT SCARED ME. IT SCARES ME, TOO, ROB. YOU'RE MY ACCOUNTANT. THE NEXT THING I KNOW, I'M AT THE BATTING RANGEUP ON JEROME AVENUE -- YOU KNOW, WHERE WE USED TO GOWHEN WE WERE KIDS? AND I GO INTO THE FAST CAGE. REMEMBER THE MONSTER, THE ONEWE WERE AFRAID TO GO INTO? WELL, I STAYED IN THEREFOR THREE HOURS, STEVIE, BUT I DID IT. I HIT ONE OFF THE 350 SIGNIN LEFT CENTER. IT COST ME $700 IN QUARTERS. I DID IT. I FELT BETTER THANI HAVE FELT IN 20 YEARS. SO, WHAT ARE YOU SAYING,ROB? YOU WANT TO GIVE UPACCOUNTING TO BECOMEA DESIGNATED HITTER? I WANT TO HOLD ON TO THE FEELINGI HAD THAT DAY. I CAN'T GO BACKTO MY OLD LIFE. I CAN'T BE THAT GUY ANYMORE. IT WOULD KILL ME, STEVIE. NOW, THE KEY TO A REALLY GREATPIECE OF FRENCH TOAST IS THAT THE BREADHAS BEEN SOAKING IN THE EGG MIXTUREFOR PRECISELY 14 HOURS. OKAY? NOW, COOKING MUST BE DONE OVER A MEDIUM FLAMEIN A CAST-IRON SKILLET UNTIL THE EDGESARE A GOLDEN BROWN. OKAY? NOW, IF YOU FOLLOW THESEDIRECTIONS STEP BY STEP, PAINSTAKINGAS THEY MAY SEEM, YOU'LL HAVE THE PERFECTPIECE OF FRENCH TOAST. ANY QUESTIONS? CAN I HAVE CEREAL? CEREAL? CEREAL? YOU DO NOT ASKA PERSON OF MY CALIBER TO MAKE YOU CEREAL. ALL YOU GOT TO DO IS OPENTHE BOX, POUR IN MILK. ANYBODY CAN MAKE CEREAL. ALL RIGHT, OKAY,MALLORY CAN'T MAKE CEREAL. BUT WHAT I AM OFFERING YOU, FRENCH TOAST A LA ALEX,IS SPECIAL. YOU KNOW,IT'S THE KIND OF THING YOU KEEP BETWEEN BROTHERS. IN FACT, DO YOU KNOWWHAT IT MEANS, THAT WE'RE BROTHERS? IT MEANS THAT I HAVE TO DOEVERYTHING THAT YOU SAY. THAT'S A BIG PART OF IT, YEP. BUT IT ALSO MEANS THAT WHEN YOU'RESOMEBODY'S BROTHER, YOU'RE ALWAYSTHAT PERSON'S BROTHER. IT'S LIKE DAD AND UNCLE ROB. YOU KNOW, THEY WILLALWAYS BE BROTHERS. IS SHE MY AUNT MAUREEN,OR ISN'T SHE? AUNTS ARE DIFFERENT. BUT YOU AND I, WE WILLALWAYS BE BROTHERS. NOW, YOU MAY MEET,YOU KNOW, OTHER PEOPLE. YOU MAY...MEET A GIRL. YOU MIGHT GET MARRIED. BUT I WILL ALWAYS BE THE MOST IMPORTANT PERSONIN YOUR LIFE. GOTCHA. ALL RIGHT. HEY! HOW YOU DOIN'?LISTEN. HOW WOULD YOU LIKE A SPECTACULARPIECE OF FRENCH TOAST? OH, NO, THANKS. I HAD BREAKFASTAT THE HOTEL. IS YOUR UNCLE ROB AROUND? UH, NO. AS A MATTER OF FACT, HE AND DADWENT TO THE BATTING RANGE. AH, YES.THE NEW CAREER. MOM'S HERE.I CAN GO UP AND GET HER. NO, IT'S OKAY. I HAVEN'T HAD A CHANCE TO TALKTO YOU OR ANDY SINCE I GOT HERE. I WAS HOPING WE COULD SPENDSOME TIME TOGETHER. ME, TOO. WHO ARE YOU? I'M YOUR AUNT MAUREEN. THEN WHO'S THE OTHER LADY? SHE'S YOUR UNCLE'SMIDLIFE CRISIS. YOU STILL DON'T GET IT. WHAT I'M TRYINGTO TELL YOU IS YOU HAVE TO WAIT ON A CURVE. I DID WAIT. HI, MAUREEN. HEY, ANDY, WHY DON'T WE GOOUT FOR