* I BET WE'VE BEEN TOGETHER
* FOR A MILLION YEARS
* AND I BET WE'LL BE TOGETHER
* FOR A MILLION MORE
* OH, IT'S LIKE I STARTED BREATHING *
* ON THE NIGHT WE KISSED
* AND I CAN'T REMEMBER
* WHAT I EVER DID BEFORE
* WHAT WOULD WE DO, BABY
* WITHOUT US
* WHAT WOULD WE DO, BABY
* WITHOUT US
* AND THERE AIN'T NO NOTHING
* WE CAN'T LOVE EACH OTHER THROUGH *
* WHAT WOULD WE DO, BABY
* WITHOUT US
* SHA LA LA LA
SORRY TO SAY THAT PETER WAS NOT WELL DURING THE EVENING.
"HIS MOTHER PUT HIM TO BED,
"AND MADE SOME CHAMOMILE TEA,
"AND SHE GAVE A DOSE OF IT TO PETER.
SEE RIGHT THERE.
"ONE TABLESPOONFUL TO BE TAKEN AT BEDTIME.
"BUT FLOPSY, MOPSY, AND COTTON-TAIL,
"WHO WERE GOOD LITTLE BUNNIES,
HAD BREAD AND MILK AND BLACKBERRIES FOR SUPPER."
READ IT AGAIN, MOMMY.
GIVE HER A BREAK, ALEX.
YOU HEARD IT THREE TIMES.
THAT'S RIGHT. I READ IT THREE TIMES.
AND THAT MEANS IT'S TIME FOR YOU TO GO TO BED.
ALL RIGHT, LET HIM HEAR IT ONE MORE TIME.
NOPE, NO MORE STORIES. IT'S TIME FOR BED.
COME ON, I DON'T WANT ANY MORE TROUBLE ABOUT IT.
AW COME ONE MOM, LET HIM STAY UP. WHAT'S THE BIG DEAL?
HONEY, HE DOESN'T GET ENOUGH SLEEP, AND THEN HE'S CRABBY IN THE MORNING.
HE'S A NIGHT PERSON.
OKAY, LOOK. MOM, REMEMBER MALLORY WHEN SHE WAS A KID?
REMEMBER, PERFECT KID GOT A LOT OF SLEEP?
LOOK WHAT HAPPENED.
SHE NEVER FULLY WOKE UP.
COME ON HONEY, WE'RE GOING TO BED.
I WANT ALEX TO TAKE ME UP.
OKAY, ALEX CAN TAKE YOU UP.
ALL RIGHT. LET'S GO, RABBIT.
TAKE HIME STRAIGHT TO BED THOUGH.
HE STRETCHES THESE BEDTIMES OUT LONGER AND LONGER.
WANT TO PLAY MONOPOLY?
NO, NO, NO, NO, NO. YOU HEARD WHAT THE BOSS LADY SAID.
STRAIGHT TO BED.
WE CAN USE REAL MONEY.
ONE QUICK GAME.
OH HI, MOM.
HI GUYS. HOW WAS THE MOVIE?
OH IT WAS OK. JEN AND I LIKED IT. NICK DIDN'T.
IT'S JUST THAT I LIKE A LITTLE MORE ACTION IN MY FILM. THAT'S ALL.
WHAT DID YOU SEE?
COMMANDO, WITH ARNOLD SCHWARZENEGGER.
THAT IS THE LAST ART FILM THAT I GO TO.
WHAT ARE YOU WORKING ON MRS. KEATON?
I'M REMODELING THE LOBBY OF THE WKS BUILDING
WHERE MR. KEATON WORKS.
DOES MR. KEATON KNOW ABOUT THIS?
HE HIRED HER, NICK.
OH.
HEY, HEY, HEY...
THIS IS A PRETTY GOOD IDEA HERE.
I LIKE THIS ATRIUM WITH THE WATERFALL CASCADE.
YOU REALLY LIKE THAT? THANKS.
YOU KNOW, IF IT WAS ME,
I WOULD USE MAHOGANY ON THIS WALL OVER HERE
AND MAYBE PICK IT UP AGAIN OVER HERE IN THIS AREA.
THAT'S EXACTLY WHAT I WAS PLANNING.
WE THINK ALIKE, DON'T WE, MRS. KEATON?
YEAH. THAT'S REALLY, UH...
SCARY, HUH?
HEY, ANDY HEARD YOU GUYS COME IN.
HE WANTS YOU TO GO UP AND SAY GOOD NIGHT TO HIM.
ALL RIGHT...OKAY.
YOU BETTER GO ONE AT A TIME.
WELL YOU KNOW, HE LIKES TO DRAG IT OUT.
I--I'LL GO FIRST.
DON'T READ TO HIM, PLEASE NICK.
I DON'T THINK THERE'S MUCH DANGER OF THAT, MOM.
HEY, GANG!
SORRY I'M LATE,
BUT THE BUDGET MEETING RAN OVER.
HOW'D IT GO?
GREAT. THE FULL BUDGET FOR YOUR RENOVATION HAS BEEN APPROVED.
WHOA!
CONGRATULATIONS.
AND YOU KNOW HOW YOU'VE TALKING ABOUT HIRING AN ARTIST
TO DO A SCULPTURE FOR THE LOBBY.
WELL, MR. WERTZ SUGGESTED WE GET THE BEST ARTISTS IN THE AREA
TO SUBMIT THEIR WORK.
THEN WE'LL HAVE A COMPETITION
TO DECIDE WHICH ONE WE'LL USE FOR THE LOBBY.
THAT'S A GREAT IDEA.
AND THERE'S $2,500 IN THE BUDGET
FOR THE WINNING SCULPTURE.
YOU KNOW, UH, I'VE DONE A BIT OF SCULPTING MYSELF.
I DIDN'T KNOW THAT.
OH, YEAH.
YEAH, I HAVEN'T REALLY MENTIONED IT TO YOU,
BUT UH, WELL, FOR $2,500 I COULD GET THE OLD CHISEL OUT.
OK, ALEX.
SO, UH, DO YOU HAVE ANYONE SPECIAL IN MIND?
WHAT ABOUT NICK?
SO, DO YOU HAVE ANYONE SPECIAL IN MIND?
COME ON, I'M SERIOUS. NICK WOULD BE PERFECT
TO DESIGN THAT SCULPTURE.
HONEY, THIS CONTEST IS FOR SERIOUS ARTISTS,
YOU KNOW, PEOPLE WHO HAVE A STANDING IN THE ART WORLD,
PEOPLE WHO ARE ESTABLISHED.
YOU KNOW, POP, I STILL THINK I'M THE BEST GUY FOR THIS JOB.
NOW, $2,500 IS A LITTLE LESS THAN MY NORMAL PRICE,
BUT FOR FAMILY...
ALEX.
MOM LISTEN, NICK HAS A REAL FEEL FOR THIS PROJECT.
I MEAN HE KNOWS EXACTLY WHAT YOU'RE AFTER.
YOU SAW HIM.
HE REALLY DID HAVE A GOOD GRASP OF WHAT I WAS TRYING TO DO.
ATLEAST TALK TO HIM, MOM. GET HIS IDEAS.
IT CAN'T HURT,
AND YOU DON'T HAVE ANYONE ELSE IN MIND. YOU SAID SO YOURSELF.
WHOA, HEY, MOM. IT'S JUST NICK WHO'S COMING OVER.
YOU DON'T NEED COFFEE CAKE.
YOU NEED BEEF JERKY, SOME KETCHUP.
NICK MIGHT JUST SURPRISE YOU, ALEX.
I BET HE'S GOING TO COME UP WITH THE PERFECT SCULPTURE FOR THIS PROJECT.
REMEMBER THAT MASTERPIECE HE GAVE MAL FOR HER BIRTHDAY?
IT WAS UH...A RUNNING LAWNMOWER ENGINE
ENCASED IN A GIANT TACO SHELL.
ALEX HAS A POINT.
I--I DON'T THINK ART SHOULD HAVE TO BE REFRIGERATED.
OH COME ON, STEVEN, ALL WE AGREED TO DO WAS TO INTERVIEW NICK.
I DON'T KNOW, ELYSE. I GOT A BAD FEELING ABOUT THIS.
LAST NIGHT, I HAD A DREAM...
THAT NICK CREATED A SCULPTURE SO MONSTROUS,
THAT I GOT FIRED, AND THEY TOOK AWAY
YOUR ARCHITECTURE LICENSE.
WE COULDN'T AFFORD TO SUPPORT OUR CHILDREN,
SO MALLORY RAN OFF TO MARRY NICK.