BREAKFAST, HUH? OKAY. WHO'S BUYING? YOU ARE. AGAIN?! [ CLEARS THROAT ] UH, ROB, I'VE GOTSOME THINGS HERE WE REALLY MUST GO OVER. YEAH, OF COURSE. WELL...I'LL LEAVE YOUTWO ALONE THEN, HUH? THANKS, STEVE. -MAUREEN, I REALLY FEEL ---NO, ROB. PLEASE, DON'T SAY ANYTHING.IT ISN'T NECESSARY. LET'S JUST TRY TO TAKE CAREOF THIS BUSINESS AS QUICKLY AS POSSIBLE, HMM? OKAY. SOME OF YOUR CLIENTS'TAX RETURNS CAME WHILE YOU WERE GONE. YOU FILLED THESE OUTAND FILED THEM YOURSELF? JUST BECAUSE WE'RESEPARATING IS NO REASON FOR THOSE PEOPLE TO GO TO JAIL. MAUREEN,I WANT TO APOLOGIZE FOR EVERYTHING I'VE DONE... THE WAY I'VE DONE IT. THIS IS YOURAMERICAN EXPRESS BILL. IT'S TWO MONTHS OVERDUE. I REALLY THINK YOU SHOULDTAKE CARE OF IT. AND THIS IS YOUR MasterCard -- IT'S NOT LIKEI DON'T KNOW WHAT YOU'RE GOING THROUGH, OR THAT I'M NOT GOINGTHROUGH IT, TOO. OH, AND WE NEED A NEW ROOF.YOU WERE RIGHT. THE FIRST BIG RAINOF THE SEASON, AND WE'VE GOT BUCKETSIN THE DINING ROOM. WHO SHOULD I CALL FOR THAT,CALLOWAY BROTHERS -- MAUREEN, PLEASE,I'M TRYING TO APOLOGIZE. NOT THAT WORDS CANMAKE IT HURT ANY LESS OR MAKE IT ANY BETTER. I JUST WISH IT COULD'VE BEENSOME OTHER WAY. YOU DESERVE SO MUCH BETTER. BUT I TRIED, MAUREEN. I REALLY TRIED. I KNOW YOU DID. I DID, TOO. NOW, WHAT ABOUTTHE CAR INSURANCE? I CAN'T BEGIN TO UNDERSTAND WHAT THEY'REGOING THROUGH IN THERE. I'M SITTING HERE THINKING IS THERE ANY WAYWE COULD HAVE HELPED THEM, ANYTHING ELSEWE COULD HAVE DONE? -LIKE WHAT?-OH, I DON'T KNOW. I GUESS WE DIDEVERYTHING WE COULD. WE LISTENED. WE CRIED. WE DROVE KATHY HOME. YOU KNOW, WITH MAUREEN AND ROBSPLIT UP, I THINK WE ARE THE ONLY COUPLEFROM THE OLD GROUP STILL TOGETHER. [ SIGHS ] REMEMBER CHARLOTTE AND EDDIE? YEAH. THEY SPLIT UP. OH, THAT'S A LITTLE DIFFERENT,THOUGH. CHARLOTTE REALIZED SHE WAS GAY. MITCH AND DENISE. SPLIT. DENISE REALIZED SHE WAS GAY. CHARLOTTE AND DENISE. THEY'RE STILL TOGETHER. ALL RIGHT. AND IF YOU NEEDANY EXTRA MONEY, JUST CALL HENDRICKS BECAUSE HE HASALL THE ACCOUNT NUMBERS. I WILL. I GUESS THIS IS GOODBYE. I GUESS SO. WELL, I'LL TALK TO YOU SOON. UH, GIVE OUR LOVE TOJONATHAN AND MARILYN. I WILL. -MY LOVE TO THE KIDS.-YEAH. DON'T WORRY ABOUT US.WE'RE GONNA BE OKAY. COME ON. I'LL WALK YOUTO THE CAR. WELL...IT'S OVER. IT'S REALLY OVER. IT'S HARD TO BELIEVE. WHAT ARE YOU GONNA DO? I DON'T KNOW. YOU REALIZE, STEVIE, I'VE NEVERREALLY LIVED ALONE? I MEAN, I WENTFROM LIVING AT HOME, SLEEPING NEXT TO YOU, TO MARRYING MAUREENAND SLEEPING NEXT TO HER. I REALLY RESENTED IT, TOO. I REMEMBER THINKING, "WHAT DOES SHE HAVETHAT I DON'T HAVE?" YOU MUST HAVE BEEN SO HAPPYWHEN I MOVED OUT. YOU FINALLY