THEY--THEY--
THEY RAN OFF TO LIVE
IN A REMOTE PART OF MEXICO CALLED TACO GRANDE...
WHERE NICK COULD FIND TACO SHELLS
BIG ENOUGH FOR HIS SCULPTURES.
BUT THEY CAME TO VISIT US ON HOLIDAYS.
MALLORY AND NICK ON A MOTORCYCLE,
OUR GRANDCHILDREN IN A SIDECAR YELLING,
"HEY GRANDPA, ¿COMO ESTA?"
THEY DID GO BACK TO MEXICO, RIGHT?
HI.
HEY, THE ARTIST HAS ARRIVED.
AW, COME ON, JEN. YOU'RE EMBARRASSING ME IN FRONT OF YOUR FAMILY.
OH NICK YOU SHOULDN'T BE EMBARRASSED ABOUT YOUR TALENT.
I MEAN THIS PROJECT THAT HE'S WORKING ON NOW IS BRILLIANT
IN ITS USE OF COLOR AND TEXTURE.
HOW MANY MILES DOES IT GET TO THE GALLON?
WHY DON'T WE SIT DOWN AND GET STARTED.
I CAN'T BELIEVE IT. I MEAN THIS IS GREAT.
MY PARENTS AND MY BOYFRIEND
SITTING IN HARMONY AROUND THE KITCHEN TABLE.
JEN, HELP ME FIND THE CAMERA.
BEFORE WE START, I JUST WANT YOU TO KNOW
THAT I'VE BEEN GIVING THIS A LOT OF THOUGHT.
I REALIZE THIS IS A VERY SPECIAL PROJECT,
AND THAT IF I BECOME ONE OF THE CONTESTANTS,
I AM NOT GOING TO WORK WITH ANY OF THE MATERIALS THAT I'VE
WORKED WITH IN THE PAST.
AW JEEZ, NICK, THAT'S TOO BAD.
NO, WE WERE HOPING FOR SOMETHING IN A BURRITO THIS TIME.
UM...
ALL RIGHT, NICK. I JUST HAVE TO ASK YOU A FEW QUESTIONS HERE.
PURELY...PURELY ROUTINE.
SHOOT.
HOW LONG HAVE YOU BEEN AN ARTIST?
I'VE WORKED PROFESSIONALLY FOR ABOUT FOUR YEARS NOW.
HOW WOULD YOU CHARACTERIZE YOUR STYLE?
UH...MODERN.
WHY DO YOU FEEL IT'S NECESSARY
TO GO OUT WITH OUR DAUGHTER?
STEVEN, PLEASE.
I'M JUST TRYING TO GET A FULL SENSE
OF THE MAN AND HIS WORK,
AND WHY I'M UP NIGHTS WORRYING ABOUT HIM.
LET ME ASK YOUSE A COUPLE OF QUESTIONS.
I MEAN, WHAT KIND OF FEELING DO YOU WANT
FOR THIS SCULPTURE?
WHAT WOULD FIT BEST INTO THE LOBBY THAT YOU ARE DESIGNING?
LET ME SHOW YOU SOME PHOTOS OF MY WORK OVER THE YEARS.
THAT'LL GIVE YOU AN IDEA OF MY STYLE. KIND OF WHAT I'M GOING FOR.
HERE THERE'S A PROJECT I DID UP IN BERKELEY IN '68.
HEY, YOU LOOK PRETTY GOOD THERE, MR. KEATON.
LOOK HOW LONG YOUR HAIR IS.
I LIKE THOSE BEADS TOO.
IT'S FUNNY LOOKING AT US HERE
WITH THE TIE-DYED SHIRTS, AND RIPPED JEANS, AND THOSE HEADBANDS.
YOU KNOW KNOW YOU LOOKED A LOT BETTER THEN.
WHY, THANKS, NICK.
YOU ALWAYS KNOW JUST WHAT TO SAY.
I LIKE THIS SCULPTURE HERE TOO,
THIS COPPER PEACE SYMBOL.
OH, REMEMBER HOW CONTROVERSIAL THAT WAS BACK IN '68?
LOT OF PEOPLE THOUGHT THAT MADE
TOO STRONG A POLITICAL STATEMENT.
HERE, UH... HERE WE GO.
HERE'S A PICTURE OF THE PEOPLE PICKETING THE SCULPTURE
AFTER IT WAS UNVEILED.
DOESN'T ALEX LOOK CUTE THERE?
HE'D JUST TURNED 3.
HE COULD BARELY HOLD UP
THAT "AMERICA--LOVE IT OR LEAVE IT" SIGN.
WHO WAS THE ARTIST WHO DID THAT SCULPTURE?
THAT'S ROGER LAMBEER.
I DIDN'T KNOW YOU WERE FAMILIAR WITH THAT PERIOD?
WELL, YEAH, I LIKE ALL THEM ARTISTS FROM THE SIXTIES--
ANDY WARHOL, PETER MAX...
SONNY AND CHER.
* I GOT YOU, BABE
* AND WHEN I'M SAD
* YOU'RE A CLOWN
* AND WHEN I GET SCARED
* YOU'RE ALWAYS AROUND
* SO LET 'EM SAY YOUR HAIR'S TOO LONG
* I DON'T CARE
* WITH YOU, I...
LET'S GET BACK TO WORK, NICK.
YOU KNOW I--I REALLY WISH I WAS BROUGHT UP IN THE SIXTIES.
SOMETIMES I JUST DON'T FEEL LIKE I BELONG HERE.
THAT'S NOT A CRAZY THOUGHT.
BOY, THOSE MUST HAVE BEEN EXCITING TIMES, HUH?
OH, THEY WERE GREAT TIMES.
WE WEREN'T SO CONCERNED WITH MAKING MONEY THEN,
FOLLOWING RULES, OR LIVING BY ANYONE ELSE'S STANDARDS.
WE JUST WANTED TO BE WHO WE WERE,
NO MATTER WHAT ANYBODY THOUGHT.
THAT KIND OF SOUNDS LIKE HOW I LIVE.
OH, MY GOD, HE'S RIGHT.
YOU SEE, IT'S JUST THAT THE EIGHTIES ARE TOO UPTIGHT FOR ME.
YOU KNOW ACTUALLY THE SEVENTIES WERE TOO UPTIGHT FOR ME, TOO.
I HOPE THE REST OF THE CENTURY LOOSENS UP.
LET'S LOOK AT THE LAYOUT FOR THE NEW LOBBY HERE.
OK, BABE.
HERE WE GO.
HEY.
HEY, HEY, HEY, I LIKE THIS.
I GOT AN IDEA.
HOW ABOUT A SCULPTURE
THAT WOULD USE SOME OF THOSE OLD SIXTIES FEELINGS,
BUT BLENDED WITH THE LOOK OF THE EIGHTIES.
YOU KNOW I COULD USE OLD METAL, POUNDED AND POLISHED,
BUT THE TEXTURES AND SHAPES
WOULD BE MORE SLEEK, MORE ANGLED.
THAT'S EXACTLY THE RIGHT FEEL FOR THE ROOM.
RIGHT, STEVEN?
I HAVE TO ADMIT, THAT'S NOT BAD.
THIS IS GREAT.
YOU KNOW, I FEEL CLOSER TO BOTH OF YOU THAN EVER BEFORE.
WELL NICK, WE'VE HAD A NICE LITTLE DISCUSSION HERE.
LET'S NOT BLOW IT OUT OF PROPORTION.
NICK I HAVE TO TELL YOU, I WAS SKEPTICAL AT FIRST,
BUT AFTER LISTENING TO A FEW OF YOUR IDEAS,
I SEE NO REASON YOU SHOULDN'T ENTER THE COMPETITION.
ALL RIGHT!
CONGRATULATIONS, HONEY.
OK, NICK, YOU'RE IN.
HOLD ON.
THIS IS A COLLECTOR'S ITEM.
AND THEN WOOFY SAID, "I'M HUNGRY. MAYBE IF I'M A GOOD DOG,
"MY MASTER, MR. JOHNSON, WILL GIVE ME A BONE.
"SO HE WENT OVER TO HIS MASTER TO GET SOME FOOD.
"MR. JOHNSON WAS ASLEEP.
"WOOFY WAS VERY UNHAPPY.
"WHAT WILL I DO?, SAID WOOFY.
"THEN WOOFY GOT AN IDEA.
I KNOW WHAT I'LL DO."
I'LL EAT MR. JOHNSON.
ALEX DO YOU MIND? I'M TRYING TO READ ANDY A STORY.
YEAH WELL MAL, YOU SHOULDN'T READ TO HIM FROM YOUR TEXTBOOKS.