HAD THAT ROOMTO YOURSELF. YOU COULD SLEEPNEXT TO THE WINDOW. I MISSED YOU. YOU'RE KIDDING. I WAS SURPRISED, TOO, THE WAY YOU USEDTO TORTURE ME. I NEVER TORTURED YOU. COME ON, WHAT ABOUT THE TIMEYOU CUT MY HAIR? WELL, YOU ASKED ME TO. I DIDN'T ASK YOUTO MAKE A BIG BULL'S-EYE ON THE TOP OF MY HEAD. I THOUGHT IT LOOKED CUTE. WHAT ABOUT "OLD SHEP"? YOU DON'T STILL HOLD THATAGAINST ME, DO YOU? YOU KNEW THAT RECORDALWAYS MADE ME CRY, AND YET YOU'D PLAY ITOVER AND OVER AGAIN, AND I'D CRY AND CRY AND CRY. WHAT'S A BIG BROTHER FOR? ON RAINY DAYS, YOU'D INVITEYOUR FRIENDS OVER TO THE HOUSE. YOU'D SAY, "HEY, WANT TO SEEMY KID BROTHER CRY?" THEN YOU'D PUT ON "OLD SHEP," HOLD ME DOWN,AND MAKE ME LISTEN TO IT. WHEN IT GOT TO THE PARTABOUT SHEP GOING TO... ...DOGGY HEAVEN... ...I'D CRY,YOUR FRIENDS WOULD APPLAUD, AND YOU'D ALL GO OUTFOR AN ICE-CREAM SODA. HEY, BUFFALO'S A SLOW TOWNON A RAINY DAY. YOU WERE A GOODBIG BROTHER, ROB. YOU WERE ALWAYS THERE FOR ME. LATER ON, THROUGH ALL THE THINGSYOU DIDN'T UNDERSTAND -- THE PROTESTS, THE MARCHES,THE SIT-INS -- ALL THE THINGS YOU HATED... YOU WERE THERE. [ SIGHS ] 20 BUCKS STUFFED INTO MY SHIRT, WHICH I WOULDN'T FINDTILL AFTER YOU'D GONE. SOME CLOTHES FOR THE BABY THAT WOULD MYSTERIOUSLY APPEARAROUND CHRISTMASTIME. I WANT TO BE THERE FOR YOU.I WANT TO HELP. I JUST -- I FEEL SO BAD. DON'T -- DON'T FEEL BAD. I MEAN, FOR THE FIRST TIMEIN MY LIFE, I FEEL LIKEI'M ON THE RIGHT TRACK -- MY OWN TRACK. I FEEL LIKE I HAVE A SHOTAT FINDING OUT WHO I AM. THANKS, STEVIE, FOR ALL THE HELPYOU'VE GIVEN ME. HEY. WHAT'S A LITTLE BROTHER FOR? -HEY.-ALEX. I SAW AUNT MAUREEN OUT FRONT. I SAID GOODBYE. SHE SEEMED OKAY. SHE'S GONNA BE JUST FINE. WHAT'S THAT? OH, IT'S -- IT'S A RECORDCALLED "OLD SHEP." IT'S ABOUT A BOY AND HIS DOG. WHEN I WAS A KID, ROBBIE ALWAYSUSED TO PLAY IT, AND I'D CRY. YOU KEPT IT ALL THESE YEARS? SOME THINGSARE HARD TO GIVE UP. YOU KNOW, DAD,YOU'RE A GOOD MAN, AND YOU'RE A GREAT FATHER, BUT YOU'RE JUST WAY TOOEMOTIONAL FOR YOUR OWN GOOD. "OLD SHEP." PSHAW. [ INTRO TO "OLD SHEP" PLAYS ] * WHEN I WAS A LAD * * AND OLD SHEP WAS A PUP * * O'ER HILLS AND MEADOWS, WE'D STRAY * * JUST A BOY AND HIS DOG * * WE WERE BOTH FULL OF FUN * * WE GREW UP TOGETHER THAT WAY * SORRY TO INTERRUPT, DAD. I JUST WANT TO GETMY BUSINESS SECTION HERE. * THE YEARS SPED ALONG * * AND AT LAST, HE GREW OLD * * HIS EYESIGHT WAS FAST GROWING DIM * * THEN ONE DAY, THE DOCTOR * * LOOKED AT ME AND SAID * * "I CAN'T DO NO MORE FOR HIM, JIM" * * WITH A HAND THAT WAS TREMBLIN' * * I PICKED UP MY GUN * * I AIMED IT AT SHEP'S FAITHFUL HEAD * [ Crying ] THEY SHOT HIM?!