THIS HAPPENS TO BE FROM THE WOOFY THE DOG SERIES.
ANDY LOVES IT, DON'T YOU, ANDY?
IT PASSES TIME.
COME ON MAL, LOOK, ANDREW'S WAY PAST THIS LEVEL OF MATERIAL.
ANDY, WHY DON'T YOU TELL MALLORY WHAT WE READ TOGETHER THIS MORNING.
NEW YORK TIMES.
AND?
WALL STREET JOURNAL.
AND FOR FUN?
THE CONGRESSIONAL RECORD.
ALEX, LOOK, ANDY IS JUST BEING POLITE.
I'M SURE HE'D MUCH RATHER LISTEN TO ME READ ABOUT WOOFY
THAN GO THROUGH YOUR BORING NEWSPAPERS.
ALRIGHT, OK, WHY DON'T WE JUST ASK ANDY?
ANDY, WHAT DO YOU LIKE BETTER,
WALL STREET JOURNAL, OR WOOFY THE IDIOT DOG?
I'LL GET BACK TO YOU.
ALEX, I'M NOT SURE ABOUT SOMETHING.
OH WELL YOU SEE, WOOFY'S A DOG, AND HE'S SEEMS TO BE PRETTY EXCITED ABOUT GETTING HIS BONE--
NO. NO.
DO YOU THINK NICK HAS A CHANCE TONIGHT?
I DO.
I MEAN YOU KNOW, MOM AND DAD ARE WILLING TO LET HIM ENTER THE COMPETION.
I'D SAY HE'S GOT A SHOT.
HE'S REALLY EXCITED.
I MEAN CAN YOU IMAGINE WHAT IT WOULD BE LIKE
IF NICK WON $2,500?
YEAH.
MAL, CAN I ASK YOU A QUESTION?
NOW LET'S SAY NICK DOES WIN
THE, UH...
$2,500.
DOES HE HAVE ANY IDEA
WHAT HE'S GOING TO DO WITH THAT MONEY?
I MEAN IN LIGHT OF THE NEW TAX LAWS.
IS NICK AWARE OF THE NEW TAX LAWS?
IS NICK AWARE THAT WE HAVE A GOVERNMENT?
HEY, YOU GUYS LOOK GREAT.
WHERE'S NICK? WE'RE SUPPOSE TO BE DOWN AT THE STATION IN A FEW MINUTES.
DON'T WORRY MOM HE WON'T BE LATE.
I NEAN THIS IS THE BIGGEST THING THAT'S HAPPEND IN HIS LIFE.
WELL HE HAS BEEN WORKING HARD, I'LL SAY THAT FOR HIM.
WE HARDLY SEE HIM AROUND HERE ANYMORE.
WE SHOULD GET HIM IN MORE CONTESTS.
I WANT YOU GUYS TO KNOW THAT
HE'S NOT JUST WORKING HARD FOR HIMSELF.
HE'S DOING IT TO REPAY THE TRUST YOU'VE PLACED IN HIM.
I MEAN HE PROBABLY WON'T BE ABLE TO EXPRESS IT THAT WAY,
EVEN THOUGH THAT'S HOW HE REALLY FEELS.
IF HE TRIED TO TELL YOU HOW MUCH IT MEANT TO HIM,
AND HOW MUCH YOU MEAN TO HIM
ALL THAT WOULD COME OUT IS...
"HEY."
HEY.
THAT'S BEAUTIFUL, NICK.
GOOD LUCK TONIGHT, NICK.
WE KNOW HOW HARD YOU'VE WORKED.
HEY.
NOW DON'T START.
HEY.
NICK, THERE'S SOME PEOPLE WOULD LIKE TO MEET YOU.
HEY.
THIS IS WALTER LUSKIN,
OUR DIRECTOR OF PROGRAMMING HERE AT WKS,
AND CHARLES WERTZ, OUR REGIONAL MANAGER.
HEY!
HEY.
THEY'RE GOING TO BE JUDGING THE COMPETITION ALONG WITH ME.
THANK YOU NICK. NICE PIECE OF WORK.
NICE, NICK.
OH, WOW.
I KNEW IT. THEY HATE IT.
NICK, HE SAID IT WAS A NICE PIECE OF WORK.
IN THE ART WORLD, MAL, THAT MEANS THEY HATE IT.
I SUPPOSE YOU'RE WONDERING WHAT I'M THINKING OF THE SCULPTURE.
OH NO, NOT AT ALL.
WERE YOU LOOKING AT THE SCULPTURE?
NOT ONLY LOOKING AT IT, I'M GOING TO VOTE FOR THIS.
WALTER, YOU'RE KIDDING ME.
I MEAN YOU'RE NOT JUST SAYING THAT BECAUSE
NICK'S MY BOYFRIEND, ARE YOU?
NO. IN FACT, I'M VOTING AGAINST HIM AS YOUR BOYFRIEND,
BUT IT'S NICE WORK. GOOD WORK.
WALTER, THIS IS GREAT.
I MEAN THIS MEANS NICK'S REALLY GOT A SHOT.
WELL, HE'S GOT MY VOTE.
UNFORTUNATELY, MR. WERTZ, THE BOZO, LIKES THAT SCULPTURE.
WALTER!
YES, SIR?
I GUESS YOU'RE DAD'S A DECIDING VOTE.
I HOPE IT WORKS OUT OK.
NICK, YOU DID IT.
THEY CHOSE YOUR SCULPTURE.
AND I MISSED IT?
NO, IT'S NOT OFFICIAL YET.
BUT WALTER IS VOTING FOR YOURS.
MR. WERTZ IS VOTING FOR THAT OVER THERE.
MY DAD IS THE DECIDING VOTE. YOU'RE IN.
YOUR ATTENTION, IF I MAY.
YOUR ATTENTION.
THANK YOU. THANK YOU VERY MUCH. YOU'RE TOO KIND.
IT SEEMS LIKE ONLY YESTERDAY
THAT PUBLIC BROADCASTING BECAME A REALITY IN OHIO,
BUT IN FACT, IT WAS JULY 26, 1954.
SINCE THEN, PUBLIC BROADCASTING AND I HAVE BOTH AGED A LITTLE.
WE'VE LOST SOME HAIR AND PUT ON A COUPLE OF POUNDS.
BUT IF I MUST SAY SO,
WE'RE LOOKING PRETTY DARN GOOD,
ALTHOUGH WE BOTH MAY BE IN NEED OF
A LITTLE RENOVATION.
TO ANNOUNCE THE WINNING SCULPTURE,
THE ARCHITECT OF THIS PROJECT
AND A MEMBER OF THE WKS FAMILY...
ELYSE KEATON.
YAY, MOM!
HEY!
THANK YOU. THANK YOU.
IF THE JUDGES HAVE REACHED A DECISION...
WE HAVE.
THE WINNER IS PHOENIX ARISEN BY SANDY McCANN.
I CANNOT BELIEVE YOU DIDN'T PICK NICK'S SCULPTURE.
HEY, MAL, IT'S ALL RIGHT. FAIR IS FAIR.
LET'S GO OVER AND CONGRATULATE MISS McCANN.
NO NICK, IT IS NOT FAIR.
I MEAN EVERYBODY KNOWS THIS IS THE BEST SCULPTURE.
AND HERE, MY FATHER DIDN'T VOTE FOR IT BECAUSE IT'S YOURS.
MALLORY, THAT IS JUST NOT TRUE.
YOU HAD NEVER ANY INTENTION OF VOTING FOR NICK'S SCULPTURE.
I MEAN, YOU PROBABLY JUST LET HIM IN THE COMPETITION SO YOU COULD HUMILIATE HIM--
RAISE HIS HOPES AND THEN DRAG HIM DOWN, ADMIT IT.
MALLORY, THIS ISN'T THE TIME OR THE PLACE FOR THIS.
YOU KNOW, YOU CAN'T LIKE THAT.
BECAUSE IF YOU DID IT WOULD MEAN YOU'RE ACCEPTING NICK.
AND YOU JUST WILL NEVER ACCEPT HIM, WILL YOU?
EXCUSE ME, OK? EXCUSE ME.
ANDY, WHAT ARE YOU DOING UP? IT'S AFTER 11.
SHH!
HOW LONG HAS HE BEEN ASLEEP?
I TRIED TO CARRY HIM UPSTAIRS,
BUT HE WEIGHS A TON.
WHAT TIME IS IT?
11:15.
ANDREW, YOU WERE SUPPOSED
TO WAKE ME UP AT 11:00. WHAT HAPPENED?
I DON'T KNOW HOW TO TELL TIME.
I FORGOT.
HOW DID THE COMPETITION GO, HUH?
NICK WIN?
WELL, HE CAME IN SECOND.
TOO BAD.
I CAST THE DECIDING VOTE AGAINST HIM.
WELL, YOU DID WHAT YOU THOUGHT WAS BEST, RIGHT?
YEAH.
ALL RIGHT, PAL, LET'S GO.
COME ON.
WHAT A GYP. IT'S NOT EVEN MIDNIGHT.
HEY I THOUGHT YOU COULDN'T TELL TIME.
I'M WORKING ON IT.
GOOD NIGHT.
GOOD NIGHT, DADDY.
GOOD NIGHT.
GOOD NIGHT, EVERYBODY.
WANT SOME TEA?
PLEASE.
YOU ALL RIGHT?
YEAH. JUST THINKING.
ABOUT WHAT?
WELL, IF THERE'S ANY TRUTH IN WHAT MALLORY SAID TONIGHT.
THAT I REJECTED THAT SCULPTURE
BECAUSE TO ACCEPT IT WOULD HAVE MEANT ACCEPTING NICK.
THERE ARE SO MANY LEGITIMATE REASONS NOT TO ACCEPT NICK.
YOU WOULDN'T THINK I'D HAVE TO MAKE ONE UP.
HE HANDLED THE DISAPPOINTMENT AWFULLY WELL, THOUGH, DON'T YOU THINK?
I MEAN, CONSIDERING ALL THE WORK HE DID.
I HAVE TO ADMIT, HE WAS AWFULLY GRACIOUS.
SOMETIMES, HE'S AN AWFULLY SWEET BOY YOU KNOW.
I GUESS.
HE REALLY CARES ABOUT MALLORY.
I GUESS.
SOMETIMES HE REMINDS ME
A LITTLE BIT OF YOU AT THAT AGE.
I GUESS.
WHAT ARE YOU TALKING ABOUT?
NO. I'M SERIOUS.
NICK HAS REAL PASSION, YOU KNOW?
LIKE YOU DO.
UNFORTUNATELY, ONE OF HIS PASSIONS IS OUR DAUGHTER.
YOU KNOW IT'S FUNNY. IF WE WERE IN COLLEGE RIGHT NOW,
WE'D BE MORE LIKELY
TO BE FRIENDS WITH NICK THAN WITH ALEX.
WELL, WE'D NEVER GET TO MEET SOMEONE LIKE ALEX,
UNLESS WE WERE WORKING FOR HIM.
WE LAUGH AT NICK'S ART THE WAY OUR PARENTS
USED TO LAUGH AT OUR MUSIC AND OUR CLOTHES.
YEAH, BUT WE'RE RIGHT, AND THEY WERE WRONG.
OR MAYBE WE'VE JUST GOTTEN STAID, YOU KNOW?
A LITTLE INFLEXIBLE.
A LITTLE OLDER.
MAYBE YOU HAVE.
HI.
HEY.
I'M SORRY. I WANT TO APOLOGIZE FOR MAKING A SCENE TONIGHT.
I SHOULDN'T HAVE SAID WHAT I SAID.
I MEAN, IT ISN'T TRUE, YOU WOULDN'T HURT NICK ON PURPOSE.
I JUST WANT TO SAY THANK YOU FOR THE OPPORTUNITY.
I REALLY ENJOYED WORKING ON THE PIECE
AND GETTING TO KNOW YOUSE BETTER.
WELL, WE HAVE GOTTEN TO KNOW
EACH OTHER A LITTLE BETTER.
THAT'S NOT BAD.
I'M SORRY I FORCED YOU ALL TO WORK TOGETHER.
I MEAN, I JUST WANTED YOU TO GET ALONG.
YOU KNOW, I LOVE YOU, AND I LOVE YOU,
AND I WANTED YOU TO LOVE EACH OTHER.
HEY, THAT'S SWEET, BABE.
VERY SWEET, BABE.
* SO PUT YOUR LITTLE HAND IN MINE *
* THERE AIN'T NO HILL OR MOUNTAIN WE CAN'T CLIMB *
* BABE
* I GOT YOU, BABE
* THEY SAY OUR LOVE *
* WON'T PAY THE RENT * BEFORE IT'S EARNED OUR MONEY'S ALL BEEN SPENT *
* BABE
* I GOT YOU, BABE